How to Find the Picture Ratio Calculator

How Do You Find the Picture Ratio Calculator?

An easy yet powerful editor

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Detailed tutorials provided by the official channel

Aspect ratios are critical elements in photography, although you don’t have to go that deep! Still, you are here as you understand the significance of using aspect ratios in your projects and thus are looking to find the best picture ratio calculator.

In this guide, we’ll talk about everything you need to know about the photo ratio calculator.

Part 1 What is Picture Size Ratio?

As already mentioned, a picture size ratio refers to calculating or determining the Ratio of an image. And, it’s accomplished by using apicture ratio calculator. So, for example, the picture size ratio could vary from 1:1, 4:3, 3:2, 16:9, etc.

You can visualize this aspect ratio by allocating an image’s width and height units. For example, a 6×4 inch image has a 3:2 aspect ratio, whereas a 1920×1080 pixel video includes a 16:9 aspect ratio.

Fact Check:

An aspect ratio does not contain attached units—instead, it shows how large the width compared to the height, meaning that an image measured in centimeters will have the same aspect ratio even if measured in inches.

The relationship between its height and width decides the shape and Ratio instead of the image’s actual size.

Different aspect ratios consist of varying effects on the image you use. For example, an image set in a 1:1 ratio vs. a 5:4 ratio changes the composition and perception of the photo.

Types of picture size ratios

1:1 Ratio

A 1:1 ratio includes an image’s width and height are square and thus equal. Some standard 1:1 ratios are an 8″x8″ photo, a 1080 x 1080 pixel image generally used for mobile screens, print photographs, and social media platforms.

3:2 Ratio

The 3:2 Ratio is generally 35mm film and photography and is still extensively used for prints. Images framed at 6″x4″ or 1080×720 pixels set within this aspect ratio.

5:4 Ratio

Last but not least, this Ratio is standard in photography and art prints and photography.

In the following sections, let’s uncover more about the photo aspect ratio and its related calculator!

Part 2 What is 1920x1080 in Ratio?

1920 x 1080 is itself a 16:9 aspect ratio. By default, DSLRs, smartphones, and most modern camcorders record video at 1920 x 1080.

Part 3 How Do You Find the Ratio of an Image?

Before finding the image ratio, understand that there’s a difference between image size and image ratio.

Unlike aspect ratios, image size shows the actual width and height in pixels. Image size refers to the image dimensions. You can measure its dimensions in any unit, but you’ll generally see pixels used for digital or web images and inches used for print images.

It’s essential to note that two different images containing the same aspect ratio may not have the exact dimensions of an image. For instance, the image has 1920×1080 pixels has 16:9 aspect ratios, and an image sized at 1280×720 pixels has a 16:9 aspect ratio.

You can use thistool to measure the aspect ratio of images. Here, match either ratio width and ratio and height or pixel width and pixel height to find the aspect ratio in thisimage size ratio calculator.

Part 4 1920x1080 Aspect Ratio and 16:9 Aspect Ratio Differences

These are almost the same. The only difference is that of the pixels. If you cancel the numbers 1920 and 1080, they will automatically come as 16 and 9. 1920 x 1080 is a 16:9 aspect ratio.

Part 5 The Resolution Calculator (Image Ratio Calculator)

To use a picture aspect ratio calculator, you need to understand the following.

Understand the following five variables:

● H1 Height of the initial image

● W1 Width of the initial image

● H2 Height of the final image

● W2 Width of the final image

● A percentage - the proportion of the initial image’s ratio to the final image’s ratio.

The aspect ratio formulas that sync the quantities mentioned above for the ratio converter are:

H1/W1 = H2/W2,

H1 * A% = H2, and

W1 * A% = W2

You are not required to understand the details by heart; if the initial resolution is generally used, use the list to select the ideal ratio:

Proportions

● 4:3,

● 3:2,

● 16:9,

● 16:10,

● 1:1, square, in some social networks,

● 85:1,

Pixels

● 2048:1536, iPad with Retina screen;

● 1920:1080, HD TV, iPhone 6 plus; and

● 800:600, traditional television & computer monitor standard.

Part 6 A Practical Explanation about Aspect Ratios in Filmora

Want to find thephoto aspect ratio calculatorquickly? Waste no more time calculating formulas and launch Wondershare Filmora Video Editor for the purpose. It is a robust video editing platform within which you can change the aspect ratios of images and videos and do the same with different methods. You can even do it under the editing panel as well. However, we won’t suggest going much deep when you’re looking to find the idealpicture ratio calculator.

Wondershare Filmora

Get started easily with Filmora’s powerful performance, intuitive interface, and countless effects!

Try It Free Try It Free Try It Free Learn More >

The most standard aspect ratios of videos are 4:3 and 16:9. Despite these two, 9:16 and 1:1 get famous over social media platforms these days.

As far as you may know, various media players help you to transform the aspect ratio in real-time when playback. Yet this modification is temporary. You are required to change the aspect ratio again next time you open them.

But, changing the aspect ratios is pretty different than other media players. You need to launch the program and create a new project simply. But, before you do a new project, you can easily change it at the beginning panel.

The Filmora assists you in changing the aspect ratio of the project after downloading. Hit the drop-down tab, and you will choose the options among 16:9, 4:3, 1:1, 9:16, and 21:9 aspect ratios.

Key Takeaways from This Episode

● 1 –An overview of the picture aspect ratio.

● 2 – Formula to measure the aspect ratio of an image.

● 3 –Practical understanding of aspect ratios with WondershareFilmora

● So here, we end our topic byusinga picture ratio calculator. We’ve described how to measure the image aspect ratio in detail. By now, you must have got how important the concept of aspect ratio is in photography or video editing.

Try It Free Try It Free

In this guide, we’ll talk about everything you need to know about the photo ratio calculator.

Part 1 What is Picture Size Ratio?

Fact Check:

The relationship between its height and width decides the shape and Ratio instead of the image’s actual size.

Different aspect ratios consist of varying effects on the image you use. For example, an image set in a 1:1 ratio vs. a 5:4 ratio changes the composition and perception of the photo.

Types of picture size ratios

1:1 Ratio

3:2 Ratio

The 3:2 Ratio is generally 35mm film and photography and is still extensively used for prints. Images framed at 6″x4″ or 1080×720 pixels set within this aspect ratio.

5:4 Ratio

Last but not least, this Ratio is standard in photography and art prints and photography.

In the following sections, let’s uncover more about the photo aspect ratio and its related calculator!

Part 2 What is 1920x1080 in Ratio?

1920 x 1080 is itself a 16:9 aspect ratio. By default, DSLRs, smartphones, and most modern camcorders record video at 1920 x 1080.

Part 3 How Do You Find the Ratio of an Image?

Before finding the image ratio, understand that there’s a difference between image size and image ratio.

Part 4 1920x1080 Aspect Ratio and 16:9 Aspect Ratio Differences

These are almost the same. The only difference is that of the pixels. If you cancel the numbers 1920 and 1080, they will automatically come as 16 and 9. 1920 x 1080 is a 16:9 aspect ratio.

Part 5 The Resolution Calculator (Image Ratio Calculator)

To use a picture aspect ratio calculator, you need to understand the following.

Understand the following five variables:

● H1 Height of the initial image

● W1 Width of the initial image

● H2 Height of the final image

● W2 Width of the final image

● A percentage - the proportion of the initial image’s ratio to the final image’s ratio.

