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In 2024, Unleash the Power of Time FCPX Freeze Frames and Slow Motion Tutorials
Unleash the Power of Time: FCPX Freeze Frames and Slow Motion Tutorials
Final Cut Pro X: Freeze-Frames and Slow Motion
Benjamin Arango
Mar 27, 2024• Proven solutions
A very simple, yet very effective effect is changing the speed of a video clip. This could be a simple still-frame (also called “Freeze Frame”) or playing a clip in slow or fast motion.
This article shows you how to do this using Final Cut Pro X.
For more tutorials on slow-motion please refer to this article: Top 10 Slow Motion Video Editing Software.
Freeze-Frames and Slow Motion in Final Cut Pro X
1. STILL FRAMES
A still-frame freezes action. For instance, here is a clip of a hummingbird getting ready to land on a bird feeder. I want to create a freeze-frame of the bird in flight. (Um, yeah, I use “freeze-frame” and “still-frame” interchangeably.)
In Final Cut Pro X, put the playhead (or skimmer) on the frame you want to freeze and type Option+F.
This creates a two-second freeze-frame at the position of the playhead.
Adjust the duration of the frame by trimming the edge; just like any other clip. Here, for example, I’m making the duration of the freeze-frame 11 frames shorter.
In case you were wondering, this is what the freeze looks like. It freezes the flight of the hummingbird in the middle of playback, allowing us to add graphics or other text then resume the action as though nothing had happened.
Very cool, except….
Well, the good news is that this is fast and easy. The bad news is that we can’t change the location of the still frame.
So, here’s another way to do this.
Put the playhead (or skimmer, but I prefer the playhead) on the frame you want to freeze, select the clip, then type Shift+F.
This locates the source clip in the Browser, selects both the Browser and the clip, and matches the position of the In, Out, and playhead.
Now, with the Browser selected, type Option+F. This creates a freeze-frame of the Browser clip and places it at the location of the playhead as a connected clip in the Timeline.
As a connected clip, we can move this new freeze-frame wherever we want. However, be careful in moving the clip, because, unless you mark the original frame with a marker (type “M”), there’s no easy way to match the still frame with the source frame, once the still frame is moved somewhere else.
I use both these techniques in many different projects.
2. HOLD FRAME
A Hold Frame is similar to an in-line still frame, but with more flexibility.
Put the playhead (or skimmer) on the frame you want to hold. Then, Then, using either Modify > Retime or the “Smurf-on-a-headset” Toolbar icon, choose Hold Frame (or type: Shift+H).
This displays the orange Retime editor bar above the clip, with a small red portion indicating the Hold frame.
Change the duration of the Hold frame by dragging the small thumb at the right end of the red bar.
Add a speed ramp transition at the end of the Hold frame by clicking the downward-pointing arrow next to the word “Hold” in the Retime Editor.
To change the actual frame being held, double-click the bar icon to the LEFT of the red Hold section and choose Source Frame (Edit). This allows you to slide the Hold frame selection left or right.
NOTE: Changing the source frame is a feature that I like a LOT!
3. SLOW (or FAST) MOTION
We use slow-motion to show events that are too fast for the unaided eye to see. And fast motion to speed up very slow events. Both of these effects use what’s called a “constant speed change,” where the entire clip changes by the same amount - either faster or slower.
WE create either effect using the same tools, just different values. Here’s how.
Select the clip who’s speed you want to change. Then, using either Modify > Retime or the “Smurf” Toolbar icon, select Slow (or Fast).
Choose one of the available speeds; in this case, 50%. (Yes, you can change this to any value you want, I’ll show you how in a minute.)
Three things happen at once:
- The duration of the clip changes
- The orange Retiming bar appears over the top of the clip
- The speed of the clip changes
To reset the speed back to normal (100%), click the downward-pointing arrow in the Retiming bar and choose Normal (100%).
There are two ways to change the speed of a clip.
The easy way is to grab the small handle at the end of the clip and drag left or right. The speed will change as you drag it.
Or, for more precision, click the downward-pointing arrow in the Retiming bar and choose Custom.
