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How to Add Titles in Final Cut Pro X
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Final Cut Pro X: Creating Stunning Titles for Your Videos
How to Add Titles in Final Cut Pro X
Benjamin Arango
Mar 27, 2024• Proven solutions
We add text titles to our projects to tell the audience something they can’t figure out on their own, such as the title of our program, the name of the person speaking, or technical details about a subject.
This is a basic tutorial about Apple Final Cut Pro X, professional video editing software. However, if video editing is new to you, consider Wondershare Filmora for Mac . This is a powerful but easy-to-use tool for users just starting out. Download the free trial version below.
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
Final Cut Pro X has almost 200 different text effects that we can add, but the process of adding titles is essentially the same. Adding titles is what this article is about.
DEFINITIONS
Just to keep us all on the same page, here are my definitions of key terms related to text:
- Text or titles. Words placed on the screen. I use these terms interchangeably.
- Superimpose. Text displayed on the the screen with other video below it. These are also called “supers” or “keys.”
- Full-screen. Text which occupies the entire screen.
- Lower-third. Text which fits below a person talking; in the “lower-third” of the screen.
- Info-graphics. Full-screen text which is superimposed on a graphic, generally used to convey technical information. Typical uses are sports statistics or other information which is easier to convey using text than having someone read the words.
JUST THE BASICS
I’d like to introduce “Yertle,” he’s a sea turtle and the star of this article. (Footage courtesy of Jim Walker and Lobsters Gone Wild Productions.)
At its simplest, we use titles to display his (its?) name.
In the Timeline, put the playhead where you want a title to appear and type Shift+Control+T. This inserts the default lower-third title at the position of the playhead. The title, like almost all titles, has a default duration of 10:00 seconds.
Look at the Browser and see the results of your work. A lower-third title is superimposed over the video in the lower left corner. (I’ll talk about formatting the text in a few paragraphs.)
NOTE: The big limitation of this lower-third title is that it can only be positioned in the left corner. Moving it to the center or right corner requires manual adjustment.
You position or trim a title the same as any video clip: drag the clip to a different location, or drag an edge to change its duration.
Select that title and delete it by pressing the Delete key.
This time, type Control+T and the default full-screen title appears in the center of the screen. Again, this has a default duration of 10 seconds.
If you look right in the center of the screen, you’ll see the word “Title.” Yes, its darn near invisible. And, yes, it looks, um, ugly. However, we have a TON of formatting control to make this look however we want.
Select and delete that full-screen title.
There’s one more way to apply a title: dragging from the Titles Browser.
Click the Title icon in the Toolbar. This displays the contents of the Title Browser. The column on the left displays title categories, the icons on the right indicate individual titles, the search box at the bottom allows you to search for specific titles by name, while the number in the lower right indicates the number of titles currently displayed. (Your number may not match mine because I’ve added a few custom titles to my system.)
Let’s add a totally ridiculous title to our turtle - drag Clouds from the Title Browser and place it above the clip at the point where you want a title to appear.
NOTE: I’m using a marker in the Timeline to help me find the same place in a clip so my screen shots are consistent. Markers are not needed in any way for titles.
Um, yeah. So, some titles look more professional than others… You can delete this title now.
So, we:
- Add titles using keyboard shortcuts
- Drag titles from the Title Browser
- Change position by dragging the title
- Change duration by dragging the edge of the clip
- Delete a title by selecting it and pressing the Delete key
CHANGING TEXT
Add a new full-screen title (type Control+T) to the Timeline. To change the text in a title, double-click it in the Viewer. Here, I’ve changed my title to “An Undersea Adventure.”
NOTE: We can also change the text using the Inspector. I’ll show you how in a few paragraphs. Pick whichever method is easiest for you.
All text, in any title, can be changed by double-clicking it in the Viewer to select it, then typing the new text you want to use.
FORMATTING TEXT
You can format any text that you can select. This means that you can format entire phrases, words, or individual letters differently. For this article, I will format everything the same, because once you know how this works, you can experiment on your own.
Here, I selected my entire title and opened the Inspector (shortcut Cmd+4). Click the Text tab at the top. This section of the Inspector allows you to format the text.
NOTE: The text box near the top of the panel is the second place you can select text for formatting.
If you want a fast way to format text, click the word “Normal” at the top. This displays a menu filled with different text formats. Some of these formats look pretty dreadful; the rest look worse.
NOTE: You can create your own text styles. Refer to the Help for information on how.
The Basic section of the Inspector allows you to change fonts, size, alignment… all the standard font settings we see in other programs. Here, I’ve changed the font to Hobo Std, at 167 points.
While many of these settings you already know there are a few you may not:
- Line spacing. Adjusts the vertical distance between lines within the same paragraph.
- Tracking. Adjusts the horizontal spacing between letters.
- Baseline. Adjusts the vertical spacing of text compared to the horizontal line running thru the center of the white circle in the Viewer.
The Face section allows us to change font color, opacity and blue. Outline and Glow allows us to add, not surprisingly, outlines and glows. You can adjust these as you see fit - I tend not to add outlines or glows.
However, I STRONGLY recommend adding drop shadows to all text that you want viewers to read. Video, even HD video, is low resolution compared to print. Drop shadows make your text much easier to read. These are the settings I recommend for drop shadows.
After making a few changes in the Inspector, here’s the final result. Very cool - and very different from where we started!
ACTION SAFE/TITLE SAFE ZONES
Since television was first invented, we needed to compensate for the differences in TV sets by designing graphics to stay within Action Safe and Title Safe boundaries.
While much of today’s video is designed for the web, your titles will look the best if you follow the same guidelines.
Titles015
Go to the Switch in the Viewer and select “Show Action Safe/Title Safe Zones.”
This displays two pale rectangles in the frame. The outer rectangle is called “Action Safe,” the inner one is called “Title Safe.” Action Safe is 5% in from all edges; Title Safe is 10% in from all edges.
When designing text and graphics for the web, keep all essential elements inside the outer rectangle. When designing graphics and text for broadcast or cable, keep all essential elements inside the inner rectangle.
Here, for example, notice that my title is fully contained within Action Safe.
SUMMARY
Titles give our programs character and personality, plus they explain what’s going on to the audience. Final Cut Pro X provides a wealth of formatting options to make our text look great.
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
Benjamin Arango
Mar 27, 2024• Proven solutions
We add text titles to our projects to tell the audience something they can’t figure out on their own, such as the title of our program, the name of the person speaking, or technical details about a subject.
This is a basic tutorial about Apple Final Cut Pro X, professional video editing software. However, if video editing is new to you, consider Wondershare Filmora for Mac . This is a powerful but easy-to-use tool for users just starting out. Download the free trial version below.
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
Final Cut Pro X has almost 200 different text effects that we can add, but the process of adding titles is essentially the same. Adding titles is what this article is about.
DEFINITIONS
Just to keep us all on the same page, here are my definitions of key terms related to text:
- Text or titles. Words placed on the screen. I use these terms interchangeably.
- Superimpose. Text displayed on the the screen with other video below it. These are also called “supers” or “keys.”
- Full-screen. Text which occupies the entire screen.
- Lower-third. Text which fits below a person talking; in the “lower-third” of the screen.
- Info-graphics. Full-screen text which is superimposed on a graphic, generally used to convey technical information. Typical uses are sports statistics or other information which is easier to convey using text than having someone read the words.
JUST THE BASICS
I’d like to introduce “Yertle,” he’s a sea turtle and the star of this article. (Footage courtesy of Jim Walker and Lobsters Gone Wild Productions.)
At its simplest, we use titles to display his (its?) name.
In the Timeline, put the playhead where you want a title to appear and type Shift+Control+T. This inserts the default lower-third title at the position of the playhead. The title, like almost all titles, has a default duration of 10:00 seconds.
Look at the Browser and see the results of your work. A lower-third title is superimposed over the video in the lower left corner. (I’ll talk about formatting the text in a few paragraphs.)
NOTE: The big limitation of this lower-third title is that it can only be positioned in the left corner. Moving it to the center or right corner requires manual adjustment.
You position or trim a title the same as any video clip: drag the clip to a different location, or drag an edge to change its duration.
Select that title and delete it by pressing the Delete key.
This time, type Control+T and the default full-screen title appears in the center of the screen. Again, this has a default duration of 10 seconds.
If you look right in the center of the screen, you’ll see the word “Title.” Yes, its darn near invisible. And, yes, it looks, um, ugly. However, we have a TON of formatting control to make this look however we want.
Select and delete that full-screen title.
There’s one more way to apply a title: dragging from the Titles Browser.
Click the Title icon in the Toolbar. This displays the contents of the Title Browser. The column on the left displays title categories, the icons on the right indicate individual titles, the search box at the bottom allows you to search for specific titles by name, while the number in the lower right indicates the number of titles currently displayed. (Your number may not match mine because I’ve added a few custom titles to my system.)
Let’s add a totally ridiculous title to our turtle - drag Clouds from the Title Browser and place it above the clip at the point where you want a title to appear.
NOTE: I’m using a marker in the Timeline to help me find the same place in a clip so my screen shots are consistent. Markers are not needed in any way for titles.
Um, yeah. So, some titles look more professional than others… You can delete this title now.
So, we:
- Add titles using keyboard shortcuts
- Drag titles from the Title Browser
- Change position by dragging the title
- Change duration by dragging the edge of the clip
- Delete a title by selecting it and pressing the Delete key
CHANGING TEXT
Add a new full-screen title (type Control+T) to the Timeline. To change the text in a title, double-click it in the Viewer. Here, I’ve changed my title to “An Undersea Adventure.”
NOTE: We can also change the text using the Inspector. I’ll show you how in a few paragraphs. Pick whichever method is easiest for you.
All text, in any title, can be changed by double-clicking it in the Viewer to select it, then typing the new text you want to use.
FORMATTING TEXT
You can format any text that you can select. This means that you can format entire phrases, words, or individual letters differently. For this article, I will format everything the same, because once you know how this works, you can experiment on your own.
Here, I selected my entire title and opened the Inspector (shortcut Cmd+4). Click the Text tab at the top. This section of the Inspector allows you to format the text.
NOTE: The text box near the top of the panel is the second place you can select text for formatting.
If you want a fast way to format text, click the word “Normal” at the top. This displays a menu filled with different text formats. Some of these formats look pretty dreadful; the rest look worse.
NOTE: You can create your own text styles. Refer to the Help for information on how.
The Basic section of the Inspector allows you to change fonts, size, alignment… all the standard font settings we see in other programs. Here, I’ve changed the font to Hobo Std, at 167 points.
While many of these settings you already know there are a few you may not:
- Line spacing. Adjusts the vertical distance between lines within the same paragraph.
- Tracking. Adjusts the horizontal spacing between letters.
- Baseline. Adjusts the vertical spacing of text compared to the horizontal line running thru the center of the white circle in the Viewer.
The Face section allows us to change font color, opacity and blue. Outline and Glow allows us to add, not surprisingly, outlines and glows. You can adjust these as you see fit - I tend not to add outlines or glows.
However, I STRONGLY recommend adding drop shadows to all text that you want viewers to read. Video, even HD video, is low resolution compared to print. Drop shadows make your text much easier to read. These are the settings I recommend for drop shadows.
After making a few changes in the Inspector, here’s the final result. Very cool - and very different from where we started!
ACTION SAFE/TITLE SAFE ZONES
Since television was first invented, we needed to compensate for the differences in TV sets by designing graphics to stay within Action Safe and Title Safe boundaries.