The aspect ratio formulas that sync the quantities mentioned above for the ratio converter are:

H1/W1 = H2/W2,

H1 * A% = H2, and

W1 * A% = W2

You are not required to understand the details by heart; if the initial resolution is generally used, use the list to select the ideal ratio:

Proportions

● 4:3,

● 3:2,

● 16:9,

● 16:10,

● 1:1, square, in some social networks,

● 85:1,

Pixels

● 2048:1536, iPad with Retina screen;

● 1920:1080, HD TV, iPhone 6 plus; and

● 800:600, traditional television & computer monitor standard.

Part 6 A Practical Explanation about Aspect Ratios in Filmora

Wondershare Filmora

Get started easily with Filmora’s powerful performance, intuitive interface, and countless effects!

Try It Free Try It Free Try It Free Learn More >

The most standard aspect ratios of videos are 4:3 and 16:9. Despite these two, 9:16 and 1:1 get famous over social media platforms these days.

The Filmora assists you in changing the aspect ratio of the project after downloading. Hit the drop-down tab, and you will choose the options among 16:9, 4:3, 1:1, 9:16, and 21:9 aspect ratios.

Key Takeaways from This Episode

● 1 –An overview of the picture aspect ratio.

● 2 – Formula to measure the aspect ratio of an image.

● 3 –Practical understanding of aspect ratios with WondershareFilmora

Try It Free Try It Free

In this guide, we’ll talk about everything you need to know about the photo ratio calculator.

Part 1 What is Picture Size Ratio?

Fact Check:

The relationship between its height and width decides the shape and Ratio instead of the image’s actual size.

Different aspect ratios consist of varying effects on the image you use. For example, an image set in a 1:1 ratio vs. a 5:4 ratio changes the composition and perception of the photo.

Types of picture size ratios

1:1 Ratio

3:2 Ratio

The 3:2 Ratio is generally 35mm film and photography and is still extensively used for prints. Images framed at 6″x4″ or 1080×720 pixels set within this aspect ratio.

5:4 Ratio

Last but not least, this Ratio is standard in photography and art prints and photography.

In the following sections, let’s uncover more about the photo aspect ratio and its related calculator!

Part 2 What is 1920x1080 in Ratio?

1920 x 1080 is itself a 16:9 aspect ratio. By default, DSLRs, smartphones, and most modern camcorders record video at 1920 x 1080.

Part 3 How Do You Find the Ratio of an Image?

Before finding the image ratio, understand that there’s a difference between image size and image ratio.

Part 4 1920x1080 Aspect Ratio and 16:9 Aspect Ratio Differences

These are almost the same. The only difference is that of the pixels. If you cancel the numbers 1920 and 1080, they will automatically come as 16 and 9. 1920 x 1080 is a 16:9 aspect ratio.

Part 5 The Resolution Calculator (Image Ratio Calculator)

To use a picture aspect ratio calculator, you need to understand the following.

Understand the following five variables:

● H1 Height of the initial image

● W1 Width of the initial image

● H2 Height of the final image

● W2 Width of the final image

● A percentage - the proportion of the initial image’s ratio to the final image’s ratio.

The aspect ratio formulas that sync the quantities mentioned above for the ratio converter are:

H1/W1 = H2/W2,

H1 * A% = H2, and

W1 * A% = W2

You are not required to understand the details by heart; if the initial resolution is generally used, use the list to select the ideal ratio:

Proportions

● 4:3,

● 3:2,

● 16:9,

● 16:10,

● 1:1, square, in some social networks,

● 85:1,

Pixels

● 2048:1536, iPad with Retina screen;

● 1920:1080, HD TV, iPhone 6 plus; and

● 800:600, traditional television & computer monitor standard.

Part 6 A Practical Explanation about Aspect Ratios in Filmora

Wondershare Filmora

Get started easily with Filmora’s powerful performance, intuitive interface, and countless effects!

Try It Free Try It Free Try It Free Learn More >

The most standard aspect ratios of videos are 4:3 and 16:9. Despite these two, 9:16 and 1:1 get famous over social media platforms these days.

The Filmora assists you in changing the aspect ratio of the project after downloading. Hit the drop-down tab, and you will choose the options among 16:9, 4:3, 1:1, 9:16, and 21:9 aspect ratios.

Key Takeaways from This Episode

● 1 –An overview of the picture aspect ratio.

● 2 – Formula to measure the aspect ratio of an image.

● 3 –Practical understanding of aspect ratios with WondershareFilmora

Try It Free Try It Free

In this guide, we’ll talk about everything you need to know about the photo ratio calculator.

Part 1 What is Picture Size Ratio?

Fact Check:

The relationship between its height and width decides the shape and Ratio instead of the image’s actual size.

Different aspect ratios consist of varying effects on the image you use. For example, an image set in a 1:1 ratio vs. a 5:4 ratio changes the composition and perception of the photo.

Types of picture size ratios

1:1 Ratio

3:2 Ratio

The 3:2 Ratio is generally 35mm film and photography and is still extensively used for prints. Images framed at 6″x4″ or 1080×720 pixels set within this aspect ratio.

5:4 Ratio

Last but not least, this Ratio is standard in photography and art prints and photography.

In the following sections, let’s uncover more about the photo aspect ratio and its related calculator!

Part 2 What is 1920x1080 in Ratio?

1920 x 1080 is itself a 16:9 aspect ratio. By default, DSLRs, smartphones, and most modern camcorders record video at 1920 x 1080.

Part 3 How Do You Find the Ratio of an Image?

Before finding the image ratio, understand that there’s a difference between image size and image ratio.

Part 4 1920x1080 Aspect Ratio and 16:9 Aspect Ratio Differences

These are almost the same. The only difference is that of the pixels. If you cancel the numbers 1920 and 1080, they will automatically come as 16 and 9. 1920 x 1080 is a 16:9 aspect ratio.

Part 5 The Resolution Calculator (Image Ratio Calculator)

To use a picture aspect ratio calculator, you need to understand the following.

Understand the following five variables:

● H1 Height of the initial image

● W1 Width of the initial image

● H2 Height of the final image

● W2 Width of the final image

● A percentage - the proportion of the initial image’s ratio to the final image’s ratio.

The aspect ratio formulas that sync the quantities mentioned above for the ratio converter are:

H1/W1 = H2/W2,

H1 * A% = H2, and

W1 * A% = W2

You are not required to understand the details by heart; if the initial resolution is generally used, use the list to select the ideal ratio:

Proportions

● 4:3,

● 3:2,

● 16:9,

● 16:10,

● 1:1, square, in some social networks,

● 85:1,

Pixels

● 2048:1536, iPad with Retina screen;

● 1920:1080, HD TV, iPhone 6 plus; and

● 800:600, traditional television & computer monitor standard.

Part 6 A Practical Explanation about Aspect Ratios in Filmora

Wondershare Filmora

Get started easily with Filmora’s powerful performance, intuitive interface, and countless effects!

Try It Free Try It Free Try It Free Learn More >

The most standard aspect ratios of videos are 4:3 and 16:9. Despite these two, 9:16 and 1:1 get famous over social media platforms these days.

The Filmora assists you in changing the aspect ratio of the project after downloading. Hit the drop-down tab, and you will choose the options among 16:9, 4:3, 1:1, 9:16, and 21:9 aspect ratios.

Key Takeaways from This Episode

● 1 –An overview of the picture aspect ratio.