This opens a new dialog allowing a number of changes:
- Reverse. Plays the clip in reverse.
- Rate. Select a specific speed change as a percentage of normal speed for a clip. Less than 100% is slow-motion. More than 100% is fast-motion.
- Duration. Select a specific duration for a clip and FCP X will calculate how fast or slow it needs to go.
- Ripple. When checked, adjusts the duration of a clip based upon the speed. When unchecked, the clip duration remains fixed even when speed changes.
You will get the smoothest speed changes when the percentage you choose divides evenly into 200. For example, 100, 66, 50, 40, 33, 25, 20, 10 and so on.
4. EXTRA CREDIT
There is one more setting to consider when slowing a clip. (This does not apply when creating fast motion.)
Using, again, either Modify > Retime or the “Smurf” menu, select Video Quality.
- Normal. This is the best choice for speeds of 50% or faster.
- Frame Blending. This is the best choice for speeds of about 20% to 50%.
- Optical Flow. This is the best choice for speeds slower than about 20%.
Frame blending puts a short dissolve between frames when running in slow motion to improve the illusion of motion. Optical Flow invents in-between frames to minimize the jerkiness of extremely slow motion.
Frame blending is relatively fast and easy. Optical Flow will look better in most cases, but takes a long time to render.
This is a basic tutorial about Apple Final Cut Pro X, a professional video editing software. However, if video editing is new to you, consider Wondershare Filmora for Mac . This is a powerful but easy-to-use tool for users just starting out. Download the free trial version below.
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
SUMMARY
Whether you want your clips to speed up, slow down or just plain stop, Final Cut Pro X makes the entire process easy.
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
Benjamin Arango
Mar 27, 2024• Proven solutions
A very simple, yet very effective effect is changing the speed of a video clip. This could be a simple still-frame (also called “Freeze Frame”) or playing a clip in slow or fast motion.
This article shows you how to do this using Final Cut Pro X.
For more tutorials on slow-motion please refer to this article: Top 10 Slow Motion Video Editing Software.
Freeze-Frames and Slow Motion in Final Cut Pro X
1. STILL FRAMES
A still-frame freezes action. For instance, here is a clip of a hummingbird getting ready to land on a bird feeder. I want to create a freeze-frame of the bird in flight. (Um, yeah, I use “freeze-frame” and “still-frame” interchangeably.)
In Final Cut Pro X, put the playhead (or skimmer) on the frame you want to freeze and type Option+F.
This creates a two-second freeze-frame at the position of the playhead.
Adjust the duration of the frame by trimming the edge; just like any other clip. Here, for example, I’m making the duration of the freeze-frame 11 frames shorter.
In case you were wondering, this is what the freeze looks like. It freezes the flight of the hummingbird in the middle of playback, allowing us to add graphics or other text then resume the action as though nothing had happened.
Very cool, except….
Well, the good news is that this is fast and easy. The bad news is that we can’t change the location of the still frame.
So, here’s another way to do this.
Put the playhead (or skimmer, but I prefer the playhead) on the frame you want to freeze, select the clip, then type Shift+F.
This locates the source clip in the Browser, selects both the Browser and the clip, and matches the position of the In, Out, and playhead.
Now, with the Browser selected, type Option+F. This creates a freeze-frame of the Browser clip and places it at the location of the playhead as a connected clip in the Timeline.
As a connected clip, we can move this new freeze-frame wherever we want. However, be careful in moving the clip, because, unless you mark the original frame with a marker (type “M”), there’s no easy way to match the still frame with the source frame, once the still frame is moved somewhere else.
I use both these techniques in many different projects.
2. HOLD FRAME
A Hold Frame is similar to an in-line still frame, but with more flexibility.
Put the playhead (or skimmer) on the frame you want to hold. Then, Then, using either Modify > Retime or the “Smurf-on-a-headset” Toolbar icon, choose Hold Frame (or type: Shift+H).
This displays the orange Retime editor bar above the clip, with a small red portion indicating the Hold frame.
Change the duration of the Hold frame by dragging the small thumb at the right end of the red bar.