While much of today’s video is designed for the web, your titles will look the best if you follow the same guidelines.
Titles015
Go to the Switch in the Viewer and select “Show Action Safe/Title Safe Zones.”
This displays two pale rectangles in the frame. The outer rectangle is called “Action Safe,” the inner one is called “Title Safe.” Action Safe is 5% in from all edges; Title Safe is 10% in from all edges.
When designing text and graphics for the web, keep all essential elements inside the outer rectangle. When designing graphics and text for broadcast or cable, keep all essential elements inside the inner rectangle.
Here, for example, notice that my title is fully contained within Action Safe.
SUMMARY
Titles give our programs character and personality, plus they explain what’s going on to the audience. Final Cut Pro X provides a wealth of formatting options to make our text look great.
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
Benjamin Arango
Mar 27, 2024• Proven solutions
We add text titles to our projects to tell the audience something they can’t figure out on their own, such as the title of our program, the name of the person speaking, or technical details about a subject.
This is a basic tutorial about Apple Final Cut Pro X, professional video editing software. However, if video editing is new to you, consider Wondershare Filmora for Mac . This is a powerful but easy-to-use tool for users just starting out. Download the free trial version below.
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
Final Cut Pro X has almost 200 different text effects that we can add, but the process of adding titles is essentially the same. Adding titles is what this article is about.
DEFINITIONS
Just to keep us all on the same page, here are my definitions of key terms related to text:
- Text or titles. Words placed on the screen. I use these terms interchangeably.
- Superimpose. Text displayed on the the screen with other video below it. These are also called “supers” or “keys.”
- Full-screen. Text which occupies the entire screen.
- Lower-third. Text which fits below a person talking; in the “lower-third” of the screen.
- Info-graphics. Full-screen text which is superimposed on a graphic, generally used to convey technical information. Typical uses are sports statistics or other information which is easier to convey using text than having someone read the words.
JUST THE BASICS
I’d like to introduce “Yertle,” he’s a sea turtle and the star of this article. (Footage courtesy of Jim Walker and Lobsters Gone Wild Productions.)
At its simplest, we use titles to display his (its?) name.
In the Timeline, put the playhead where you want a title to appear and type Shift+Control+T. This inserts the default lower-third title at the position of the playhead. The title, like almost all titles, has a default duration of 10:00 seconds.
Look at the Browser and see the results of your work. A lower-third title is superimposed over the video in the lower left corner. (I’ll talk about formatting the text in a few paragraphs.)
NOTE: The big limitation of this lower-third title is that it can only be positioned in the left corner. Moving it to the center or right corner requires manual adjustment.
You position or trim a title the same as any video clip: drag the clip to a different location, or drag an edge to change its duration.
Select that title and delete it by pressing the Delete key.
This time, type Control+T and the default full-screen title appears in the center of the screen. Again, this has a default duration of 10 seconds.
If you look right in the center of the screen, you’ll see the word “Title.” Yes, its darn near invisible. And, yes, it looks, um, ugly. However, we have a TON of formatting control to make this look however we want.
Select and delete that full-screen title.
There’s one more way to apply a title: dragging from the Titles Browser.
Click the Title icon in the Toolbar. This displays the contents of the Title Browser. The column on the left displays title categories, the icons on the right indicate individual titles, the search box at the bottom allows you to search for specific titles by name, while the number in the lower right indicates the number of titles currently displayed. (Your number may not match mine because I’ve added a few custom titles to my system.)
Let’s add a totally ridiculous title to our turtle - drag Clouds from the Title Browser and place it above the clip at the point where you want a title to appear.
NOTE: I’m using a marker in the Timeline to help me find the same place in a clip so my screen shots are consistent. Markers are not needed in any way for titles.
Um, yeah. So, some titles look more professional than others… You can delete this title now.
So, we:
- Add titles using keyboard shortcuts
- Drag titles from the Title Browser
- Change position by dragging the title
- Change duration by dragging the edge of the clip
- Delete a title by selecting it and pressing the Delete key
CHANGING TEXT
Add a new full-screen title (type Control+T) to the Timeline. To change the text in a title, double-click it in the Viewer. Here, I’ve changed my title to “An Undersea Adventure.”
NOTE: We can also change the text using the Inspector. I’ll show you how in a few paragraphs. Pick whichever method is easiest for you.
All text, in any title, can be changed by double-clicking it in the Viewer to select it, then typing the new text you want to use.
FORMATTING TEXT
You can format any text that you can select. This means that you can format entire phrases, words, or individual letters differently. For this article, I will format everything the same, because once you know how this works, you can experiment on your own.
Here, I selected my entire title and opened the Inspector (shortcut Cmd+4). Click the Text tab at the top. This section of the Inspector allows you to format the text.
NOTE: The text box near the top of the panel is the second place you can select text for formatting.
If you want a fast way to format text, click the word “Normal” at the top. This displays a menu filled with different text formats. Some of these formats look pretty dreadful; the rest look worse.
NOTE: You can create your own text styles. Refer to the Help for information on how.
The Basic section of the Inspector allows you to change fonts, size, alignment… all the standard font settings we see in other programs. Here, I’ve changed the font to Hobo Std, at 167 points.
While many of these settings you already know there are a few you may not:
- Line spacing. Adjusts the vertical distance between lines within the same paragraph.
- Tracking. Adjusts the horizontal spacing between letters.
- Baseline. Adjusts the vertical spacing of text compared to the horizontal line running thru the center of the white circle in the Viewer.
The Face section allows us to change font color, opacity and blue. Outline and Glow allows us to add, not surprisingly, outlines and glows. You can adjust these as you see fit - I tend not to add outlines or glows.
However, I STRONGLY recommend adding drop shadows to all text that you want viewers to read. Video, even HD video, is low resolution compared to print. Drop shadows make your text much easier to read. These are the settings I recommend for drop shadows.
After making a few changes in the Inspector, here’s the final result. Very cool - and very different from where we started!
ACTION SAFE/TITLE SAFE ZONES
Since television was first invented, we needed to compensate for the differences in TV sets by designing graphics to stay within Action Safe and Title Safe boundaries.
While much of today’s video is designed for the web, your titles will look the best if you follow the same guidelines.
Titles015
Go to the Switch in the Viewer and select “Show Action Safe/Title Safe Zones.”
This displays two pale rectangles in the frame. The outer rectangle is called “Action Safe,” the inner one is called “Title Safe.” Action Safe is 5% in from all edges; Title Safe is 10% in from all edges.
When designing text and graphics for the web, keep all essential elements inside the outer rectangle. When designing graphics and text for broadcast or cable, keep all essential elements inside the inner rectangle.
Here, for example, notice that my title is fully contained within Action Safe.
SUMMARY
Titles give our programs character and personality, plus they explain what’s going on to the audience. Final Cut Pro X provides a wealth of formatting options to make our text look great.
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
Benjamin Arango
Mar 27, 2024• Proven solutions
We add text titles to our projects to tell the audience something they can’t figure out on their own, such as the title of our program, the name of the person speaking, or technical details about a subject.
This is a basic tutorial about Apple Final Cut Pro X, professional video editing software. However, if video editing is new to you, consider Wondershare Filmora for Mac . This is a powerful but easy-to-use tool for users just starting out. Download the free trial version below.
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
Final Cut Pro X has almost 200 different text effects that we can add, but the process of adding titles is essentially the same. Adding titles is what this article is about.
DEFINITIONS
Just to keep us all on the same page, here are my definitions of key terms related to text:
- Text or titles. Words placed on the screen. I use these terms interchangeably.
- Superimpose. Text displayed on the the screen with other video below it. These are also called “supers” or “keys.”
- Full-screen. Text which occupies the entire screen.
- Lower-third. Text which fits below a person talking; in the “lower-third” of the screen.
- Info-graphics. Full-screen text which is superimposed on a graphic, generally used to convey technical information. Typical uses are sports statistics or other information which is easier to convey using text than having someone read the words.
JUST THE BASICS
I’d like to introduce “Yertle,” he’s a sea turtle and the star of this article. (Footage courtesy of Jim Walker and Lobsters Gone Wild Productions.)
At its simplest, we use titles to display his (its?) name.
In the Timeline, put the playhead where you want a title to appear and type Shift+Control+T. This inserts the default lower-third title at the position of the playhead. The title, like almost all titles, has a default duration of 10:00 seconds.
Look at the Browser and see the results of your work. A lower-third title is superimposed over the video in the lower left corner. (I’ll talk about formatting the text in a few paragraphs.)
NOTE: The big limitation of this lower-third title is that it can only be positioned in the left corner. Moving it to the center or right corner requires manual adjustment.
You position or trim a title the same as any video clip: drag the clip to a different location, or drag an edge to change its duration.
Select that title and delete it by pressing the Delete key.
This time, type Control+T and the default full-screen title appears in the center of the screen. Again, this has a default duration of 10 seconds.
If you look right in the center of the screen, you’ll see the word “Title.” Yes, its darn near invisible. And, yes, it looks, um, ugly. However, we have a TON of formatting control to make this look however we want.
Select and delete that full-screen title.
There’s one more way to apply a title: dragging from the Titles Browser.
Click the Title icon in the Toolbar. This displays the contents of the Title Browser. The column on the left displays title categories, the icons on the right indicate individual titles, the search box at the bottom allows you to search for specific titles by name, while the number in the lower right indicates the number of titles currently displayed. (Your number may not match mine because I’ve added a few custom titles to my system.)
Let’s add a totally ridiculous title to our turtle - drag Clouds from the Title Browser and place it above the clip at the point where you want a title to appear.
NOTE: I’m using a marker in the Timeline to help me find the same place in a clip so my screen shots are consistent. Markers are not needed in any way for titles.
Um, yeah. So, some titles look more professional than others… You can delete this title now.
So, we:
- Add titles using keyboard shortcuts
- Drag titles from the Title Browser
- Change position by dragging the title
- Change duration by dragging the edge of the clip
- Delete a title by selecting it and pressing the Delete key
CHANGING TEXT
Add a new full-screen title (type Control+T) to the Timeline. To change the text in a title, double-click it in the Viewer. Here, I’ve changed my title to “An Undersea Adventure.”
NOTE: We can also change the text using the Inspector. I’ll show you how in a few paragraphs. Pick whichever method is easiest for you.
All text, in any title, can be changed by double-clicking it in the Viewer to select it, then typing the new text you want to use.
FORMATTING TEXT
You can format any text that you can select. This means that you can format entire phrases, words, or individual letters differently. For this article, I will format everything the same, because once you know how this works, you can experiment on your own.
Here, I selected my entire title and opened the Inspector (shortcut Cmd+4). Click the Text tab at the top. This section of the Inspector allows you to format the text.
NOTE: The text box near the top of the panel is the second place you can select text for formatting.
If you want a fast way to format text, click the word “Normal” at the top. This displays a menu filled with different text formats. Some of these formats look pretty dreadful; the rest look worse.
NOTE: You can create your own text styles. Refer to the Help for information on how.
The Basic section of the Inspector allows you to change fonts, size, alignment… all the standard font settings we see in other programs. Here, I’ve changed the font to Hobo Std, at 167 points.
While many of these settings you already know there are a few you may not:
- Line spacing. Adjusts the vertical distance between lines within the same paragraph.
- Tracking. Adjusts the horizontal spacing between letters.
- Baseline. Adjusts the vertical spacing of text compared to the horizontal line running thru the center of the white circle in the Viewer.