● 2 – Formula to measure the aspect ratio of an image.

● 3 –Practical understanding of aspect ratios with WondershareFilmora

A Picture-in-Picture Effect Is a Very Popular Effect in that It Allows Us to See Two Images at Once. This Tutorial Shows You How to Create This in FCP

How to Create a Picture-in-Picture Effect Using Final Cut Pro

Benjamin Arango

Mar 27, 2024• Proven solutions

Sometimes we need to show two videos together on the same screen to convey certain usage information. If you are searching for a tool to make this task possible then Final Cut Pro is the best choice for you.

This tool can help you to use the picture-in-picture effect with ease. However, the process for adding this effect cannot be completed within one r two steps.

The article below contains complete details about how to add PIP effects using Final Cut Pro. You will be glad to know that FCP also works with few integrated plugins that assist in the free picture in picture effect generation.

How to Create PIP Effect with FCP

If you are ready with two videos and now want to bring them to the same screen then prefer to follow these simple steps:

Step 1: Add Background video

The very first step that you need to follow for PIP effect generation using FCP is to bring your main or background video to the timeline as a primary storyline. Once you have created the primary storyline then all videos for the PIP effect will be added to it.

Step 2: Add PIP videos

It is time to choose the higher video clip so that the PIP effect can be applied. This task can be done either by using on-screen type controls available on the viewer or you can move ahead with transform controls available on the inspector.

Note that lower clips use to stay in the background in final results whereas upper clips will appear in the foreground. By default, both clips use to have 100% full screen with 100% opaque settings.

Step 3: Apply PIP effect

As now you have added both videos on-screen now you have to select the higher video and then click over the rectangular transform button that is available on the lower-left corner of viewer screen. As soon as you make this selection, the icon will turn into blue color, and naturally 8 dots will appear around the selected image or video. Use any one of these dots for scaling your selection in asymmetrical order.

Step 4: Adjust PIP Effect

If you want to scale this image in a symmetrical fashion then simply drag the dot to the corner from the central position.
Now hold the option key and drag one dot to the corner. It will help you to shrink as well as to enlarge the image even without affecting its actual aspect ratio.
Users can keep on scaling this foreground image till the time they achieve essential size.
Now click inside your selected image and start dragging it to reach a certain specific position. You can place it anywhere on a big screen.

Step 5: Follow precise Adjustment

Simply select the top clip and then hit Command + 4 to open the inspector. Now click on that blue show button over your FCP screen and it will provide you complete information about the transform category of available built-in effects. If you use inspector for this task then it can help you to get very precise results for scaling needs. It assists users to manage images with accurate position and size.

Step 6: Apply Cross- Dissolve

Now choose the leading edge of effect and use Command + T. It will immediately apply the default cross-dissolve option for starting clip.
You will be glad to know that the PIP effect does not restrict users to work just upon a single image rather it can be used to process as many pictures as your project needs and that can fit inside the frame.

Check this video tutorial to know more details:

Picture in Picture Plug-ins for Final Cut Pro

There are so many plug-ins available in the market for Final Cut Pro platform and all of them possess unique qualities along with impressive toolsets. No matter whether you are a beginner with the PIP effect or professional making high-end video projects, FCP plug-ins can make your task much easier with their intuitive controls.

1. Tokyo PiPintor

PiPintor Free is a specially designed picture-in-picture plugin that assists beginners with easy processing of the PIP effect over Final Cut Pro platform. It simply awakes the menu-driven animation power on your tool so that picture in picture effect can be completed without key-framing.

2. ProPIP

Those who need to enjoy a higher level of customizations are advised to work over ProPIP environment. This advanced tool assists users to showcase their abilities with full freedom for personalization.

ProPIP is the best choice for newscasting, commentaries, and many other applications. It helps in generating fine controls for initial as well as end position, rotation, and scaling effects along with easy-to-use media controls over the screen. ProPIP also provides personalized borders with endless opportunities to develop impressive projects on Final Cut Pro platform.

Benjamin Arango

Benjamin Arango is a writer and a lover of all things video.

Follow @Benjamin Arango

Benjamin Arango

Mar 27, 2024• Proven solutions

This tool can help you to use the picture-in-picture effect with ease. However, the process for adding this effect cannot be completed within one r two steps.

How to Create PIP Effect with FCP

If you are ready with two videos and now want to bring them to the same screen then prefer to follow these simple steps:

Step 1: Add Background video

Step 2: Add PIP videos

Note that lower clips use to stay in the background in final results whereas upper clips will appear in the foreground. By default, both clips use to have 100% full screen with 100% opaque settings.

Step 3: Apply PIP effect

Step 4: Adjust PIP Effect

If you want to scale this image in a symmetrical fashion then simply drag the dot to the corner from the central position.
Now hold the option key and drag one dot to the corner. It will help you to shrink as well as to enlarge the image even without affecting its actual aspect ratio.
Users can keep on scaling this foreground image till the time they achieve essential size.
Now click inside your selected image and start dragging it to reach a certain specific position. You can place it anywhere on a big screen.

Step 5: Follow precise Adjustment

Step 6: Apply Cross- Dissolve

Now choose the leading edge of effect and use Command + T. It will immediately apply the default cross-dissolve option for starting clip.
You will be glad to know that the PIP effect does not restrict users to work just upon a single image rather it can be used to process as many pictures as your project needs and that can fit inside the frame.

Check this video tutorial to know more details:

Picture in Picture Plug-ins for Final Cut Pro

1. Tokyo PiPintor

2. ProPIP

Benjamin Arango

Benjamin Arango is a writer and a lover of all things video.

Follow @Benjamin Arango

Benjamin Arango

Mar 27, 2024• Proven solutions

This tool can help you to use the picture-in-picture effect with ease. However, the process for adding this effect cannot be completed within one r two steps.

How to Create PIP Effect with FCP

If you are ready with two videos and now want to bring them to the same screen then prefer to follow these simple steps:

Step 1: Add Background video

Step 2: Add PIP videos

Note that lower clips use to stay in the background in final results whereas upper clips will appear in the foreground. By default, both clips use to have 100% full screen with 100% opaque settings.

Step 3: Apply PIP effect

Step 4: Adjust PIP Effect

If you want to scale this image in a symmetrical fashion then simply drag the dot to the corner from the central position.
Now hold the option key and drag one dot to the corner. It will help you to shrink as well as to enlarge the image even without affecting its actual aspect ratio.
Users can keep on scaling this foreground image till the time they achieve essential size.
Now click inside your selected image and start dragging it to reach a certain specific position. You can place it anywhere on a big screen.

Step 5: Follow precise Adjustment

Step 6: Apply Cross- Dissolve

Now choose the leading edge of effect and use Command + T. It will immediately apply the default cross-dissolve option for starting clip.
You will be glad to know that the PIP effect does not restrict users to work just upon a single image rather it can be used to process as many pictures as your project needs and that can fit inside the frame.

Check this video tutorial to know more details:

Picture in Picture Plug-ins for Final Cut Pro

1. Tokyo PiPintor

2. ProPIP

Benjamin Arango

Benjamin Arango is a writer and a lover of all things video.

Follow @Benjamin Arango

Benjamin Arango

Mar 27, 2024• Proven solutions

This tool can help you to use the picture-in-picture effect with ease. However, the process for adding this effect cannot be completed within one r two steps.