Add a speed ramp transition at the end of the Hold frame by clicking the downward-pointing arrow next to the word “Hold” in the Retime Editor.
To change the actual frame being held, double-click the bar icon to the LEFT of the red Hold section and choose Source Frame (Edit). This allows you to slide the Hold frame selection left or right.
NOTE: Changing the source frame is a feature that I like a LOT!
3. SLOW (or FAST) MOTION
We use slow-motion to show events that are too fast for the unaided eye to see. And fast motion to speed up very slow events. Both of these effects use what’s called a “constant speed change,” where the entire clip changes by the same amount - either faster or slower.
WE create either effect using the same tools, just different values. Here’s how.
Select the clip who’s speed you want to change. Then, using either Modify > Retime or the “Smurf” Toolbar icon, select Slow (or Fast).
Choose one of the available speeds; in this case, 50%. (Yes, you can change this to any value you want, I’ll show you how in a minute.)
Three things happen at once:
- The duration of the clip changes
- The orange Retiming bar appears over the top of the clip
- The speed of the clip changes
To reset the speed back to normal (100%), click the downward-pointing arrow in the Retiming bar and choose Normal (100%).
There are two ways to change the speed of a clip.
The easy way is to grab the small handle at the end of the clip and drag left or right. The speed will change as you drag it.
Or, for more precision, click the downward-pointing arrow in the Retiming bar and choose Custom.
This opens a new dialog allowing a number of changes:
- Reverse. Plays the clip in reverse.
- Rate. Select a specific speed change as a percentage of normal speed for a clip. Less than 100% is slow-motion. More than 100% is fast-motion.
- Duration. Select a specific duration for a clip and FCP X will calculate how fast or slow it needs to go.
- Ripple. When checked, adjusts the duration of a clip based upon the speed. When unchecked, the clip duration remains fixed even when speed changes.
You will get the smoothest speed changes when the percentage you choose divides evenly into 200. For example, 100, 66, 50, 40, 33, 25, 20, 10 and so on.
4. EXTRA CREDIT
There is one more setting to consider when slowing a clip. (This does not apply when creating fast motion.)
Using, again, either Modify > Retime or the “Smurf” menu, select Video Quality.
- Normal. This is the best choice for speeds of 50% or faster.
- Frame Blending. This is the best choice for speeds of about 20% to 50%.
- Optical Flow. This is the best choice for speeds slower than about 20%.
Frame blending puts a short dissolve between frames when running in slow motion to improve the illusion of motion. Optical Flow invents in-between frames to minimize the jerkiness of extremely slow motion.
Frame blending is relatively fast and easy. Optical Flow will look better in most cases, but takes a long time to render.
This is a basic tutorial about Apple Final Cut Pro X, a professional video editing software. However, if video editing is new to you, consider Wondershare Filmora for Mac . This is a powerful but easy-to-use tool for users just starting out. Download the free trial version below.
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
SUMMARY
Whether you want your clips to speed up, slow down or just plain stop, Final Cut Pro X makes the entire process easy.
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
Benjamin Arango
Mar 27, 2024• Proven solutions
A very simple, yet very effective effect is changing the speed of a video clip. This could be a simple still-frame (also called “Freeze Frame”) or playing a clip in slow or fast motion.
This article shows you how to do this using Final Cut Pro X.
For more tutorials on slow-motion please refer to this article: Top 10 Slow Motion Video Editing Software.
Freeze-Frames and Slow Motion in Final Cut Pro X
1. STILL FRAMES
A still-frame freezes action. For instance, here is a clip of a hummingbird getting ready to land on a bird feeder. I want to create a freeze-frame of the bird in flight. (Um, yeah, I use “freeze-frame” and “still-frame” interchangeably.)
In Final Cut Pro X, put the playhead (or skimmer) on the frame you want to freeze and type Option+F.
This creates a two-second freeze-frame at the position of the playhead.
Adjust the duration of the frame by trimming the edge; just like any other clip. Here, for example, I’m making the duration of the freeze-frame 11 frames shorter.