The Face section allows us to change font color, opacity and blue. Outline and Glow allows us to add, not surprisingly, outlines and glows. You can adjust these as you see fit - I tend not to add outlines or glows.
However, I STRONGLY recommend adding drop shadows to all text that you want viewers to read. Video, even HD video, is low resolution compared to print. Drop shadows make your text much easier to read. These are the settings I recommend for drop shadows.
After making a few changes in the Inspector, here’s the final result. Very cool - and very different from where we started!
ACTION SAFE/TITLE SAFE ZONES
Since television was first invented, we needed to compensate for the differences in TV sets by designing graphics to stay within Action Safe and Title Safe boundaries.
While much of today’s video is designed for the web, your titles will look the best if you follow the same guidelines.
Titles015
Go to the Switch in the Viewer and select “Show Action Safe/Title Safe Zones.”
This displays two pale rectangles in the frame. The outer rectangle is called “Action Safe,” the inner one is called “Title Safe.” Action Safe is 5% in from all edges; Title Safe is 10% in from all edges.
When designing text and graphics for the web, keep all essential elements inside the outer rectangle. When designing graphics and text for broadcast or cable, keep all essential elements inside the inner rectangle.
Here, for example, notice that my title is fully contained within Action Safe.
SUMMARY
Titles give our programs character and personality, plus they explain what’s going on to the audience. Final Cut Pro X provides a wealth of formatting options to make our text look great.
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
System Check: Ensuring Your Computer Meets Premiere Pro’s Requirements
System Requirements for Running Premiere Pro: How to Set Up Computer
Benjamin Arango
Mar 27, 2024• Proven solutions
We all know that Adobe Premiere Pro is one of the best professional video editing software, while to run such a powerful video editing software, you may need a powerful windows PC or Mac as well. Though most modern computer systems can run Adobe Premiere out of the box, there are some steps to take, and potential decisions to make, before installing the software, or if you are building or buying a new computer to make sure you get the best experience possible with the software.
You may also like:Best Adobe Premiere Alternatives >>
Minimum system requirement to run Premiere Pro on Windows and Mac in 2019
Your computer should at least to meet the minimum specification below to run Premiere Pro, and if you need to edit some VR videos, your computer configuration should be higher according to the minimum specifications list on their website .
- Intel 6th or newer CPU
- Windows 10 (64-bit) 1703 or later/ MacOS V10.12 later
- 16GB RAM; 4GB GPU VRAM
- Fast internal SSD
- 1920*1080 Display resolution
- 32-bit video card
- Internet connection
However, it is important to remember this is the minimum specification, and will not necessarily give a satisfactory user experience. The recommended specifications are far more likely to provide the kind of performance expected of the software and those would be the ones to use as a guide for the minimum spec for a new computer or any upgrades being planned prior to installation.
How to check Computer Specifications
Since Premiere Pro CC only works on Windows 10 system after 2018 13.0 release, we will show you how to check if your PC meets the requirements to run Premiere Pro on Windows 10
- Press Windows Key+ E on the keyboard to bring up Windows Explorer.
- Right click the This PC option in the sidebar and then select Properties from the context menu.
- The system specification window will show up which you see the Processor, RAM, system type and other system information.
Checking the specification on your Mac is easy, just click the Apple icon in the top-left corner of your Mac, and then select About This Mac option. In the pop-up window you will see the information including Processor speed, memory and graphic card etc.
How to Set Up Computer for Premiere
1. Processor
Whilst the software will run on a Core2Duo intel or Phenom II AMD processor, it is worth noting that rendering can be highly intensive work for the processor and the fastest possible processor within your budget will pay dividends in speed of editing. In general, even a Core I3, the cheapest of the current Intel range, will be significantly faster than older processors, but because Premiere happily uses multi cored processors to their full, if the budget can reach to a quad core or more processor then do so, Premiere is a piece of software that benefits from the computational power increase more than most.
2. Memory
The next consideration is memory. The minimum specification suggests 4GB of RAM with 8GB recommended, for reliable and smooth running consider 8GB minimum, and go for as much as you can. For a computer that is used for other activities as well, multitasking can see even 24GB of Ram being fully utilized, especially if you are working on HD content. Speaking of content, this is the other aspect of memory to look at. Whilst you can use a storage drive that contains everything else on your computer to keep the media you are working on, for HD content especially, and for trouble free and the fastest possible operation it is advisable to reserve a single drive, preferably a 7200 RPM or faster one, exclusively for your media. Bandwidth and access times means Premiere will be significantly faster in operation with its media on a dedicated drive.
3. Graphic
The final aspect of specification to consider is graphics. Adobe Premiere uses a feature called the Mercury Playback Engine that allows much faster and smoother playback of video without rendering, it has two modes, software only and GPU acceleration mode (Using either CUDA or OpenCL). The GPU acceleration mode offers significant performance increases and is therefore highly desirable. However, not all GPU’s are compatible with the Mercury Playback Engine, the list of those that are is found on the previously linked specification page, so if a new computer is being built or purchased, or upgrades are being considered prior to install, it is highly desirable to utilize a compatible GPU where possible.
5. Settings
Having covered the basic specifications of a computer that will enhance the operation of Premiere, it is now time to look at the computer settings and how this can affect Premiere’s performance and usability.
The first thing to understand is that video editing, especially HD video, is bandwidth intensive, in effect, it fills up the lanes between the CPU, RAM, GPU and Hard Drive during operation. Spreading the use of that bandwidth over several devices can see huge performance gains, so one of the best ways to optimize the computer for Premier is to adjust how the hard drives are used. How effective this can be depends on the computer you are using, so we will try to cover a few different possibilities here.
6. Drive
If your computer contains a single drive, simply install Premiere and start using it, there are no options available here. If there are two drives, keep one for the operating system, programs and cache files. Use the second drive exclusively for video project files, exported projects and previews.
If the computer has three drives then keep one for the operating system and programs, the second one for the video project files, and use the third for previews, cache files and exported projects.
If you have access to even more drives, then split the cache from the previews, and ultimately have one drive each for previews, exports and cache. Spreading the files across as many drives as possible enhances performance by enabling the different read/write operations to occur without interference from each other.
That is the theory, but how do you achieve this? This is done within Premiere itself, there are two parts, accessing where the media cache files are placed is done though the edit menu, following the path edit > preferences > media.
Changing where the project files, previews and exports are stored is just as easy, and is accessed via the project menu by taking the path project > project settings > scratchdisks.
7. Sequence Setting
When working with Premiere it is important to have the correct settings for the type of media you are using and the nature of the final output. This is done within Premiere by a function known as a Sequence.
After creating a new project you are presented with the sequence dialogue box. You can have as many sequences in a single project as you like, but Premiere always assumes you require at least one and so needs the first one to be created to allow work on a project. Any media, both audio and video, placed into a sequence is automatically adapted to the settings of that sequence, so you will want to choose settings that match the original media as closely as possible. Each sequence in a project can have different settings if required, as this lessens the workload on the CPU and makes the process faster and smoother.
The sequence dialogue has three tabs, Sequence Presets, Settings and Tracks
The Preset Tab makes setting up a new sequence much simpler. Choosing a preset enables Premiere to choose the settings that best match the chosen video and audio format. There are a wide range of presets available to suit the most commonly used media types, they are organized based on camera formats. Within each group there are numerous settings and configurations to choose from based around frame sizes and interlacing. Whilst choosing the correct preset can be a little daunting to the uninitiated, ensuring the number of frames per second, the frame size and codec are correct is all that is required.
Once the preset is chosen you can move to the settings tab to adjust the preset manually. Some settings will not be adjustable in this tab due to the specific optimization required for the input media.
Because the presets do such a good job it is not really necessary to adjust anything in the settings tab, and unless you are trying to do something very specific.
While the standard presets are usually suitable, on occasion you may desire a custom setting. To do this, choose a sequence preset that is close to your media, and then make custom selections in the Settings tab. By selecting the Save Preset option on the Settings tab you can then create a custom setting with those parameters. Give the preset a suitable name in the Save Settings dialog and add any notes that are needed. The preset can be found in the Custom folder under Available Presets.
Those with the Apple Prores Codec on their computers can use this as the preview codec if required. By choosing Quicktime as the preview format in a custom editing mode, and lastly Apple Prores as the required codec.
Conclusion
If your computer failed to meet the requirement to run Premiere Pro, you may need to spend some money to buy a powerful computer or choose another professional video editing software similar to Premiere Pro, or choose a video editing software. If your computer isn’t powerful enough to run Premiere Pro, you will get awful experience at editing footage because of the long loading time and stuck playback.
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
Benjamin Arango
Mar 27, 2024• Proven solutions
We all know that Adobe Premiere Pro is one of the best professional video editing software, while to run such a powerful video editing software, you may need a powerful windows PC or Mac as well. Though most modern computer systems can run Adobe Premiere out of the box, there are some steps to take, and potential decisions to make, before installing the software, or if you are building or buying a new computer to make sure you get the best experience possible with the software.
You may also like:Best Adobe Premiere Alternatives >>
Minimum system requirement to run Premiere Pro on Windows and Mac in 2019
Your computer should at least to meet the minimum specification below to run Premiere Pro, and if you need to edit some VR videos, your computer configuration should be higher according to the minimum specifications list on their website .
- Intel 6th or newer CPU
- Windows 10 (64-bit) 1703 or later/ MacOS V10.12 later
- 16GB RAM; 4GB GPU VRAM
- Fast internal SSD
- 1920*1080 Display resolution
- 32-bit video card
- Internet connection
However, it is important to remember this is the minimum specification, and will not necessarily give a satisfactory user experience. The recommended specifications are far more likely to provide the kind of performance expected of the software and those would be the ones to use as a guide for the minimum spec for a new computer or any upgrades being planned prior to installation.
How to check Computer Specifications
Since Premiere Pro CC only works on Windows 10 system after 2018 13.0 release, we will show you how to check if your PC meets the requirements to run Premiere Pro on Windows 10
- Press Windows Key+ E on the keyboard to bring up Windows Explorer.
- Right click the This PC option in the sidebar and then select Properties from the context menu.
- The system specification window will show up which you see the Processor, RAM, system type and other system information.
Checking the specification on your Mac is easy, just click the Apple icon in the top-left corner of your Mac, and then select About This Mac option. In the pop-up window you will see the information including Processor speed, memory and graphic card etc.
How to Set Up Computer for Premiere
1. Processor
Whilst the software will run on a Core2Duo intel or Phenom II AMD processor, it is worth noting that rendering can be highly intensive work for the processor and the fastest possible processor within your budget will pay dividends in speed of editing. In general, even a Core I3, the cheapest of the current Intel range, will be significantly faster than older processors, but because Premiere happily uses multi cored processors to their full, if the budget can reach to a quad core or more processor then do so, Premiere is a piece of software that benefits from the computational power increase more than most.
2. Memory
The next consideration is memory. The minimum specification suggests 4GB of RAM with 8GB recommended, for reliable and smooth running consider 8GB minimum, and go for as much as you can. For a computer that is used for other activities as well, multitasking can see even 24GB of Ram being fully utilized, especially if you are working on HD content. Speaking of content, this is the other aspect of memory to look at. Whilst you can use a storage drive that contains everything else on your computer to keep the media you are working on, for HD content especially, and for trouble free and the fastest possible operation it is advisable to reserve a single drive, preferably a 7200 RPM or faster one, exclusively for your media. Bandwidth and access times means Premiere will be significantly faster in operation with its media on a dedicated drive.