How to Create PIP Effect with FCP

If you are ready with two videos and now want to bring them to the same screen then prefer to follow these simple steps:

Step 1: Add Background video

Step 2: Add PIP videos

Note that lower clips use to stay in the background in final results whereas upper clips will appear in the foreground. By default, both clips use to have 100% full screen with 100% opaque settings.

Step 3: Apply PIP effect

Step 4: Adjust PIP Effect

If you want to scale this image in a symmetrical fashion then simply drag the dot to the corner from the central position.
Now hold the option key and drag one dot to the corner. It will help you to shrink as well as to enlarge the image even without affecting its actual aspect ratio.
Users can keep on scaling this foreground image till the time they achieve essential size.
Now click inside your selected image and start dragging it to reach a certain specific position. You can place it anywhere on a big screen.

Step 5: Follow precise Adjustment

Step 6: Apply Cross- Dissolve

Now choose the leading edge of effect and use Command + T. It will immediately apply the default cross-dissolve option for starting clip.
You will be glad to know that the PIP effect does not restrict users to work just upon a single image rather it can be used to process as many pictures as your project needs and that can fit inside the frame.

Check this video tutorial to know more details:

Picture in Picture Plug-ins for Final Cut Pro

1. Tokyo PiPintor

2. ProPIP

Benjamin Arango

Benjamin Arango is a writer and a lover of all things video.

Follow @Benjamin Arango

FCPX Audio Workflow: Efficient Use of L-Cuts and J-Cuts

Final Cut Pro X Tutorial: L-Cuts and J-Cuts

Benjamin Arango

Aug 18, 2022• Proven solutions

If you wish to edit or create videos like a pro, you do not need to be a professional. Instead, be creative, learn new things, and think out of the box. You could draw inspiration from videos and films for their great clips and animations. If you are already familiar with video making, you would know basic editing tasks like trim, crop, transitions, filters, and so on. Ever knew the term J-Cuts, and L-Cuts?

It could be surprising, but yes, your well-known Final Cut Pro X has this powerful feature still overlooked by many people. So, today, we take it on hand and shall share what L-Cuts and J-Cuts mean. You will be able to create it on your own by the end of this article.

Part 1: The Use of L-Cuts and J-Cuts in Video Editing

Ordinary images, text, subtitles, and GIF doesn’t work anymore to get followers or likes on a video on YouTube channel or Instagram. Thus, video creators are tired of trying the same filters, transitions on the video editor tool. To create amazing videos like the ones played on your television and favorite movies, all you need is the split edit type techniques, a powerful editing tool used by professional editors. Although called professional, it isn’t difficult for a beginner if you know J-Cuts and L-Cuts.

They are nothing but the transition between the video and audio at different times and are entirely separate from wipes and fades. Such video editing technique helps in maintaining visual continuity. These super basic cuts are a combination of dialogue and imagery, thus keeping the video flow without a monotonous feeling.

When you look at the above interface, you will see the basic phenomenon behind the two split cuts. In L-Cuts, although the first video ends, the audio continues to clip two as well.

Then, what is a J cut in Final Cut Pro? It is ultimately reverse or opposite of L-Cuts. Yes, the second clip’s audio starts a while before the scene of the first video ends.

Part 2: Step-by-step Guide on Using L-Cuts and J-Cuts in Final Cut Pro X

As Final Cut Pro X comes overloaded with advanced, powerful tools, you can find it a little tricky. Hence, we are here to help you perform the Final Cut Pro L-Cuts in this session. And, yes, the Final Cut Pro J-Cuts as well.

Step 1: Import media files

Once you launch Final Cut Pro X on your Mac device, create a new project by tapping project under the new section of the “File” menu.

You can now import the video file to the workspace by executing “File > Export > Media” or by tapping the “Import Media” option on the welcome screen.

Step 2: Expand audio in video

Now, drag the videos to the timeline in the respective order, and expand or detach the video’s audio on the timeline for easy or precise working.

Step 3: Drag the second video to the left

To create the Final Cut Pro L-Cuts, make sure that the first clip’s edit point or audio fades out at the end.

Finally, drag the second clip’s edit point to the left so that the video gets the audio of the first video.

L-Cuts are now in Final Cut Pro X.

Note: Here, the L-Cuts added video clip has no audio and has related well enough to the first video clip. If the second video has audio, it must be detached first, and then you should drag the edit point.

Step 4: Final Cut Pro J-Cuts

In the case of Final Cut Pro J-Cuts, the process is reverse, where you need to detach the audio of the preceding or following video clip and drag the first video to the right.

When you look at the transition closely, you can see that it resembles the letter J.

Part 3: Final Cut Pro X Keyboard Shortcuts for L-Cuts and J-Cuts

Final Cut Pro X offers specific keyword shorts to perform Final Cut Pro L-Cuts and Final Cut Pro J-Cuts.

1. As the first step, trim the clips shorter to get the media handles. To detach audio from the video clip, you need to press “Ctrl + S” which will expand the audio.

2. Now, move or place the playhead at the endpoint of both the video clips where here are the keyboard shortcuts:

To shift the playhead to the earlier edit point: press “Semicolon (;) or up arrow key”.
To move the playhead to the next edit point: press “Apostrophe (‘) or down arrow key”.

3. To choose the audio or the video edit point, you can do one of the following:

Press “**Shift-Backslash (\)**” to select both sides of the audio endpoint.
Press “**Backslash (\)**” to pick both sides of the video endpoint.

4. Here is the actual process or the keyboard shortcut that helps accomplish final cut pro-L-cuts or final cut pro-J-cuts by nudging the edit points.

To nudge or push the edit point to the left or right: press “**Comma (,) or period (.)**”.
To move the edit point to the left or right with ten frames: press “**Shift-Comma (,) or Sift-Period (.)**”.
Using timecode to add or subtract the present edit: press the “**Plus (+)” or “Minus (-)**” key with the timecode duration.

Conclusion

Are you wondering and puzzled that you are a popular Final Cut Pro X user but weren’t aware of this powerful split edit tool till now? It isn’t too late for you to start yet. Finally, as assured at the beginning of the article, we gave you detailed information on what are J-Cuts in Final Cut Pro along with L-Cuts. With practical implementation on creating Final Cut Pro L-Cuts and J-Cuts, all the best for your first video project!

Benjamin Arango

Benjamin Arango is a writer and a lover of all things video.

Follow @Benjamin Arango

Benjamin Arango

Aug 18, 2022• Proven solutions

Part 1: The Use of L-Cuts and J-Cuts in Video Editing

When you look at the above interface, you will see the basic phenomenon behind the two split cuts. In L-Cuts, although the first video ends, the audio continues to clip two as well.

Then, what is a J cut in Final Cut Pro? It is ultimately reverse or opposite of L-Cuts. Yes, the second clip’s audio starts a while before the scene of the first video ends.

Part 2: Step-by-step Guide on Using L-Cuts and J-Cuts in Final Cut Pro X

Step 1: Import media files

Once you launch Final Cut Pro X on your Mac device, create a new project by tapping project under the new section of the “File” menu.

You can now import the video file to the workspace by executing “File > Export > Media” or by tapping the “Import Media” option on the welcome screen.

Step 2: Expand audio in video

Now, drag the videos to the timeline in the respective order, and expand or detach the video’s audio on the timeline for easy or precise working.

Step 3: Drag the second video to the left

To create the Final Cut Pro L-Cuts, make sure that the first clip’s edit point or audio fades out at the end.