In case you were wondering, this is what the freeze looks like. It freezes the flight of the hummingbird in the middle of playback, allowing us to add graphics or other text then resume the action as though nothing had happened.
Very cool, except….
Well, the good news is that this is fast and easy. The bad news is that we can’t change the location of the still frame.
So, here’s another way to do this.
Put the playhead (or skimmer, but I prefer the playhead) on the frame you want to freeze, select the clip, then type Shift+F.
This locates the source clip in the Browser, selects both the Browser and the clip, and matches the position of the In, Out, and playhead.
Now, with the Browser selected, type Option+F. This creates a freeze-frame of the Browser clip and places it at the location of the playhead as a connected clip in the Timeline.
As a connected clip, we can move this new freeze-frame wherever we want. However, be careful in moving the clip, because, unless you mark the original frame with a marker (type “M”), there’s no easy way to match the still frame with the source frame, once the still frame is moved somewhere else.
I use both these techniques in many different projects.
2. HOLD FRAME
A Hold Frame is similar to an in-line still frame, but with more flexibility.
Put the playhead (or skimmer) on the frame you want to hold. Then, Then, using either Modify > Retime or the “Smurf-on-a-headset” Toolbar icon, choose Hold Frame (or type: Shift+H).
This displays the orange Retime editor bar above the clip, with a small red portion indicating the Hold frame.
Change the duration of the Hold frame by dragging the small thumb at the right end of the red bar.
Add a speed ramp transition at the end of the Hold frame by clicking the downward-pointing arrow next to the word “Hold” in the Retime Editor.
To change the actual frame being held, double-click the bar icon to the LEFT of the red Hold section and choose Source Frame (Edit). This allows you to slide the Hold frame selection left or right.
NOTE: Changing the source frame is a feature that I like a LOT!
3. SLOW (or FAST) MOTION
We use slow-motion to show events that are too fast for the unaided eye to see. And fast motion to speed up very slow events. Both of these effects use what’s called a “constant speed change,” where the entire clip changes by the same amount - either faster or slower.
WE create either effect using the same tools, just different values. Here’s how.
Select the clip who’s speed you want to change. Then, using either Modify > Retime or the “Smurf” Toolbar icon, select Slow (or Fast).
Choose one of the available speeds; in this case, 50%. (Yes, you can change this to any value you want, I’ll show you how in a minute.)
Three things happen at once:
- The duration of the clip changes
- The orange Retiming bar appears over the top of the clip
- The speed of the clip changes
To reset the speed back to normal (100%), click the downward-pointing arrow in the Retiming bar and choose Normal (100%).
There are two ways to change the speed of a clip.
The easy way is to grab the small handle at the end of the clip and drag left or right. The speed will change as you drag it.
Or, for more precision, click the downward-pointing arrow in the Retiming bar and choose Custom.
This opens a new dialog allowing a number of changes:
- Reverse. Plays the clip in reverse.
- Rate. Select a specific speed change as a percentage of normal speed for a clip. Less than 100% is slow-motion. More than 100% is fast-motion.
- Duration. Select a specific duration for a clip and FCP X will calculate how fast or slow it needs to go.
- Ripple. When checked, adjusts the duration of a clip based upon the speed. When unchecked, the clip duration remains fixed even when speed changes.
You will get the smoothest speed changes when the percentage you choose divides evenly into 200. For example, 100, 66, 50, 40, 33, 25, 20, 10 and so on.
4. EXTRA CREDIT
There is one more setting to consider when slowing a clip. (This does not apply when creating fast motion.)
Using, again, either Modify > Retime or the “Smurf” menu, select Video Quality.
- Normal. This is the best choice for speeds of 50% or faster.
- Frame Blending. This is the best choice for speeds of about 20% to 50%.
- Optical Flow. This is the best choice for speeds slower than about 20%.
Frame blending puts a short dissolve between frames when running in slow motion to improve the illusion of motion. Optical Flow invents in-between frames to minimize the jerkiness of extremely slow motion.
Frame blending is relatively fast and easy. Optical Flow will look better in most cases, but takes a long time to render.