3. Graphic
The final aspect of specification to consider is graphics. Adobe Premiere uses a feature called the Mercury Playback Engine that allows much faster and smoother playback of video without rendering, it has two modes, software only and GPU acceleration mode (Using either CUDA or OpenCL). The GPU acceleration mode offers significant performance increases and is therefore highly desirable. However, not all GPU’s are compatible with the Mercury Playback Engine, the list of those that are is found on the previously linked specification page, so if a new computer is being built or purchased, or upgrades are being considered prior to install, it is highly desirable to utilize a compatible GPU where possible.
5. Settings
Having covered the basic specifications of a computer that will enhance the operation of Premiere, it is now time to look at the computer settings and how this can affect Premiere’s performance and usability.
The first thing to understand is that video editing, especially HD video, is bandwidth intensive, in effect, it fills up the lanes between the CPU, RAM, GPU and Hard Drive during operation. Spreading the use of that bandwidth over several devices can see huge performance gains, so one of the best ways to optimize the computer for Premier is to adjust how the hard drives are used. How effective this can be depends on the computer you are using, so we will try to cover a few different possibilities here.
6. Drive
If your computer contains a single drive, simply install Premiere and start using it, there are no options available here. If there are two drives, keep one for the operating system, programs and cache files. Use the second drive exclusively for video project files, exported projects and previews.
If the computer has three drives then keep one for the operating system and programs, the second one for the video project files, and use the third for previews, cache files and exported projects.
If you have access to even more drives, then split the cache from the previews, and ultimately have one drive each for previews, exports and cache. Spreading the files across as many drives as possible enhances performance by enabling the different read/write operations to occur without interference from each other.
That is the theory, but how do you achieve this? This is done within Premiere itself, there are two parts, accessing where the media cache files are placed is done though the edit menu, following the path edit > preferences > media.
Changing where the project files, previews and exports are stored is just as easy, and is accessed via the project menu by taking the path project > project settings > scratchdisks.
7. Sequence Setting
When working with Premiere it is important to have the correct settings for the type of media you are using and the nature of the final output. This is done within Premiere by a function known as a Sequence.
After creating a new project you are presented with the sequence dialogue box. You can have as many sequences in a single project as you like, but Premiere always assumes you require at least one and so needs the first one to be created to allow work on a project. Any media, both audio and video, placed into a sequence is automatically adapted to the settings of that sequence, so you will want to choose settings that match the original media as closely as possible. Each sequence in a project can have different settings if required, as this lessens the workload on the CPU and makes the process faster and smoother.
The sequence dialogue has three tabs, Sequence Presets, Settings and Tracks
The Preset Tab makes setting up a new sequence much simpler. Choosing a preset enables Premiere to choose the settings that best match the chosen video and audio format. There are a wide range of presets available to suit the most commonly used media types, they are organized based on camera formats. Within each group there are numerous settings and configurations to choose from based around frame sizes and interlacing. Whilst choosing the correct preset can be a little daunting to the uninitiated, ensuring the number of frames per second, the frame size and codec are correct is all that is required.
Once the preset is chosen you can move to the settings tab to adjust the preset manually. Some settings will not be adjustable in this tab due to the specific optimization required for the input media.
Because the presets do such a good job it is not really necessary to adjust anything in the settings tab, and unless you are trying to do something very specific.
While the standard presets are usually suitable, on occasion you may desire a custom setting. To do this, choose a sequence preset that is close to your media, and then make custom selections in the Settings tab. By selecting the Save Preset option on the Settings tab you can then create a custom setting with those parameters. Give the preset a suitable name in the Save Settings dialog and add any notes that are needed. The preset can be found in the Custom folder under Available Presets.
Those with the Apple Prores Codec on their computers can use this as the preview codec if required. By choosing Quicktime as the preview format in a custom editing mode, and lastly Apple Prores as the required codec.
Conclusion
If your computer failed to meet the requirement to run Premiere Pro, you may need to spend some money to buy a powerful computer or choose another professional video editing software similar to Premiere Pro, or choose a video editing software. If your computer isn’t powerful enough to run Premiere Pro, you will get awful experience at editing footage because of the long loading time and stuck playback.
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
Benjamin Arango
Mar 27, 2024• Proven solutions
We all know that Adobe Premiere Pro is one of the best professional video editing software, while to run such a powerful video editing software, you may need a powerful windows PC or Mac as well. Though most modern computer systems can run Adobe Premiere out of the box, there are some steps to take, and potential decisions to make, before installing the software, or if you are building or buying a new computer to make sure you get the best experience possible with the software.
You may also like:Best Adobe Premiere Alternatives >>
Minimum system requirement to run Premiere Pro on Windows and Mac in 2019
Your computer should at least to meet the minimum specification below to run Premiere Pro, and if you need to edit some VR videos, your computer configuration should be higher according to the minimum specifications list on their website .
- Intel 6th or newer CPU
- Windows 10 (64-bit) 1703 or later/ MacOS V10.12 later
- 16GB RAM; 4GB GPU VRAM
- Fast internal SSD
- 1920*1080 Display resolution
- 32-bit video card
- Internet connection
However, it is important to remember this is the minimum specification, and will not necessarily give a satisfactory user experience. The recommended specifications are far more likely to provide the kind of performance expected of the software and those would be the ones to use as a guide for the minimum spec for a new computer or any upgrades being planned prior to installation.
How to check Computer Specifications
Since Premiere Pro CC only works on Windows 10 system after 2018 13.0 release, we will show you how to check if your PC meets the requirements to run Premiere Pro on Windows 10
- Press Windows Key+ E on the keyboard to bring up Windows Explorer.
- Right click the This PC option in the sidebar and then select Properties from the context menu.
- The system specification window will show up which you see the Processor, RAM, system type and other system information.
Checking the specification on your Mac is easy, just click the Apple icon in the top-left corner of your Mac, and then select About This Mac option. In the pop-up window you will see the information including Processor speed, memory and graphic card etc.
How to Set Up Computer for Premiere
1. Processor
Whilst the software will run on a Core2Duo intel or Phenom II AMD processor, it is worth noting that rendering can be highly intensive work for the processor and the fastest possible processor within your budget will pay dividends in speed of editing. In general, even a Core I3, the cheapest of the current Intel range, will be significantly faster than older processors, but because Premiere happily uses multi cored processors to their full, if the budget can reach to a quad core or more processor then do so, Premiere is a piece of software that benefits from the computational power increase more than most.
2. Memory
The next consideration is memory. The minimum specification suggests 4GB of RAM with 8GB recommended, for reliable and smooth running consider 8GB minimum, and go for as much as you can. For a computer that is used for other activities as well, multitasking can see even 24GB of Ram being fully utilized, especially if you are working on HD content. Speaking of content, this is the other aspect of memory to look at. Whilst you can use a storage drive that contains everything else on your computer to keep the media you are working on, for HD content especially, and for trouble free and the fastest possible operation it is advisable to reserve a single drive, preferably a 7200 RPM or faster one, exclusively for your media. Bandwidth and access times means Premiere will be significantly faster in operation with its media on a dedicated drive.
3. Graphic
The final aspect of specification to consider is graphics. Adobe Premiere uses a feature called the Mercury Playback Engine that allows much faster and smoother playback of video without rendering, it has two modes, software only and GPU acceleration mode (Using either CUDA or OpenCL). The GPU acceleration mode offers significant performance increases and is therefore highly desirable. However, not all GPU’s are compatible with the Mercury Playback Engine, the list of those that are is found on the previously linked specification page, so if a new computer is being built or purchased, or upgrades are being considered prior to install, it is highly desirable to utilize a compatible GPU where possible.
5. Settings
Having covered the basic specifications of a computer that will enhance the operation of Premiere, it is now time to look at the computer settings and how this can affect Premiere’s performance and usability.
The first thing to understand is that video editing, especially HD video, is bandwidth intensive, in effect, it fills up the lanes between the CPU, RAM, GPU and Hard Drive during operation. Spreading the use of that bandwidth over several devices can see huge performance gains, so one of the best ways to optimize the computer for Premier is to adjust how the hard drives are used. How effective this can be depends on the computer you are using, so we will try to cover a few different possibilities here.
6. Drive
If your computer contains a single drive, simply install Premiere and start using it, there are no options available here. If there are two drives, keep one for the operating system, programs and cache files. Use the second drive exclusively for video project files, exported projects and previews.
If the computer has three drives then keep one for the operating system and programs, the second one for the video project files, and use the third for previews, cache files and exported projects.
If you have access to even more drives, then split the cache from the previews, and ultimately have one drive each for previews, exports and cache. Spreading the files across as many drives as possible enhances performance by enabling the different read/write operations to occur without interference from each other.
That is the theory, but how do you achieve this? This is done within Premiere itself, there are two parts, accessing where the media cache files are placed is done though the edit menu, following the path edit > preferences > media.
Changing where the project files, previews and exports are stored is just as easy, and is accessed via the project menu by taking the path project > project settings > scratchdisks.
7. Sequence Setting
When working with Premiere it is important to have the correct settings for the type of media you are using and the nature of the final output. This is done within Premiere by a function known as a Sequence.
After creating a new project you are presented with the sequence dialogue box. You can have as many sequences in a single project as you like, but Premiere always assumes you require at least one and so needs the first one to be created to allow work on a project. Any media, both audio and video, placed into a sequence is automatically adapted to the settings of that sequence, so you will want to choose settings that match the original media as closely as possible. Each sequence in a project can have different settings if required, as this lessens the workload on the CPU and makes the process faster and smoother.
The sequence dialogue has three tabs, Sequence Presets, Settings and Tracks
The Preset Tab makes setting up a new sequence much simpler. Choosing a preset enables Premiere to choose the settings that best match the chosen video and audio format. There are a wide range of presets available to suit the most commonly used media types, they are organized based on camera formats. Within each group there are numerous settings and configurations to choose from based around frame sizes and interlacing. Whilst choosing the correct preset can be a little daunting to the uninitiated, ensuring the number of frames per second, the frame size and codec are correct is all that is required.
Once the preset is chosen you can move to the settings tab to adjust the preset manually. Some settings will not be adjustable in this tab due to the specific optimization required for the input media.
Because the presets do such a good job it is not really necessary to adjust anything in the settings tab, and unless you are trying to do something very specific.
While the standard presets are usually suitable, on occasion you may desire a custom setting. To do this, choose a sequence preset that is close to your media, and then make custom selections in the Settings tab. By selecting the Save Preset option on the Settings tab you can then create a custom setting with those parameters. Give the preset a suitable name in the Save Settings dialog and add any notes that are needed. The preset can be found in the Custom folder under Available Presets.
Those with the Apple Prores Codec on their computers can use this as the preview codec if required. By choosing Quicktime as the preview format in a custom editing mode, and lastly Apple Prores as the required codec.
Conclusion
If your computer failed to meet the requirement to run Premiere Pro, you may need to spend some money to buy a powerful computer or choose another professional video editing software similar to Premiere Pro, or choose a video editing software. If your computer isn’t powerful enough to run Premiere Pro, you will get awful experience at editing footage because of the long loading time and stuck playback.