Finally, drag the second clip’s edit point to the left so that the video gets the audio of the first video.

L-Cuts are now in Final Cut Pro X.

Step 4: Final Cut Pro J-Cuts

In the case of Final Cut Pro J-Cuts, the process is reverse, where you need to detach the audio of the preceding or following video clip and drag the first video to the right.

When you look at the transition closely, you can see that it resembles the letter J.

Part 3: Final Cut Pro X Keyboard Shortcuts for L-Cuts and J-Cuts

Final Cut Pro X offers specific keyword shorts to perform Final Cut Pro L-Cuts and Final Cut Pro J-Cuts.

1. As the first step, trim the clips shorter to get the media handles. To detach audio from the video clip, you need to press “Ctrl + S” which will expand the audio.

2. Now, move or place the playhead at the endpoint of both the video clips where here are the keyboard shortcuts:

To shift the playhead to the earlier edit point: press “Semicolon (;) or up arrow key”.
To move the playhead to the next edit point: press “Apostrophe (‘) or down arrow key”.

3. To choose the audio or the video edit point, you can do one of the following:

Press “**Shift-Backslash (\)**” to select both sides of the audio endpoint.
Press “**Backslash (\)**” to pick both sides of the video endpoint.

4. Here is the actual process or the keyboard shortcut that helps accomplish final cut pro-L-cuts or final cut pro-J-cuts by nudging the edit points.

To nudge or push the edit point to the left or right: press “**Comma (,) or period (.)**”.
To move the edit point to the left or right with ten frames: press “**Shift-Comma (,) or Sift-Period (.)**”.
Using timecode to add or subtract the present edit: press the “**Plus (+)” or “Minus (-)**” key with the timecode duration.

Conclusion

Benjamin Arango

Benjamin Arango is a writer and a lover of all things video.

Follow @Benjamin Arango

Benjamin Arango

Aug 18, 2022• Proven solutions

Part 1: The Use of L-Cuts and J-Cuts in Video Editing

When you look at the above interface, you will see the basic phenomenon behind the two split cuts. In L-Cuts, although the first video ends, the audio continues to clip two as well.

Then, what is a J cut in Final Cut Pro? It is ultimately reverse or opposite of L-Cuts. Yes, the second clip’s audio starts a while before the scene of the first video ends.

Part 2: Step-by-step Guide on Using L-Cuts and J-Cuts in Final Cut Pro X

Step 1: Import media files

Once you launch Final Cut Pro X on your Mac device, create a new project by tapping project under the new section of the “File” menu.

You can now import the video file to the workspace by executing “File > Export > Media” or by tapping the “Import Media” option on the welcome screen.

Step 2: Expand audio in video

Now, drag the videos to the timeline in the respective order, and expand or detach the video’s audio on the timeline for easy or precise working.

Step 3: Drag the second video to the left

To create the Final Cut Pro L-Cuts, make sure that the first clip’s edit point or audio fades out at the end.

Finally, drag the second clip’s edit point to the left so that the video gets the audio of the first video.

L-Cuts are now in Final Cut Pro X.

Step 4: Final Cut Pro J-Cuts

In the case of Final Cut Pro J-Cuts, the process is reverse, where you need to detach the audio of the preceding or following video clip and drag the first video to the right.

When you look at the transition closely, you can see that it resembles the letter J.

Part 3: Final Cut Pro X Keyboard Shortcuts for L-Cuts and J-Cuts

Final Cut Pro X offers specific keyword shorts to perform Final Cut Pro L-Cuts and Final Cut Pro J-Cuts.

1. As the first step, trim the clips shorter to get the media handles. To detach audio from the video clip, you need to press “Ctrl + S” which will expand the audio.

2. Now, move or place the playhead at the endpoint of both the video clips where here are the keyboard shortcuts:

To shift the playhead to the earlier edit point: press “Semicolon (;) or up arrow key”.
To move the playhead to the next edit point: press “Apostrophe (‘) or down arrow key”.

3. To choose the audio or the video edit point, you can do one of the following:

Press “**Shift-Backslash (\)**” to select both sides of the audio endpoint.
Press “**Backslash (\)**” to pick both sides of the video endpoint.

4. Here is the actual process or the keyboard shortcut that helps accomplish final cut pro-L-cuts or final cut pro-J-cuts by nudging the edit points.

To nudge or push the edit point to the left or right: press “**Comma (,) or period (.)**”.
To move the edit point to the left or right with ten frames: press “**Shift-Comma (,) or Sift-Period (.)**”.
Using timecode to add or subtract the present edit: press the “**Plus (+)” or “Minus (-)**” key with the timecode duration.

Conclusion

Benjamin Arango

Benjamin Arango is a writer and a lover of all things video.

Follow @Benjamin Arango

Benjamin Arango

Aug 18, 2022• Proven solutions

Part 1: The Use of L-Cuts and J-Cuts in Video Editing

When you look at the above interface, you will see the basic phenomenon behind the two split cuts. In L-Cuts, although the first video ends, the audio continues to clip two as well.

Then, what is a J cut in Final Cut Pro? It is ultimately reverse or opposite of L-Cuts. Yes, the second clip’s audio starts a while before the scene of the first video ends.

Part 2: Step-by-step Guide on Using L-Cuts and J-Cuts in Final Cut Pro X

Step 1: Import media files

Once you launch Final Cut Pro X on your Mac device, create a new project by tapping project under the new section of the “File” menu.

You can now import the video file to the workspace by executing “File > Export > Media” or by tapping the “Import Media” option on the welcome screen.

Step 2: Expand audio in video

Now, drag the videos to the timeline in the respective order, and expand or detach the video’s audio on the timeline for easy or precise working.

Step 3: Drag the second video to the left

To create the Final Cut Pro L-Cuts, make sure that the first clip’s edit point or audio fades out at the end.

Finally, drag the second clip’s edit point to the left so that the video gets the audio of the first video.

L-Cuts are now in Final Cut Pro X.

Step 4: Final Cut Pro J-Cuts

In the case of Final Cut Pro J-Cuts, the process is reverse, where you need to detach the audio of the preceding or following video clip and drag the first video to the right.

When you look at the transition closely, you can see that it resembles the letter J.

Part 3: Final Cut Pro X Keyboard Shortcuts for L-Cuts and J-Cuts

Final Cut Pro X offers specific keyword shorts to perform Final Cut Pro L-Cuts and Final Cut Pro J-Cuts.

1. As the first step, trim the clips shorter to get the media handles. To detach audio from the video clip, you need to press “Ctrl + S” which will expand the audio.

2. Now, move or place the playhead at the endpoint of both the video clips where here are the keyboard shortcuts:

To shift the playhead to the earlier edit point: press “Semicolon (;) or up arrow key”.
To move the playhead to the next edit point: press “Apostrophe (‘) or down arrow key”.

3. To choose the audio or the video edit point, you can do one of the following:

Press “**Shift-Backslash (\)**” to select both sides of the audio endpoint.
Press “**Backslash (\)**” to pick both sides of the video endpoint.

4. Here is the actual process or the keyboard shortcut that helps accomplish final cut pro-L-cuts or final cut pro-J-cuts by nudging the edit points.

To nudge or push the edit point to the left or right: press “**Comma (,) or period (.)**”.
To move the edit point to the left or right with ten frames: press “**Shift-Comma (,) or Sift-Period (.)**”.
Using timecode to add or subtract the present edit: press the “**Plus (+)” or “Minus (-)**” key with the timecode duration.