This is a basic tutorial about Apple Final Cut Pro X, a professional video editing software. However, if video editing is new to you, consider Wondershare Filmora for Mac . This is a powerful but easy-to-use tool for users just starting out. Download the free trial version below.
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
SUMMARY
Whether you want your clips to speed up, slow down or just plain stop, Final Cut Pro X makes the entire process easy.
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
Benjamin Arango
Mar 27, 2024• Proven solutions
A very simple, yet very effective effect is changing the speed of a video clip. This could be a simple still-frame (also called “Freeze Frame”) or playing a clip in slow or fast motion.
This article shows you how to do this using Final Cut Pro X.
For more tutorials on slow-motion please refer to this article: Top 10 Slow Motion Video Editing Software.
Freeze-Frames and Slow Motion in Final Cut Pro X
1. STILL FRAMES
A still-frame freezes action. For instance, here is a clip of a hummingbird getting ready to land on a bird feeder. I want to create a freeze-frame of the bird in flight. (Um, yeah, I use “freeze-frame” and “still-frame” interchangeably.)
In Final Cut Pro X, put the playhead (or skimmer) on the frame you want to freeze and type Option+F.
This creates a two-second freeze-frame at the position of the playhead.
Adjust the duration of the frame by trimming the edge; just like any other clip. Here, for example, I’m making the duration of the freeze-frame 11 frames shorter.
In case you were wondering, this is what the freeze looks like. It freezes the flight of the hummingbird in the middle of playback, allowing us to add graphics or other text then resume the action as though nothing had happened.
Very cool, except….
Well, the good news is that this is fast and easy. The bad news is that we can’t change the location of the still frame.
So, here’s another way to do this.
Put the playhead (or skimmer, but I prefer the playhead) on the frame you want to freeze, select the clip, then type Shift+F.
This locates the source clip in the Browser, selects both the Browser and the clip, and matches the position of the In, Out, and playhead.
Now, with the Browser selected, type Option+F. This creates a freeze-frame of the Browser clip and places it at the location of the playhead as a connected clip in the Timeline.
As a connected clip, we can move this new freeze-frame wherever we want. However, be careful in moving the clip, because, unless you mark the original frame with a marker (type “M”), there’s no easy way to match the still frame with the source frame, once the still frame is moved somewhere else.
I use both these techniques in many different projects.
2. HOLD FRAME
A Hold Frame is similar to an in-line still frame, but with more flexibility.
Put the playhead (or skimmer) on the frame you want to hold. Then, Then, using either Modify > Retime or the “Smurf-on-a-headset” Toolbar icon, choose Hold Frame (or type: Shift+H).
This displays the orange Retime editor bar above the clip, with a small red portion indicating the Hold frame.
Change the duration of the Hold frame by dragging the small thumb at the right end of the red bar.
Add a speed ramp transition at the end of the Hold frame by clicking the downward-pointing arrow next to the word “Hold” in the Retime Editor.
To change the actual frame being held, double-click the bar icon to the LEFT of the red Hold section and choose Source Frame (Edit). This allows you to slide the Hold frame selection left or right.
NOTE: Changing the source frame is a feature that I like a LOT!
3. SLOW (or FAST) MOTION
We use slow-motion to show events that are too fast for the unaided eye to see. And fast motion to speed up very slow events. Both of these effects use what’s called a “constant speed change,” where the entire clip changes by the same amount - either faster or slower.
WE create either effect using the same tools, just different values. Here’s how.
Select the clip who’s speed you want to change. Then, using either Modify > Retime or the “Smurf” Toolbar icon, select Slow (or Fast).
Choose one of the available speeds; in this case, 50%. (Yes, you can change this to any value you want, I’ll show you how in a minute.)
Three things happen at once:
- The duration of the clip changes
- The orange Retiming bar appears over the top of the clip
- The speed of the clip changes
To reset the speed back to normal (100%), click the downward-pointing arrow in the Retiming bar and choose Normal (100%).
There are two ways to change the speed of a clip.
The easy way is to grab the small handle at the end of the clip and drag left or right. The speed will change as you drag it.
Or, for more precision, click the downward-pointing arrow in the Retiming bar and choose Custom.