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
Benjamin Arango
Mar 27, 2024• Proven solutions
We all know that Adobe Premiere Pro is one of the best professional video editing software, while to run such a powerful video editing software, you may need a powerful windows PC or Mac as well. Though most modern computer systems can run Adobe Premiere out of the box, there are some steps to take, and potential decisions to make, before installing the software, or if you are building or buying a new computer to make sure you get the best experience possible with the software.
You may also like:Best Adobe Premiere Alternatives >>
Minimum system requirement to run Premiere Pro on Windows and Mac in 2019
Your computer should at least to meet the minimum specification below to run Premiere Pro, and if you need to edit some VR videos, your computer configuration should be higher according to the minimum specifications list on their website .
- Intel 6th or newer CPU
- Windows 10 (64-bit) 1703 or later/ MacOS V10.12 later
- 16GB RAM; 4GB GPU VRAM
- Fast internal SSD
- 1920*1080 Display resolution
- 32-bit video card
- Internet connection
However, it is important to remember this is the minimum specification, and will not necessarily give a satisfactory user experience. The recommended specifications are far more likely to provide the kind of performance expected of the software and those would be the ones to use as a guide for the minimum spec for a new computer or any upgrades being planned prior to installation.
How to check Computer Specifications
Since Premiere Pro CC only works on Windows 10 system after 2018 13.0 release, we will show you how to check if your PC meets the requirements to run Premiere Pro on Windows 10
- Press Windows Key+ E on the keyboard to bring up Windows Explorer.
- Right click the This PC option in the sidebar and then select Properties from the context menu.
- The system specification window will show up which you see the Processor, RAM, system type and other system information.
Checking the specification on your Mac is easy, just click the Apple icon in the top-left corner of your Mac, and then select About This Mac option. In the pop-up window you will see the information including Processor speed, memory and graphic card etc.
How to Set Up Computer for Premiere
1. Processor
Whilst the software will run on a Core2Duo intel or Phenom II AMD processor, it is worth noting that rendering can be highly intensive work for the processor and the fastest possible processor within your budget will pay dividends in speed of editing. In general, even a Core I3, the cheapest of the current Intel range, will be significantly faster than older processors, but because Premiere happily uses multi cored processors to their full, if the budget can reach to a quad core or more processor then do so, Premiere is a piece of software that benefits from the computational power increase more than most.
2. Memory
The next consideration is memory. The minimum specification suggests 4GB of RAM with 8GB recommended, for reliable and smooth running consider 8GB minimum, and go for as much as you can. For a computer that is used for other activities as well, multitasking can see even 24GB of Ram being fully utilized, especially if you are working on HD content. Speaking of content, this is the other aspect of memory to look at. Whilst you can use a storage drive that contains everything else on your computer to keep the media you are working on, for HD content especially, and for trouble free and the fastest possible operation it is advisable to reserve a single drive, preferably a 7200 RPM or faster one, exclusively for your media. Bandwidth and access times means Premiere will be significantly faster in operation with its media on a dedicated drive.
3. Graphic
The final aspect of specification to consider is graphics. Adobe Premiere uses a feature called the Mercury Playback Engine that allows much faster and smoother playback of video without rendering, it has two modes, software only and GPU acceleration mode (Using either CUDA or OpenCL). The GPU acceleration mode offers significant performance increases and is therefore highly desirable. However, not all GPU’s are compatible with the Mercury Playback Engine, the list of those that are is found on the previously linked specification page, so if a new computer is being built or purchased, or upgrades are being considered prior to install, it is highly desirable to utilize a compatible GPU where possible.
5. Settings
Having covered the basic specifications of a computer that will enhance the operation of Premiere, it is now time to look at the computer settings and how this can affect Premiere’s performance and usability.
The first thing to understand is that video editing, especially HD video, is bandwidth intensive, in effect, it fills up the lanes between the CPU, RAM, GPU and Hard Drive during operation. Spreading the use of that bandwidth over several devices can see huge performance gains, so one of the best ways to optimize the computer for Premier is to adjust how the hard drives are used. How effective this can be depends on the computer you are using, so we will try to cover a few different possibilities here.
6. Drive
If your computer contains a single drive, simply install Premiere and start using it, there are no options available here. If there are two drives, keep one for the operating system, programs and cache files. Use the second drive exclusively for video project files, exported projects and previews.
If the computer has three drives then keep one for the operating system and programs, the second one for the video project files, and use the third for previews, cache files and exported projects.
If you have access to even more drives, then split the cache from the previews, and ultimately have one drive each for previews, exports and cache. Spreading the files across as many drives as possible enhances performance by enabling the different read/write operations to occur without interference from each other.
That is the theory, but how do you achieve this? This is done within Premiere itself, there are two parts, accessing where the media cache files are placed is done though the edit menu, following the path edit > preferences > media.
Changing where the project files, previews and exports are stored is just as easy, and is accessed via the project menu by taking the path project > project settings > scratchdisks.
7. Sequence Setting
When working with Premiere it is important to have the correct settings for the type of media you are using and the nature of the final output. This is done within Premiere by a function known as a Sequence.
After creating a new project you are presented with the sequence dialogue box. You can have as many sequences in a single project as you like, but Premiere always assumes you require at least one and so needs the first one to be created to allow work on a project. Any media, both audio and video, placed into a sequence is automatically adapted to the settings of that sequence, so you will want to choose settings that match the original media as closely as possible. Each sequence in a project can have different settings if required, as this lessens the workload on the CPU and makes the process faster and smoother.
The sequence dialogue has three tabs, Sequence Presets, Settings and Tracks
The Preset Tab makes setting up a new sequence much simpler. Choosing a preset enables Premiere to choose the settings that best match the chosen video and audio format. There are a wide range of presets available to suit the most commonly used media types, they are organized based on camera formats. Within each group there are numerous settings and configurations to choose from based around frame sizes and interlacing. Whilst choosing the correct preset can be a little daunting to the uninitiated, ensuring the number of frames per second, the frame size and codec are correct is all that is required.
Once the preset is chosen you can move to the settings tab to adjust the preset manually. Some settings will not be adjustable in this tab due to the specific optimization required for the input media.
Because the presets do such a good job it is not really necessary to adjust anything in the settings tab, and unless you are trying to do something very specific.
While the standard presets are usually suitable, on occasion you may desire a custom setting. To do this, choose a sequence preset that is close to your media, and then make custom selections in the Settings tab. By selecting the Save Preset option on the Settings tab you can then create a custom setting with those parameters. Give the preset a suitable name in the Save Settings dialog and add any notes that are needed. The preset can be found in the Custom folder under Available Presets.
Those with the Apple Prores Codec on their computers can use this as the preview codec if required. By choosing Quicktime as the preview format in a custom editing mode, and lastly Apple Prores as the required codec.
Conclusion
If your computer failed to meet the requirement to run Premiere Pro, you may need to spend some money to buy a powerful computer or choose another professional video editing software similar to Premiere Pro, or choose a video editing software. If your computer isn’t powerful enough to run Premiere Pro, you will get awful experience at editing footage because of the long loading time and stuck playback.
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
DVR Wars: TiVo and Comcast Go Head-to-Head
TiVo vs Comcast, Who Wins the DVR Battle?
Ollie Mattison
Mar 27, 2024• Proven solutions
Cable, satellite, over the air broadcast, streaming internet video – never before have we had so many choices of how to receive television programming. DVR, PVR, computer hard drive, external storage device; now we have choices in how to store programs for viewing later to consider as well. So what is true and what is hype when it comes to what’s the best device? Let’s peel back the layers and look at the information.
First, what is a DVR? A DVR, or digital video recorder, is a device that records video from a source for playback at another time. It often comes with a television programming guide included so you can easily locate shows you want to record. Most DVRs come with large capacity hard drives, though some have flash memory cards as their storage medium. There are a variety of types that range from small storage capacity and two tuners, up through several tuners and massive hard drive storage ability. You also can pause and rewind live TV, which is great when you want to create your own sports instant replays. Most DVRs also allow you to watch one program that was previously recorded while two others are recording, though some have greater capacity.
A TiVo is a particular kind of DVR that was first introduced in 1999. It requires a subscription to its own programming guide that can be purchased month to month, or as a “lifetime” subscription (that means the life of the TiVo, not your life, by the way). TiVos, like cable company DVRs, can record just one show or an entire season. TiVos have a smart feature which notices which shows you are watching and recommends similar ones to you based on how you rate current programs. It also uses these ratings to suggest shows to other viewers.
Let’s look at a few of the main features of both so you can do a comparison. We’ll look at five factors.
1. TiVo vs Comcast: Cost and rent versus own
With a Comcast DVR, you are renting it from the cable company at a cost of $10 to $16 a month, depending on your market. There are no upfront costs, and should the device fail, you can swap it at no cost at your local Comcast service center. Some folks have found that the new X1 boxes are prone to crashes, so that free swap is handy.
A TiVo is yours to keep as long as it lasts or as long as you want it, whichever comes first. It has an initial cost of between $200 and $600, depending on the model. Plus, you have the subscription cost on top of the unit price, which is $15 a month or $500 for a “lifetime” subscription, which TiVo may or may not give you partial credit for should your device fail and you need a new one. Like the Comcast DVRs, some TiVo boxes are less than stable. It’s the nature of electronics. TiVos also have advertising on them, which some Comcast channels do also, like MusicChoice, but not on all of them.
2. TiVo vs Comcast: Services available
With a DVR from Comcast, you can only record shows that are broadcast on one of Comcast’s channels or play shows that are loaded into its On Demand section. A TiVo can be connected to a number of sources, including cable via a cable card, and allow you to combine all of your viewing sources into the one box. It even connects to a high definition antenna.
The TiVo with cable card has access to all of the cable On Demand services, so in that sense it can replace all of the Comcast DVRs. However, the cable card is not free. It typically runs $1.50 per card per month, up to $2.50 per card on the Frontier system.
The menus are slightly different, as you can see below.
Comcast interface
TiVo interface
TiVos also recognize SD and HD as just different versions of the same show, instead of different channels like Comcast does, so you can set your DVR to just record HD. This makes it somewhat harder to just record HD on a TiVo.
Down the road, Comcast is planning the X2 system which would have cloud recording capacity, thus ending the need for a box in your house at all. TiVo has not yet announced such a plan.
3. TiVo vs Comcast: Connection to a network
TiVos can be connected to your home computer network, and the newest one, the Roamio, comes with built-in wifi, for total freedom of use. Because it’s on the network, you can stream shows from your computer through the TiVo box for later playback. It supports channels like Netflix, Hulu Plus, and Amazon Instant. You can also stream shows to your Apple portable devices and then take the shows with you on the plane or to the gym, or use the device as a remote control. (Android devices will have the same capacity soon.) The network capacity also means you can use your computer to control the TiVo box and view content wherever you are.
Some reviewers have also noted that the network set up is not as simple as it might be, and it requires some computer knowledge and ability. Unless you have a tech person nearby, novice computer users may not wish to set up the network.
The iPhone app remote screen looks like this:
A TiVo does have limitations of who can access which channels. For instance, it does not stream HBOGo, nor does it interface with Apple’s TV programming. For that you still need an AppleTV device.
Comcast boxes simply do not network well. They are designed to broadcast the cable signals through your TV, but not on a home network. They are often easier to connect, however, just requiring a cable from the box to be plugged into the TV.
4. TiVo vs Comcast: Recording capacity
The new TiVo, the Roamio, has as many as six tuners that can record at the same time with up to 150 hours of high definition programming. You’ll never have another scheduling conflict again!