Conclusion

Benjamin Arango

Benjamin Arango is a writer and a lover of all things video.

Follow @Benjamin Arango

FCPX Visual Effects: Freeze Frames, Slow Motion, and Advanced Editing

Final Cut Pro X: Freeze-Frames and Slow Motion

Benjamin Arango

Mar 27, 2024• Proven solutions

A very simple, yet very effective effect is changing the speed of a video clip. This could be a simple still-frame (also called “Freeze Frame”) or playing a clip in slow or fast motion.

This article shows you how to do this using Final Cut Pro X.

For more tutorials on slow-motion please refer to this article: Top 10 Slow Motion Video Editing Software.

Freeze-Frames and Slow Motion in Final Cut Pro X

1. STILL FRAMES

A still-frame freezes action. For instance, here is a clip of a hummingbird getting ready to land on a bird feeder. I want to create a freeze-frame of the bird in flight. (Um, yeah, I use “freeze-frame” and “still-frame” interchangeably.)

In Final Cut Pro X, put the playhead (or skimmer) on the frame you want to freeze and type Option+F.

This creates a two-second freeze-frame at the position of the playhead.

Adjust the duration of the frame by trimming the edge; just like any other clip. Here, for example, I’m making the duration of the freeze-frame 11 frames shorter.

In case you were wondering, this is what the freeze looks like. It freezes the flight of the hummingbird in the middle of playback, allowing us to add graphics or other text then resume the action as though nothing had happened.

Very cool, except….

Well, the good news is that this is fast and easy. The bad news is that we can’t change the location of the still frame.

So, here’s another way to do this.

Put the playhead (or skimmer, but I prefer the playhead) on the frame you want to freeze, select the clip, then type Shift+F.

This locates the source clip in the Browser, selects both the Browser and the clip, and matches the position of the In, Out, and playhead.

Now, with the Browser selected, type Option+F. This creates a freeze-frame of the Browser clip and places it at the location of the playhead as a connected clip in the Timeline.

As a connected clip, we can move this new freeze-frame wherever we want. However, be careful in moving the clip, because, unless you mark the original frame with a marker (type “M”), there’s no easy way to match the still frame with the source frame, once the still frame is moved somewhere else.

I use both these techniques in many different projects.

2. HOLD FRAME

A Hold Frame is similar to an in-line still frame, but with more flexibility.

Put the playhead (or skimmer) on the frame you want to hold. Then, Then, using either Modify > Retime or the “Smurf-on-a-headset” Toolbar icon, choose Hold Frame (or type: Shift+H).

This displays the orange Retime editor bar above the clip, with a small red portion indicating the Hold frame.

Change the duration of the Hold frame by dragging the small thumb at the right end of the red bar.

Add a speed ramp transition at the end of the Hold frame by clicking the downward-pointing arrow next to the word “Hold” in the Retime Editor.

To change the actual frame being held, double-click the bar icon to the LEFT of the red Hold section and choose Source Frame (Edit). This allows you to slide the Hold frame selection left or right.

NOTE: Changing the source frame is a feature that I like a LOT!

3. SLOW (or FAST) MOTION

fast/slow motion

We use slow-motion to show events that are too fast for the unaided eye to see. And fast motion to speed up very slow events. Both of these effects use what’s called a “constant speed change,” where the entire clip changes by the same amount - either faster or slower.

WE create either effect using the same tools, just different values. Here’s how.

Select the clip who’s speed you want to change. Then, using either Modify > Retime or the “Smurf” Toolbar icon, select Slow (or Fast).

Choose one of the available speeds; in this case, 50%. (Yes, you can change this to any value you want, I’ll show you how in a minute.)

create slow/fast motion

Three things happen at once:

The duration of the clip changes
The orange Retiming bar appears over the top of the clip
The speed of the clip changes

To reset the speed back to normal (100%), click the downward-pointing arrow in the Retiming bar and choose Normal (100%).

There are two ways to change the speed of a clip.

The easy way is to grab the small handle at the end of the clip and drag left or right. The speed will change as you drag it.

Or, for more precision, click the downward-pointing arrow in the Retiming bar and choose Custom.

This opens a new dialog allowing a number of changes:

Reverse. Plays the clip in reverse.
Rate. Select a specific speed change as a percentage of normal speed for a clip. Less than 100% is slow-motion. More than 100% is fast-motion.
Duration. Select a specific duration for a clip and FCP X will calculate how fast or slow it needs to go.
Ripple. When checked, adjusts the duration of a clip based upon the speed. When unchecked, the clip duration remains fixed even when speed changes.

You will get the smoothest speed changes when the percentage you choose divides evenly into 200. For example, 100, 66, 50, 40, 33, 25, 20, 10 and so on.

4. EXTRA CREDIT

There is one more setting to consider when slowing a clip. (This does not apply when creating fast motion.)

Using, again, either Modify > Retime or the “Smurf” menu, select Video Quality.

Normal. This is the best choice for speeds of 50% or faster.
Frame Blending. This is the best choice for speeds of about 20% to 50%.
Optical Flow. This is the best choice for speeds slower than about 20%.

Frame blending puts a short dissolve between frames when running in slow motion to improve the illusion of motion. Optical Flow invents in-between frames to minimize the jerkiness of extremely slow motion.

Frame blending is relatively fast and easy. Optical Flow will look better in most cases, but takes a long time to render.

This is a basic tutorial about Apple Final Cut Pro X, a professional video editing software. However, if video editing is new to you, consider Wondershare Filmora for Mac . This is a powerful but easy-to-use tool for users just starting out. Download the free trial version below.

Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )

SUMMARY

Whether you want your clips to speed up, slow down or just plain stop, Final Cut Pro X makes the entire process easy.

Benjamin Arango

Benjamin Arango is a writer and a lover of all things video.

Follow @Benjamin Arango

Benjamin Arango

Mar 27, 2024• Proven solutions

A very simple, yet very effective effect is changing the speed of a video clip. This could be a simple still-frame (also called “Freeze Frame”) or playing a clip in slow or fast motion.

This article shows you how to do this using Final Cut Pro X.

For more tutorials on slow-motion please refer to this article: Top 10 Slow Motion Video Editing Software.

Freeze-Frames and Slow Motion in Final Cut Pro X

1. STILL FRAMES

In Final Cut Pro X, put the playhead (or skimmer) on the frame you want to freeze and type Option+F.

This creates a two-second freeze-frame at the position of the playhead.

Adjust the duration of the frame by trimming the edge; just like any other clip. Here, for example, I’m making the duration of the freeze-frame 11 frames shorter.

Very cool, except….

Well, the good news is that this is fast and easy. The bad news is that we can’t change the location of the still frame.

So, here’s another way to do this.

Put the playhead (or skimmer, but I prefer the playhead) on the frame you want to freeze, select the clip, then type Shift+F.

This locates the source clip in the Browser, selects both the Browser and the clip, and matches the position of the In, Out, and playhead.

Now, with the Browser selected, type Option+F. This creates a freeze-frame of the Browser clip and places it at the location of the playhead as a connected clip in the Timeline.

I use both these techniques in many different projects.

2. HOLD FRAME

A Hold Frame is similar to an in-line still frame, but with more flexibility.

Put the playhead (or skimmer) on the frame you want to hold. Then, Then, using either Modify > Retime or the “Smurf-on-a-headset” Toolbar icon, choose Hold Frame (or type: Shift+H).