This opens a new dialog allowing a number of changes:
- Reverse. Plays the clip in reverse.
- Rate. Select a specific speed change as a percentage of normal speed for a clip. Less than 100% is slow-motion. More than 100% is fast-motion.
- Duration. Select a specific duration for a clip and FCP X will calculate how fast or slow it needs to go.
- Ripple. When checked, adjusts the duration of a clip based upon the speed. When unchecked, the clip duration remains fixed even when speed changes.
You will get the smoothest speed changes when the percentage you choose divides evenly into 200. For example, 100, 66, 50, 40, 33, 25, 20, 10 and so on.
4. EXTRA CREDIT
There is one more setting to consider when slowing a clip. (This does not apply when creating fast motion.)
Using, again, either Modify > Retime or the “Smurf” menu, select Video Quality.
- Normal. This is the best choice for speeds of 50% or faster.
- Frame Blending. This is the best choice for speeds of about 20% to 50%.
- Optical Flow. This is the best choice for speeds slower than about 20%.
Frame blending puts a short dissolve between frames when running in slow motion to improve the illusion of motion. Optical Flow invents in-between frames to minimize the jerkiness of extremely slow motion.
Frame blending is relatively fast and easy. Optical Flow will look better in most cases, but takes a long time to render.
This is a basic tutorial about Apple Final Cut Pro X, a professional video editing software. However, if video editing is new to you, consider Wondershare Filmora for Mac . This is a powerful but easy-to-use tool for users just starting out. Download the free trial version below.
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
SUMMARY
Whether you want your clips to speed up, slow down or just plain stop, Final Cut Pro X makes the entire process easy.
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
MKVtoolnix for macOS: A User-Friendly Video Editing Solution
MKVtoolnix for Mac: An Easy Editing Application for All Mac Users
Ollie Mattison
Mar 27, 2024• Proven solutions
MKVtoolnix is a very useful application that enables you to create, alter, split, join, and inspect MKV files. And thank goodness that it’s also available for Mac OS X. But to be frank, its interface comes on rather a difficult side and maybe too complex for novice users to interpret.
Then is there any good program similar to MKVtoolnix but comes more intuitive interface? Absolutely.
Wondershare Filmora for Mac is a professional video editing software with a rich number of features. This program provides nearly everything necessary for working with your MKV video files.
From basic video editings like Rotate, Trim, Crop, Flip, Split, Cut, etc. to advanced touchups like intro/credits, transitional effects, titles, visual filters, and more. Try this one-of-a-kind video editing tool now.
Check the video tutorial about how to edit videos on Mac first.
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
1.Easy to use interface
When you install and launch this program, you’ll come to a very beautiful primary window that everyone can use, even for the first time.
Instead of a Read Me file, MKVtoolnix for Mac alternative provides an easy-to-follow video guide. Also, a media browser is offered, so that you can import files from your iTunes library, iMovie, etc. with ease. When you confront any trouble in use, just send your request to the support team directly from this program.
2. Broad format support
Just like MKVtoolnix for Mac, this alternative program also supports a vast array of video & audio formats.
For video files, including MKV, AVC, AVI, DRC, MP4, AVI, VOB, 3GP, MPG, MPEG, MOV, M2V, EVO, MKV, TS, TRP, M2TS, MTS, TP, DAT, WMV, MKV, DV, MOD, TOD, EVO, OGG, and more.
For audio files, it’s fully compatible with AC3, M4A, MP4, OGG, MP2, MP3, MKA, WAV, WMA, FLAC, etc.
This MKVtoolnix also supports picture formats like BMP, JPG, PNG, GIF, and more.
3. All necessary video editing tools
As an equivalent program to MKVtoolnix, this program helps you rip audio from video; split, rotate, trim video files; adjust brightness, contrast, and saturation, change aspect ratio; apply the special visual effect, and more.
The best part is all these video edits are based on Timeline, and you can edit frame by frame to ensure concise video editing. What’s more, the MKVtoolnix alternative for Mac provides a real-time preview window for the changes that you made.