TiVos have recording capacities that range from 75 to 450 hours, depending on whether it is standard definition or high definition, and which device you are using. You can choose from three models of the Roamio. The base model costs $200 and has 75 hours of capacity. The menu and features are more limited on this one than on the others. There is a middle model priced at $400 that has the same six tuners as the high-end one but can only hold 150 hours of recordings. Then the top tier model costs $600 and has 450 hours of recording capacity, all of it in high definition.
The Comcast X1 DVR has four tuners and it can record them simultaneously. You can watch a prerecorded program while it’s recording, too. It can hold 120 hours of HD or 600 hours of SD programming.
5. TiVo vs Comcast: User interface
The Comcast X1 DVR system has a voice-activated interface and a completely different look and layout than their standard system has.
The basic Comcast remote is a multi-function remote and capable of controlling all functions, but it does not have the ability to connect to a portable device like a tablet or a smartphone to have connectivity that way like a TiVo can through an app. The remote has to be line of sight in order to work.
The TiVo device menu is in standard definition, so for those who have a high definition set up, you may find this a bit distraction or fuzzy. It does come with apps for extending what the box can do, including games for kids.
Many reviewers liked the interface on the TiVo better than the grid used on the Comcast service. The TiVo programming guide allows you to delete channels you don’t watch so you’re only looking at the channels you like. Comcast’s guide covers every channel they offer, even ones that are not available on your tier of service.
With the TiVo Roamio, connecting to a tablet allows you to be in another room and still operate the “remote” for the TiVo DVR. Download the app onto your device and you’re ready to go.
TiVo’s device remote has a sleek layout called the “peanut”.
Summary
What it all comes down to is looking at how you use your TV, where you get your sources from, and what your budget is. Each device has its own set of things that are appealing, and its own drawbacks. For flexibility of being able to use multiple sources and devices, the TiVo is the clear winner. For cost in the long run, it’s almost a draw. For ease of connection to a TV, the Comcast box comes out on top. No matter which one you pick, you’ll never run out of great programs to watch.
Ollie Mattison
Ollie Mattison is a writer and a lover of all things video.
Follow @Ollie Mattison
Ollie Mattison
Mar 27, 2024• Proven solutions
Cable, satellite, over the air broadcast, streaming internet video – never before have we had so many choices of how to receive television programming. DVR, PVR, computer hard drive, external storage device; now we have choices in how to store programs for viewing later to consider as well. So what is true and what is hype when it comes to what’s the best device? Let’s peel back the layers and look at the information.
First, what is a DVR? A DVR, or digital video recorder, is a device that records video from a source for playback at another time. It often comes with a television programming guide included so you can easily locate shows you want to record. Most DVRs come with large capacity hard drives, though some have flash memory cards as their storage medium. There are a variety of types that range from small storage capacity and two tuners, up through several tuners and massive hard drive storage ability. You also can pause and rewind live TV, which is great when you want to create your own sports instant replays. Most DVRs also allow you to watch one program that was previously recorded while two others are recording, though some have greater capacity.
A TiVo is a particular kind of DVR that was first introduced in 1999. It requires a subscription to its own programming guide that can be purchased month to month, or as a “lifetime” subscription (that means the life of the TiVo, not your life, by the way). TiVos, like cable company DVRs, can record just one show or an entire season. TiVos have a smart feature which notices which shows you are watching and recommends similar ones to you based on how you rate current programs. It also uses these ratings to suggest shows to other viewers.
Let’s look at a few of the main features of both so you can do a comparison. We’ll look at five factors.
1. TiVo vs Comcast: Cost and rent versus own
With a Comcast DVR, you are renting it from the cable company at a cost of $10 to $16 a month, depending on your market. There are no upfront costs, and should the device fail, you can swap it at no cost at your local Comcast service center. Some folks have found that the new X1 boxes are prone to crashes, so that free swap is handy.
A TiVo is yours to keep as long as it lasts or as long as you want it, whichever comes first. It has an initial cost of between $200 and $600, depending on the model. Plus, you have the subscription cost on top of the unit price, which is $15 a month or $500 for a “lifetime” subscription, which TiVo may or may not give you partial credit for should your device fail and you need a new one. Like the Comcast DVRs, some TiVo boxes are less than stable. It’s the nature of electronics. TiVos also have advertising on them, which some Comcast channels do also, like MusicChoice, but not on all of them.
2. TiVo vs Comcast: Services available
With a DVR from Comcast, you can only record shows that are broadcast on one of Comcast’s channels or play shows that are loaded into its On Demand section. A TiVo can be connected to a number of sources, including cable via a cable card, and allow you to combine all of your viewing sources into the one box. It even connects to a high definition antenna.
The TiVo with cable card has access to all of the cable On Demand services, so in that sense it can replace all of the Comcast DVRs. However, the cable card is not free. It typically runs $1.50 per card per month, up to $2.50 per card on the Frontier system.
The menus are slightly different, as you can see below.
Comcast interface
TiVo interface
TiVos also recognize SD and HD as just different versions of the same show, instead of different channels like Comcast does, so you can set your DVR to just record HD. This makes it somewhat harder to just record HD on a TiVo.
Down the road, Comcast is planning the X2 system which would have cloud recording capacity, thus ending the need for a box in your house at all. TiVo has not yet announced such a plan.
3. TiVo vs Comcast: Connection to a network
TiVos can be connected to your home computer network, and the newest one, the Roamio, comes with built-in wifi, for total freedom of use. Because it’s on the network, you can stream shows from your computer through the TiVo box for later playback. It supports channels like Netflix, Hulu Plus, and Amazon Instant. You can also stream shows to your Apple portable devices and then take the shows with you on the plane or to the gym, or use the device as a remote control. (Android devices will have the same capacity soon.) The network capacity also means you can use your computer to control the TiVo box and view content wherever you are.
Some reviewers have also noted that the network set up is not as simple as it might be, and it requires some computer knowledge and ability. Unless you have a tech person nearby, novice computer users may not wish to set up the network.
The iPhone app remote screen looks like this:
A TiVo does have limitations of who can access which channels. For instance, it does not stream HBOGo, nor does it interface with Apple’s TV programming. For that you still need an AppleTV device.
Comcast boxes simply do not network well. They are designed to broadcast the cable signals through your TV, but not on a home network. They are often easier to connect, however, just requiring a cable from the box to be plugged into the TV.
4. TiVo vs Comcast: Recording capacity
The new TiVo, the Roamio, has as many as six tuners that can record at the same time with up to 150 hours of high definition programming. You’ll never have another scheduling conflict again!
TiVos have recording capacities that range from 75 to 450 hours, depending on whether it is standard definition or high definition, and which device you are using. You can choose from three models of the Roamio. The base model costs $200 and has 75 hours of capacity. The menu and features are more limited on this one than on the others. There is a middle model priced at $400 that has the same six tuners as the high-end one but can only hold 150 hours of recordings. Then the top tier model costs $600 and has 450 hours of recording capacity, all of it in high definition.
The Comcast X1 DVR has four tuners and it can record them simultaneously. You can watch a prerecorded program while it’s recording, too. It can hold 120 hours of HD or 600 hours of SD programming.
5. TiVo vs Comcast: User interface
The Comcast X1 DVR system has a voice-activated interface and a completely different look and layout than their standard system has.
The basic Comcast remote is a multi-function remote and capable of controlling all functions, but it does not have the ability to connect to a portable device like a tablet or a smartphone to have connectivity that way like a TiVo can through an app. The remote has to be line of sight in order to work.
The TiVo device menu is in standard definition, so for those who have a high definition set up, you may find this a bit distraction or fuzzy. It does come with apps for extending what the box can do, including games for kids.
Many reviewers liked the interface on the TiVo better than the grid used on the Comcast service. The TiVo programming guide allows you to delete channels you don’t watch so you’re only looking at the channels you like. Comcast’s guide covers every channel they offer, even ones that are not available on your tier of service.
With the TiVo Roamio, connecting to a tablet allows you to be in another room and still operate the “remote” for the TiVo DVR. Download the app onto your device and you’re ready to go.
TiVo’s device remote has a sleek layout called the “peanut”.
Summary
What it all comes down to is looking at how you use your TV, where you get your sources from, and what your budget is. Each device has its own set of things that are appealing, and its own drawbacks. For flexibility of being able to use multiple sources and devices, the TiVo is the clear winner. For cost in the long run, it’s almost a draw. For ease of connection to a TV, the Comcast box comes out on top. No matter which one you pick, you’ll never run out of great programs to watch.
Ollie Mattison
Ollie Mattison is a writer and a lover of all things video.
Follow @Ollie Mattison
Ollie Mattison
Mar 27, 2024• Proven solutions
Cable, satellite, over the air broadcast, streaming internet video – never before have we had so many choices of how to receive television programming. DVR, PVR, computer hard drive, external storage device; now we have choices in how to store programs for viewing later to consider as well. So what is true and what is hype when it comes to what’s the best device? Let’s peel back the layers and look at the information.
First, what is a DVR? A DVR, or digital video recorder, is a device that records video from a source for playback at another time. It often comes with a television programming guide included so you can easily locate shows you want to record. Most DVRs come with large capacity hard drives, though some have flash memory cards as their storage medium. There are a variety of types that range from small storage capacity and two tuners, up through several tuners and massive hard drive storage ability. You also can pause and rewind live TV, which is great when you want to create your own sports instant replays. Most DVRs also allow you to watch one program that was previously recorded while two others are recording, though some have greater capacity.
A TiVo is a particular kind of DVR that was first introduced in 1999. It requires a subscription to its own programming guide that can be purchased month to month, or as a “lifetime” subscription (that means the life of the TiVo, not your life, by the way). TiVos, like cable company DVRs, can record just one show or an entire season. TiVos have a smart feature which notices which shows you are watching and recommends similar ones to you based on how you rate current programs. It also uses these ratings to suggest shows to other viewers.
Let’s look at a few of the main features of both so you can do a comparison. We’ll look at five factors.
1. TiVo vs Comcast: Cost and rent versus own
With a Comcast DVR, you are renting it from the cable company at a cost of $10 to $16 a month, depending on your market. There are no upfront costs, and should the device fail, you can swap it at no cost at your local Comcast service center. Some folks have found that the new X1 boxes are prone to crashes, so that free swap is handy.
A TiVo is yours to keep as long as it lasts or as long as you want it, whichever comes first. It has an initial cost of between $200 and $600, depending on the model. Plus, you have the subscription cost on top of the unit price, which is $15 a month or $500 for a “lifetime” subscription, which TiVo may or may not give you partial credit for should your device fail and you need a new one. Like the Comcast DVRs, some TiVo boxes are less than stable. It’s the nature of electronics. TiVos also have advertising on them, which some Comcast channels do also, like MusicChoice, but not on all of them.
2. TiVo vs Comcast: Services available
With a DVR from Comcast, you can only record shows that are broadcast on one of Comcast’s channels or play shows that are loaded into its On Demand section. A TiVo can be connected to a number of sources, including cable via a cable card, and allow you to combine all of your viewing sources into the one box. It even connects to a high definition antenna.
The TiVo with cable card has access to all of the cable On Demand services, so in that sense it can replace all of the Comcast DVRs. However, the cable card is not free. It typically runs $1.50 per card per month, up to $2.50 per card on the Frontier system.
The menus are slightly different, as you can see below.
Comcast interface
TiVo interface
TiVos also recognize SD and HD as just different versions of the same show, instead of different channels like Comcast does, so you can set your DVR to just record HD. This makes it somewhat harder to just record HD on a TiVo.