This displays the orange Retime editor bar above the clip, with a small red portion indicating the Hold frame.

Change the duration of the Hold frame by dragging the small thumb at the right end of the red bar.

Add a speed ramp transition at the end of the Hold frame by clicking the downward-pointing arrow next to the word “Hold” in the Retime Editor.

To change the actual frame being held, double-click the bar icon to the LEFT of the red Hold section and choose Source Frame (Edit). This allows you to slide the Hold frame selection left or right.

NOTE: Changing the source frame is a feature that I like a LOT!

3. SLOW (or FAST) MOTION

fast/slow motion

WE create either effect using the same tools, just different values. Here’s how.

Select the clip who’s speed you want to change. Then, using either Modify > Retime or the “Smurf” Toolbar icon, select Slow (or Fast).

Choose one of the available speeds; in this case, 50%. (Yes, you can change this to any value you want, I’ll show you how in a minute.)

create slow/fast motion

Three things happen at once:

The duration of the clip changes
The orange Retiming bar appears over the top of the clip
The speed of the clip changes

To reset the speed back to normal (100%), click the downward-pointing arrow in the Retiming bar and choose Normal (100%).

There are two ways to change the speed of a clip.

The easy way is to grab the small handle at the end of the clip and drag left or right. The speed will change as you drag it.

Or, for more precision, click the downward-pointing arrow in the Retiming bar and choose Custom.

This opens a new dialog allowing a number of changes:

Reverse. Plays the clip in reverse.
Rate. Select a specific speed change as a percentage of normal speed for a clip. Less than 100% is slow-motion. More than 100% is fast-motion.
Duration. Select a specific duration for a clip and FCP X will calculate how fast or slow it needs to go.
Ripple. When checked, adjusts the duration of a clip based upon the speed. When unchecked, the clip duration remains fixed even when speed changes.

You will get the smoothest speed changes when the percentage you choose divides evenly into 200. For example, 100, 66, 50, 40, 33, 25, 20, 10 and so on.

4. EXTRA CREDIT

There is one more setting to consider when slowing a clip. (This does not apply when creating fast motion.)

Using, again, either Modify > Retime or the “Smurf” menu, select Video Quality.

Normal. This is the best choice for speeds of 50% or faster.
Frame Blending. This is the best choice for speeds of about 20% to 50%.
Optical Flow. This is the best choice for speeds slower than about 20%.

Frame blending is relatively fast and easy. Optical Flow will look better in most cases, but takes a long time to render.

Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )

SUMMARY

Whether you want your clips to speed up, slow down or just plain stop, Final Cut Pro X makes the entire process easy.

Benjamin Arango

Benjamin Arango is a writer and a lover of all things video.

Follow @Benjamin Arango

Benjamin Arango

Mar 27, 2024• Proven solutions

A very simple, yet very effective effect is changing the speed of a video clip. This could be a simple still-frame (also called “Freeze Frame”) or playing a clip in slow or fast motion.

This article shows you how to do this using Final Cut Pro X.

For more tutorials on slow-motion please refer to this article: Top 10 Slow Motion Video Editing Software.

Freeze-Frames and Slow Motion in Final Cut Pro X

1. STILL FRAMES

In Final Cut Pro X, put the playhead (or skimmer) on the frame you want to freeze and type Option+F.

This creates a two-second freeze-frame at the position of the playhead.

Adjust the duration of the frame by trimming the edge; just like any other clip. Here, for example, I’m making the duration of the freeze-frame 11 frames shorter.

Very cool, except….

Well, the good news is that this is fast and easy. The bad news is that we can’t change the location of the still frame.

So, here’s another way to do this.

Put the playhead (or skimmer, but I prefer the playhead) on the frame you want to freeze, select the clip, then type Shift+F.

This locates the source clip in the Browser, selects both the Browser and the clip, and matches the position of the In, Out, and playhead.

Now, with the Browser selected, type Option+F. This creates a freeze-frame of the Browser clip and places it at the location of the playhead as a connected clip in the Timeline.

I use both these techniques in many different projects.

2. HOLD FRAME

A Hold Frame is similar to an in-line still frame, but with more flexibility.

Put the playhead (or skimmer) on the frame you want to hold. Then, Then, using either Modify > Retime or the “Smurf-on-a-headset” Toolbar icon, choose Hold Frame (or type: Shift+H).

This displays the orange Retime editor bar above the clip, with a small red portion indicating the Hold frame.

Change the duration of the Hold frame by dragging the small thumb at the right end of the red bar.

Add a speed ramp transition at the end of the Hold frame by clicking the downward-pointing arrow next to the word “Hold” in the Retime Editor.

To change the actual frame being held, double-click the bar icon to the LEFT of the red Hold section and choose Source Frame (Edit). This allows you to slide the Hold frame selection left or right.

NOTE: Changing the source frame is a feature that I like a LOT!

3. SLOW (or FAST) MOTION

fast/slow motion

WE create either effect using the same tools, just different values. Here’s how.

Select the clip who’s speed you want to change. Then, using either Modify > Retime or the “Smurf” Toolbar icon, select Slow (or Fast).

Choose one of the available speeds; in this case, 50%. (Yes, you can change this to any value you want, I’ll show you how in a minute.)

create slow/fast motion

Three things happen at once:

The duration of the clip changes
The orange Retiming bar appears over the top of the clip
The speed of the clip changes

To reset the speed back to normal (100%), click the downward-pointing arrow in the Retiming bar and choose Normal (100%).

There are two ways to change the speed of a clip.

The easy way is to grab the small handle at the end of the clip and drag left or right. The speed will change as you drag it.

Or, for more precision, click the downward-pointing arrow in the Retiming bar and choose Custom.

This opens a new dialog allowing a number of changes:

Reverse. Plays the clip in reverse.
Rate. Select a specific speed change as a percentage of normal speed for a clip. Less than 100% is slow-motion. More than 100% is fast-motion.
Duration. Select a specific duration for a clip and FCP X will calculate how fast or slow it needs to go.
Ripple. When checked, adjusts the duration of a clip based upon the speed. When unchecked, the clip duration remains fixed even when speed changes.

You will get the smoothest speed changes when the percentage you choose divides evenly into 200. For example, 100, 66, 50, 40, 33, 25, 20, 10 and so on.

4. EXTRA CREDIT

There is one more setting to consider when slowing a clip. (This does not apply when creating fast motion.)

Using, again, either Modify > Retime or the “Smurf” menu, select Video Quality.

Normal. This is the best choice for speeds of 50% or faster.
Frame Blending. This is the best choice for speeds of about 20% to 50%.
Optical Flow. This is the best choice for speeds slower than about 20%.

Frame blending is relatively fast and easy. Optical Flow will look better in most cases, but takes a long time to render.

Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )

SUMMARY

Whether you want your clips to speed up, slow down or just plain stop, Final Cut Pro X makes the entire process easy.

Benjamin Arango

Benjamin Arango is a writer and a lover of all things video.

Follow @Benjamin Arango

Benjamin Arango

Mar 27, 2024• Proven solutions

A very simple, yet very effective effect is changing the speed of a video clip. This could be a simple still-frame (also called “Freeze Frame”) or playing a clip in slow or fast motion.

This article shows you how to do this using Final Cut Pro X.

For more tutorials on slow-motion please refer to this article: Top 10 Slow Motion Video Editing Software.