Down the road, Comcast is planning the X2 system which would have cloud recording capacity, thus ending the need for a box in your house at all. TiVo has not yet announced such a plan.
3. TiVo vs Comcast: Connection to a network
TiVos can be connected to your home computer network, and the newest one, the Roamio, comes with built-in wifi, for total freedom of use. Because it’s on the network, you can stream shows from your computer through the TiVo box for later playback. It supports channels like Netflix, Hulu Plus, and Amazon Instant. You can also stream shows to your Apple portable devices and then take the shows with you on the plane or to the gym, or use the device as a remote control. (Android devices will have the same capacity soon.) The network capacity also means you can use your computer to control the TiVo box and view content wherever you are.
Some reviewers have also noted that the network set up is not as simple as it might be, and it requires some computer knowledge and ability. Unless you have a tech person nearby, novice computer users may not wish to set up the network.
The iPhone app remote screen looks like this:
A TiVo does have limitations of who can access which channels. For instance, it does not stream HBOGo, nor does it interface with Apple’s TV programming. For that you still need an AppleTV device.
Comcast boxes simply do not network well. They are designed to broadcast the cable signals through your TV, but not on a home network. They are often easier to connect, however, just requiring a cable from the box to be plugged into the TV.
4. TiVo vs Comcast: Recording capacity
The new TiVo, the Roamio, has as many as six tuners that can record at the same time with up to 150 hours of high definition programming. You’ll never have another scheduling conflict again!
TiVos have recording capacities that range from 75 to 450 hours, depending on whether it is standard definition or high definition, and which device you are using. You can choose from three models of the Roamio. The base model costs $200 and has 75 hours of capacity. The menu and features are more limited on this one than on the others. There is a middle model priced at $400 that has the same six tuners as the high-end one but can only hold 150 hours of recordings. Then the top tier model costs $600 and has 450 hours of recording capacity, all of it in high definition.
The Comcast X1 DVR has four tuners and it can record them simultaneously. You can watch a prerecorded program while it’s recording, too. It can hold 120 hours of HD or 600 hours of SD programming.
5. TiVo vs Comcast: User interface
The Comcast X1 DVR system has a voice-activated interface and a completely different look and layout than their standard system has.
The basic Comcast remote is a multi-function remote and capable of controlling all functions, but it does not have the ability to connect to a portable device like a tablet or a smartphone to have connectivity that way like a TiVo can through an app. The remote has to be line of sight in order to work.
The TiVo device menu is in standard definition, so for those who have a high definition set up, you may find this a bit distraction or fuzzy. It does come with apps for extending what the box can do, including games for kids.
Many reviewers liked the interface on the TiVo better than the grid used on the Comcast service. The TiVo programming guide allows you to delete channels you don’t watch so you’re only looking at the channels you like. Comcast’s guide covers every channel they offer, even ones that are not available on your tier of service.
With the TiVo Roamio, connecting to a tablet allows you to be in another room and still operate the “remote” for the TiVo DVR. Download the app onto your device and you’re ready to go.
TiVo’s device remote has a sleek layout called the “peanut”.
Summary
What it all comes down to is looking at how you use your TV, where you get your sources from, and what your budget is. Each device has its own set of things that are appealing, and its own drawbacks. For flexibility of being able to use multiple sources and devices, the TiVo is the clear winner. For cost in the long run, it’s almost a draw. For ease of connection to a TV, the Comcast box comes out on top. No matter which one you pick, you’ll never run out of great programs to watch.
Ollie Mattison
Ollie Mattison is a writer and a lover of all things video.
Follow @Ollie Mattison
Ollie Mattison
Mar 27, 2024• Proven solutions
Cable, satellite, over the air broadcast, streaming internet video – never before have we had so many choices of how to receive television programming. DVR, PVR, computer hard drive, external storage device; now we have choices in how to store programs for viewing later to consider as well. So what is true and what is hype when it comes to what’s the best device? Let’s peel back the layers and look at the information.
First, what is a DVR? A DVR, or digital video recorder, is a device that records video from a source for playback at another time. It often comes with a television programming guide included so you can easily locate shows you want to record. Most DVRs come with large capacity hard drives, though some have flash memory cards as their storage medium. There are a variety of types that range from small storage capacity and two tuners, up through several tuners and massive hard drive storage ability. You also can pause and rewind live TV, which is great when you want to create your own sports instant replays. Most DVRs also allow you to watch one program that was previously recorded while two others are recording, though some have greater capacity.
A TiVo is a particular kind of DVR that was first introduced in 1999. It requires a subscription to its own programming guide that can be purchased month to month, or as a “lifetime” subscription (that means the life of the TiVo, not your life, by the way). TiVos, like cable company DVRs, can record just one show or an entire season. TiVos have a smart feature which notices which shows you are watching and recommends similar ones to you based on how you rate current programs. It also uses these ratings to suggest shows to other viewers.
Let’s look at a few of the main features of both so you can do a comparison. We’ll look at five factors.
1. TiVo vs Comcast: Cost and rent versus own
With a Comcast DVR, you are renting it from the cable company at a cost of $10 to $16 a month, depending on your market. There are no upfront costs, and should the device fail, you can swap it at no cost at your local Comcast service center. Some folks have found that the new X1 boxes are prone to crashes, so that free swap is handy.
A TiVo is yours to keep as long as it lasts or as long as you want it, whichever comes first. It has an initial cost of between $200 and $600, depending on the model. Plus, you have the subscription cost on top of the unit price, which is $15 a month or $500 for a “lifetime” subscription, which TiVo may or may not give you partial credit for should your device fail and you need a new one. Like the Comcast DVRs, some TiVo boxes are less than stable. It’s the nature of electronics. TiVos also have advertising on them, which some Comcast channels do also, like MusicChoice, but not on all of them.
2. TiVo vs Comcast: Services available
With a DVR from Comcast, you can only record shows that are broadcast on one of Comcast’s channels or play shows that are loaded into its On Demand section. A TiVo can be connected to a number of sources, including cable via a cable card, and allow you to combine all of your viewing sources into the one box. It even connects to a high definition antenna.
The TiVo with cable card has access to all of the cable On Demand services, so in that sense it can replace all of the Comcast DVRs. However, the cable card is not free. It typically runs $1.50 per card per month, up to $2.50 per card on the Frontier system.
The menus are slightly different, as you can see below.
Comcast interface
TiVo interface
TiVos also recognize SD and HD as just different versions of the same show, instead of different channels like Comcast does, so you can set your DVR to just record HD. This makes it somewhat harder to just record HD on a TiVo.
Down the road, Comcast is planning the X2 system which would have cloud recording capacity, thus ending the need for a box in your house at all. TiVo has not yet announced such a plan.
3. TiVo vs Comcast: Connection to a network
TiVos can be connected to your home computer network, and the newest one, the Roamio, comes with built-in wifi, for total freedom of use. Because it’s on the network, you can stream shows from your computer through the TiVo box for later playback. It supports channels like Netflix, Hulu Plus, and Amazon Instant. You can also stream shows to your Apple portable devices and then take the shows with you on the plane or to the gym, or use the device as a remote control. (Android devices will have the same capacity soon.) The network capacity also means you can use your computer to control the TiVo box and view content wherever you are.
Some reviewers have also noted that the network set up is not as simple as it might be, and it requires some computer knowledge and ability. Unless you have a tech person nearby, novice computer users may not wish to set up the network.
The iPhone app remote screen looks like this:
A TiVo does have limitations of who can access which channels. For instance, it does not stream HBOGo, nor does it interface with Apple’s TV programming. For that you still need an AppleTV device.
Comcast boxes simply do not network well. They are designed to broadcast the cable signals through your TV, but not on a home network. They are often easier to connect, however, just requiring a cable from the box to be plugged into the TV.
4. TiVo vs Comcast: Recording capacity
The new TiVo, the Roamio, has as many as six tuners that can record at the same time with up to 150 hours of high definition programming. You’ll never have another scheduling conflict again!
TiVos have recording capacities that range from 75 to 450 hours, depending on whether it is standard definition or high definition, and which device you are using. You can choose from three models of the Roamio. The base model costs $200 and has 75 hours of capacity. The menu and features are more limited on this one than on the others. There is a middle model priced at $400 that has the same six tuners as the high-end one but can only hold 150 hours of recordings. Then the top tier model costs $600 and has 450 hours of recording capacity, all of it in high definition.
The Comcast X1 DVR has four tuners and it can record them simultaneously. You can watch a prerecorded program while it’s recording, too. It can hold 120 hours of HD or 600 hours of SD programming.
5. TiVo vs Comcast: User interface
The Comcast X1 DVR system has a voice-activated interface and a completely different look and layout than their standard system has.
The basic Comcast remote is a multi-function remote and capable of controlling all functions, but it does not have the ability to connect to a portable device like a tablet or a smartphone to have connectivity that way like a TiVo can through an app. The remote has to be line of sight in order to work.
The TiVo device menu is in standard definition, so for those who have a high definition set up, you may find this a bit distraction or fuzzy. It does come with apps for extending what the box can do, including games for kids.
Many reviewers liked the interface on the TiVo better than the grid used on the Comcast service. The TiVo programming guide allows you to delete channels you don’t watch so you’re only looking at the channels you like. Comcast’s guide covers every channel they offer, even ones that are not available on your tier of service.
With the TiVo Roamio, connecting to a tablet allows you to be in another room and still operate the “remote” for the TiVo DVR. Download the app onto your device and you’re ready to go.
TiVo’s device remote has a sleek layout called the “peanut”.
Summary
What it all comes down to is looking at how you use your TV, where you get your sources from, and what your budget is. Each device has its own set of things that are appealing, and its own drawbacks. For flexibility of being able to use multiple sources and devices, the TiVo is the clear winner. For cost in the long run, it’s almost a draw. For ease of connection to a TV, the Comcast box comes out on top. No matter which one you pick, you’ll never run out of great programs to watch.
Ollie Mattison
Ollie Mattison is a writer and a lover of all things video.
Follow @Ollie Mattison
Top 6 Free MOV Video Cutters
Top 5 Best Free MOV Video Cutters
Ollie Mattison
Mar 27, 2024• Proven solutions
The emergence of multimedia technology and its demanding features have made the user think about the best video cutters based on the MOV video format. Finding the amazing video cutter is quite a challenging task and one can attain such a remarkable challenge by just availing some of the free MOV video cutters. However, there are numbers of video cutters used by thousands of people every day and it is quite difficult to narrow down the list of MOV video cutters into the only top 5 video cutters; but some of them are given below:
If you need a more professional MOV video cutter, Wondershare Filmora is highly recommended. The powerful video cutting function allows you to easily cut video files into various fragments. Besides that, the built-in scene detection function can easily cut video even more precisely.
If you want to have an online solution, Filmora video trimmer is a free online tool that can help you trim video instantly. You can upload your video from computer and video link with drag-and-drop. It is easy to use with the slider or just input specific start and end times for precise trim. It also supports various importing and exporting video format, including .mp4, .mov, .wemb, .mpeg, .flv. More importantly, the exported video is free of watermark. It is definitely worth a try!
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
Top 5 Best Free MOV Video Cutters
1. Avidemux
Avidemux is not served as a video cutter but it is also used to as a video joiner; it’s lightweight and neat utility features enable the users to easily select a portion from any video, cut it and can save it the existing file or the new file as well.
Pros:
- Easily-to-use interface;
- Useful presets for common output tasks.
Cons:
- The performance is not very satisfactory.
2. Free Video Cutter
Free video cutter is one of the most remarkable video cutter tools that enable the users to extract or trim specific part of any video. The file can be saved in the different or same format. Free video cutter support different video formats including MOV, M4V, AVI, WMV and many more. It contains one displaying window along with the preview options.
Pros:
- Supports multiple video formats;
- User friendly interface;
- Multiple output format options .
Cons:
- Lacks in sound quality;
- Fewer sound settings.
3. Video Toolbox
Splitting large MOV files into smaller video files is made easier by the use of Video Toolbox. This is the efficient and user friendly online video editor that allows the user to cut, preview and play the video; it pertains the quality of original vide file and cute the particular part which the user exactly want to trim or extract out form the large video file.
Pros:
- Different video editing functions.
Cons:
- Restricts your file sizes to 600MB.
4. Cute Video Cutter
Cute video cutter is a straightforward solution when the user is in need of cutting or removing a particular segment from the video file; it supports various video formats including AVI, MOV, FLV, WMV and more. It has a user friendly interface that is not required any additional knowledge in order to edit and cut the video.
Pros:
- No need to search for an install any other codec;
- Easy user interface.
Cons:
- No audio cues.
5. VSDC Free Video Editor
VSDC Free Video Editor is a free but quality video editor which comes with variety of features. It supports various types of videos such as MKV, FLV, MPG, MP4, WMV, VOB, DAT, AVI, DIVX,, MOV, etc.. With it, cutting and splitting MOV videos can be easier.
Pros:
- Many useful options provided;
- Can also be used as a video converter.
Cons:
- Computer resources (CPU and RAM) are required at a high level.
Ollie Mattison
Ollie Mattison is a writer and a lover of all things video.
Follow @Ollie Mattison
Ollie Mattison
Mar 27, 2024• Proven solutions
The emergence of multimedia technology and its demanding features have made the user think about the best video cutters based on the MOV video format. Finding the amazing video cutter is quite a challenging task and one can attain such a remarkable challenge by just availing some of the free MOV video cutters. However, there are numbers of video cutters used by thousands of people every day and it is quite difficult to narrow down the list of MOV video cutters into the only top 5 video cutters; but some of them are given below:
If you need a more professional MOV video cutter, Wondershare Filmora is highly recommended. The powerful video cutting function allows you to easily cut video files into various fragments. Besides that, the built-in scene detection function can easily cut video even more precisely.
If you want to have an online solution, Filmora video trimmer is a free online tool that can help you trim video instantly. You can upload your video from computer and video link with drag-and-drop. It is easy to use with the slider or just input specific start and end times for precise trim. It also supports various importing and exporting video format, including .mp4, .mov, .wemb, .mpeg, .flv. More importantly, the exported video is free of watermark. It is definitely worth a try!
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
Top 5 Best Free MOV Video Cutters
1. Avidemux
Avidemux is not served as a video cutter but it is also used to as a video joiner; it’s lightweight and neat utility features enable the users to easily select a portion from any video, cut it and can save it the existing file or the new file as well.
Pros:
- Easily-to-use interface;
- Useful presets for common output tasks.
Cons:
- The performance is not very satisfactory.
2. Free Video Cutter
Free video cutter is one of the most remarkable video cutter tools that enable the users to extract or trim specific part of any video. The file can be saved in the different or same format. Free video cutter support different video formats including MOV, M4V, AVI, WMV and many more. It contains one displaying window along with the preview options.
Pros:
- Supports multiple video formats;
- User friendly interface;
- Multiple output format options .
Cons:
- Lacks in sound quality;
- Fewer sound settings.
3. Video Toolbox
Splitting large MOV files into smaller video files is made easier by the use of Video Toolbox. This is the efficient and user friendly online video editor that allows the user to cut, preview and play the video; it pertains the quality of original vide file and cute the particular part which the user exactly want to trim or extract out form the large video file.
Pros:
- Different video editing functions.
Cons:
- Restricts your file sizes to 600MB.
4. Cute Video Cutter
Cute video cutter is a straightforward solution when the user is in need of cutting or removing a particular segment from the video file; it supports various video formats including AVI, MOV, FLV, WMV and more. It has a user friendly interface that is not required any additional knowledge in order to edit and cut the video.
Pros:
- No need to search for an install any other codec;
- Easy user interface.
Cons:
- No audio cues.
5. VSDC Free Video Editor
VSDC Free Video Editor is a free but quality video editor which comes with variety of features. It supports various types of videos such as MKV, FLV, MPG, MP4, WMV, VOB, DAT, AVI, DIVX,, MOV, etc.. With it, cutting and splitting MOV videos can be easier.
Pros:
- Many useful options provided;
- Can also be used as a video converter.
Cons:
- Computer resources (CPU and RAM) are required at a high level.
Ollie Mattison
Ollie Mattison is a writer and a lover of all things video.
Follow @Ollie Mattison
Ollie Mattison
Mar 27, 2024• Proven solutions
The emergence of multimedia technology and its demanding features have made the user think about the best video cutters based on the MOV video format. Finding the amazing video cutter is quite a challenging task and one can attain such a remarkable challenge by just availing some of the free MOV video cutters. However, there are numbers of video cutters used by thousands of people every day and it is quite difficult to narrow down the list of MOV video cutters into the only top 5 video cutters; but some of them are given below:
If you need a more professional MOV video cutter, Wondershare Filmora is highly recommended. The powerful video cutting function allows you to easily cut video files into various fragments. Besides that, the built-in scene detection function can easily cut video even more precisely.
If you want to have an online solution, Filmora video trimmer is a free online tool that can help you trim video instantly. You can upload your video from computer and video link with drag-and-drop. It is easy to use with the slider or just input specific start and end times for precise trim. It also supports various importing and exporting video format, including .mp4, .mov, .wemb, .mpeg, .flv. More importantly, the exported video is free of watermark. It is definitely worth a try!
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
Top 5 Best Free MOV Video Cutters
1. Avidemux
Avidemux is not served as a video cutter but it is also used to as a video joiner; it’s lightweight and neat utility features enable the users to easily select a portion from any video, cut it and can save it the existing file or the new file as well.
Pros:
- Easily-to-use interface;
- Useful presets for common output tasks.
Cons:
- The performance is not very satisfactory.
2. Free Video Cutter
Free video cutter is one of the most remarkable video cutter tools that enable the users to extract or trim specific part of any video. The file can be saved in the different or same format. Free video cutter support different video formats including MOV, M4V, AVI, WMV and many more. It contains one displaying window along with the preview options.
Pros:
- Supports multiple video formats;
- User friendly interface;
- Multiple output format options .
Cons:
- Lacks in sound quality;
- Fewer sound settings.
3. Video Toolbox
Splitting large MOV files into smaller video files is made easier by the use of Video Toolbox. This is the efficient and user friendly online video editor that allows the user to cut, preview and play the video; it pertains the quality of original vide file and cute the particular part which the user exactly want to trim or extract out form the large video file.
Pros:
- Different video editing functions.
Cons:
- Restricts your file sizes to 600MB.
4. Cute Video Cutter
Cute video cutter is a straightforward solution when the user is in need of cutting or removing a particular segment from the video file; it supports various video formats including AVI, MOV, FLV, WMV and more. It has a user friendly interface that is not required any additional knowledge in order to edit and cut the video.
Pros:
- No need to search for an install any other codec;
- Easy user interface.
Cons:
- No audio cues.
5. VSDC Free Video Editor
VSDC Free Video Editor is a free but quality video editor which comes with variety of features. It supports various types of videos such as MKV, FLV, MPG, MP4, WMV, VOB, DAT, AVI, DIVX,, MOV, etc.. With it, cutting and splitting MOV videos can be easier.
Pros:
- Many useful options provided;
- Can also be used as a video converter.
Cons:
- Computer resources (CPU and RAM) are required at a high level.
Ollie Mattison
Ollie Mattison is a writer and a lover of all things video.
Follow @Ollie Mattison
Ollie Mattison
Mar 27, 2024• Proven solutions
The emergence of multimedia technology and its demanding features have made the user think about the best video cutters based on the MOV video format. Finding the amazing video cutter is quite a challenging task and one can attain such a remarkable challenge by just availing some of the free MOV video cutters. However, there are numbers of video cutters used by thousands of people every day and it is quite difficult to narrow down the list of MOV video cutters into the only top 5 video cutters; but some of them are given below:
If you need a more professional MOV video cutter, Wondershare Filmora is highly recommended. The powerful video cutting function allows you to easily cut video files into various fragments. Besides that, the built-in scene detection function can easily cut video even more precisely.
If you want to have an online solution, Filmora video trimmer is a free online tool that can help you trim video instantly. You can upload your video from computer and video link with drag-and-drop. It is easy to use with the slider or just input specific start and end times for precise trim. It also supports various importing and exporting video format, including .mp4, .mov, .wemb, .mpeg, .flv. More importantly, the exported video is free of watermark. It is definitely worth a try!
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
Top 5 Best Free MOV Video Cutters
1. Avidemux
Avidemux is not served as a video cutter but it is also used to as a video joiner; it’s lightweight and neat utility features enable the users to easily select a portion from any video, cut it and can save it the existing file or the new file as well.
Pros:
- Easily-to-use interface;
- Useful presets for common output tasks.
Cons:
- The performance is not very satisfactory.
2. Free Video Cutter
Free video cutter is one of the most remarkable video cutter tools that enable the users to extract or trim specific part of any video. The file can be saved in the different or same format. Free video cutter support different video formats including MOV, M4V, AVI, WMV and many more. It contains one displaying window along with the preview options.
Pros:
- Supports multiple video formats;
- User friendly interface;
- Multiple output format options .
Cons:
- Lacks in sound quality;
- Fewer sound settings.
3. Video Toolbox
Splitting large MOV files into smaller video files is made easier by the use of Video Toolbox. This is the efficient and user friendly online video editor that allows the user to cut, preview and play the video; it pertains the quality of original vide file and cute the particular part which the user exactly want to trim or extract out form the large video file.
Pros:
- Different video editing functions.
Cons:
- Restricts your file sizes to 600MB.
4. Cute Video Cutter
Cute video cutter is a straightforward solution when the user is in need of cutting or removing a particular segment from the video file; it supports various video formats including AVI, MOV, FLV, WMV and more. It has a user friendly interface that is not required any additional knowledge in order to edit and cut the video.
Pros:
- No need to search for an install any other codec;
- Easy user interface.
Cons:
- No audio cues.
5. VSDC Free Video Editor
VSDC Free Video Editor is a free but quality video editor which comes with variety of features. It supports various types of videos such as MKV, FLV, MPG, MP4, WMV, VOB, DAT, AVI, DIVX,, MOV, etc.. With it, cutting and splitting MOV videos can be easier.
Pros:
- Many useful options provided;
- Can also be used as a video converter.
Cons:
- Computer resources (CPU and RAM) are required at a high level.
Ollie Mattison
Ollie Mattison is a writer and a lover of all things video.
Follow @Ollie Mattison
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- Title: How to Add Titles in Final Cut Pro X
- Author: Emma
- Created at : 2024-05-19 05:47:07
- Updated at : 2024-05-20 05:47:07
- Link: https://video-ai-editor.techidaily.com/how-to-add-titles-in-final-cut-pro-x/
- License: This work is licensed under CC BY-NC-SA 4.0.