Freeze-Frames and Slow Motion in Final Cut Pro X

1. STILL FRAMES

In Final Cut Pro X, put the playhead (or skimmer) on the frame you want to freeze and type Option+F.

This creates a two-second freeze-frame at the position of the playhead.

Adjust the duration of the frame by trimming the edge; just like any other clip. Here, for example, I’m making the duration of the freeze-frame 11 frames shorter.

Very cool, except….

Well, the good news is that this is fast and easy. The bad news is that we can’t change the location of the still frame.

So, here’s another way to do this.

Put the playhead (or skimmer, but I prefer the playhead) on the frame you want to freeze, select the clip, then type Shift+F.

This locates the source clip in the Browser, selects both the Browser and the clip, and matches the position of the In, Out, and playhead.

Now, with the Browser selected, type Option+F. This creates a freeze-frame of the Browser clip and places it at the location of the playhead as a connected clip in the Timeline.

I use both these techniques in many different projects.

2. HOLD FRAME

A Hold Frame is similar to an in-line still frame, but with more flexibility.

Put the playhead (or skimmer) on the frame you want to hold. Then, Then, using either Modify > Retime or the “Smurf-on-a-headset” Toolbar icon, choose Hold Frame (or type: Shift+H).

This displays the orange Retime editor bar above the clip, with a small red portion indicating the Hold frame.

Change the duration of the Hold frame by dragging the small thumb at the right end of the red bar.

Add a speed ramp transition at the end of the Hold frame by clicking the downward-pointing arrow next to the word “Hold” in the Retime Editor.

To change the actual frame being held, double-click the bar icon to the LEFT of the red Hold section and choose Source Frame (Edit). This allows you to slide the Hold frame selection left or right.

NOTE: Changing the source frame is a feature that I like a LOT!

3. SLOW (or FAST) MOTION

fast/slow motion

WE create either effect using the same tools, just different values. Here’s how.

Select the clip who’s speed you want to change. Then, using either Modify > Retime or the “Smurf” Toolbar icon, select Slow (or Fast).

Choose one of the available speeds; in this case, 50%. (Yes, you can change this to any value you want, I’ll show you how in a minute.)

create slow/fast motion

Three things happen at once:

The duration of the clip changes
The orange Retiming bar appears over the top of the clip
The speed of the clip changes

To reset the speed back to normal (100%), click the downward-pointing arrow in the Retiming bar and choose Normal (100%).

There are two ways to change the speed of a clip.

The easy way is to grab the small handle at the end of the clip and drag left or right. The speed will change as you drag it.

Or, for more precision, click the downward-pointing arrow in the Retiming bar and choose Custom.

This opens a new dialog allowing a number of changes:

Reverse. Plays the clip in reverse.
Rate. Select a specific speed change as a percentage of normal speed for a clip. Less than 100% is slow-motion. More than 100% is fast-motion.
Duration. Select a specific duration for a clip and FCP X will calculate how fast or slow it needs to go.
Ripple. When checked, adjusts the duration of a clip based upon the speed. When unchecked, the clip duration remains fixed even when speed changes.

You will get the smoothest speed changes when the percentage you choose divides evenly into 200. For example, 100, 66, 50, 40, 33, 25, 20, 10 and so on.

4. EXTRA CREDIT

There is one more setting to consider when slowing a clip. (This does not apply when creating fast motion.)

Using, again, either Modify > Retime or the “Smurf” menu, select Video Quality.

Normal. This is the best choice for speeds of 50% or faster.
Frame Blending. This is the best choice for speeds of about 20% to 50%.
Optical Flow. This is the best choice for speeds slower than about 20%.

Frame blending is relatively fast and easy. Optical Flow will look better in most cases, but takes a long time to render.

Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )

SUMMARY

Whether you want your clips to speed up, slow down or just plain stop, Final Cut Pro X makes the entire process easy.

Benjamin Arango

Benjamin Arango is a writer and a lover of all things video.

Follow @Benjamin Arango

Video Ai Editor

How to Find the Picture Ratio Calculator for 2024

How to Find the Picture Ratio Calculator

How Do You Find the Picture Ratio Calculator?

In this article

Part 1 What is Picture Size Ratio?

Part 2 What is 1920x1080 in Ratio?

Part 3 How Do You Find the Ratio of an Image?

Part 4 1920x1080 Aspect Ratio and 16:9 Aspect Ratio Differences

Part 5 The Resolution Calculator (Image Ratio Calculator)

Part 6 A Practical Explanation about Aspect Ratios in Filmora

Wondershare Filmora

Key Takeaways from This Episode

In this article

Part 1 What is Picture Size Ratio?

Part 2 What is 1920x1080 in Ratio?

Part 3 How Do You Find the Ratio of an Image?

Part 4 1920x1080 Aspect Ratio and 16:9 Aspect Ratio Differences

Part 5 The Resolution Calculator (Image Ratio Calculator)

Part 6 A Practical Explanation about Aspect Ratios in Filmora

Wondershare Filmora

Key Takeaways from This Episode

In this article

Part 1 What is Picture Size Ratio?

Part 2 What is 1920x1080 in Ratio?

Part 3 How Do You Find the Ratio of an Image?

Part 4 1920x1080 Aspect Ratio and 16:9 Aspect Ratio Differences

Part 5 The Resolution Calculator (Image Ratio Calculator)

Part 6 A Practical Explanation about Aspect Ratios in Filmora

Wondershare Filmora

Key Takeaways from This Episode

In this article

Part 1 What is Picture Size Ratio?

Part 2 What is 1920x1080 in Ratio?

Part 3 How Do You Find the Ratio of an Image?

Part 4 1920x1080 Aspect Ratio and 16:9 Aspect Ratio Differences

Part 5 The Resolution Calculator (Image Ratio Calculator)

Part 6 A Practical Explanation about Aspect Ratios in Filmora

Wondershare Filmora

Key Takeaways from This Episode

A Picture-in-Picture Effect Is a Very Popular Effect in that It Allows Us to See Two Images at Once. This Tutorial Shows You How to Create This in FCP

How to Create a Picture-in-Picture Effect Using Final Cut Pro

Benjamin Arango

How to Create PIP Effect with FCP

Step 1: Add Background video

Step 2: Add PIP videos

Step 3: Apply PIP effect

Step 4: Adjust PIP Effect

Step 5: Follow precise Adjustment

Step 6: Apply Cross- Dissolve

Picture in Picture Plug-ins for Final Cut Pro

1. Tokyo PiPintor

2. ProPIP

Benjamin Arango

How to Create PIP Effect with FCP

Step 1: Add Background video

Step 2: Add PIP videos

Step 3: Apply PIP effect

Step 4: Adjust PIP Effect

Step 5: Follow precise Adjustment

Step 6: Apply Cross- Dissolve

Picture in Picture Plug-ins for Final Cut Pro

1. Tokyo PiPintor

2. ProPIP

Benjamin Arango

How to Create PIP Effect with FCP

Step 1: Add Background video

Step 2: Add PIP videos

Step 3: Apply PIP effect

Step 4: Adjust PIP Effect

Step 5: Follow precise Adjustment

Step 6: Apply Cross- Dissolve

Picture in Picture Plug-ins for Final Cut Pro

1. Tokyo PiPintor

2. ProPIP

Benjamin Arango

How to Create PIP Effect with FCP

Step 1: Add Background video

Step 2: Add PIP videos

Step 3: Apply PIP effect