4. Save to a variety of formats or burn to DVD
Different from MKVtoolnix that only renders MKV format, MKVtoolnix for Mac alternative enables you to save to all SD and HD formats.
In addition to high definition MKV video, you’re able to export HD MOV, HD MP4, HD WMV output, and even DVD video for playback on any standalone DVD player or TV.
More about MKVtoolnix for Mac
Apart from above-mentioned features, Wondershare Filmora (originally Wondershare Video Editor) for Mac also provides other useful tools you may need. Like touch up your videos with rich transitions, intros/credits, titles, sound effects, or produce professional video effects like Mosaic, Jump Cut, Close-up, and more.
Indeed, it’s a simple and fast MKVtoolnix for Mac that makes video editing in Mac never easier. Start now!
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
Ollie Mattison
Ollie Mattison is a writer and a lover of all things video.
Follow @Ollie Mattison
Ollie Mattison
Mar 27, 2024• Proven solutions
MKVtoolnix is a very useful application that enables you to create, alter, split, join, and inspect MKV files. And thank goodness that it’s also available for Mac OS X. But to be frank, its interface comes on rather a difficult side and maybe too complex for novice users to interpret.
Then is there any good program similar to MKVtoolnix but comes more intuitive interface? Absolutely.
Wondershare Filmora for Mac is a professional video editing software with a rich number of features. This program provides nearly everything necessary for working with your MKV video files.
From basic video editings like Rotate, Trim, Crop, Flip, Split, Cut, etc. to advanced touchups like intro/credits, transitional effects, titles, visual filters, and more. Try this one-of-a-kind video editing tool now.
Check the video tutorial about how to edit videos on Mac first.
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
1.Easy to use interface
When you install and launch this program, you’ll come to a very beautiful primary window that everyone can use, even for the first time.
Instead of a Read Me file, MKVtoolnix for Mac alternative provides an easy-to-follow video guide. Also, a media browser is offered, so that you can import files from your iTunes library, iMovie, etc. with ease. When you confront any trouble in use, just send your request to the support team directly from this program.
2. Broad format support
Just like MKVtoolnix for Mac, this alternative program also supports a vast array of video & audio formats.
For video files, including MKV, AVC, AVI, DRC, MP4, AVI, VOB, 3GP, MPG, MPEG, MOV, M2V, EVO, MKV, TS, TRP, M2TS, MTS, TP, DAT, WMV, MKV, DV, MOD, TOD, EVO, OGG, and more.
For audio files, it’s fully compatible with AC3, M4A, MP4, OGG, MP2, MP3, MKA, WAV, WMA, FLAC, etc.
This MKVtoolnix also supports picture formats like BMP, JPG, PNG, GIF, and more.
3. All necessary video editing tools
As an equivalent program to MKVtoolnix, this program helps you rip audio from video; split, rotate, trim video files; adjust brightness, contrast, and saturation, change aspect ratio; apply the special visual effect, and more.
The best part is all these video edits are based on Timeline, and you can edit frame by frame to ensure concise video editing. What’s more, the MKVtoolnix alternative for Mac provides a real-time preview window for the changes that you made.
4. Save to a variety of formats or burn to DVD
Different from MKVtoolnix that only renders MKV format, MKVtoolnix for Mac alternative enables you to save to all SD and HD formats.
In addition to high definition MKV video, you’re able to export HD MOV, HD MP4, HD WMV output, and even DVD video for playback on any standalone DVD player or TV.
More about MKVtoolnix for Mac
Apart from above-mentioned features, Wondershare Filmora (originally Wondershare Video Editor) for Mac also provides other useful tools you may need. Like touch up your videos with rich transitions, intros/credits, titles, sound effects, or produce professional video effects like Mosaic, Jump Cut, Close-up, and more.
Indeed, it’s a simple and fast MKVtoolnix for Mac that makes video editing in Mac never easier. Start now!
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
Ollie Mattison
Ollie Mattison is a writer and a lover of all things video.
Follow @Ollie Mattison
Ollie Mattison
Mar 27, 2024• Proven solutions
MKVtoolnix is a very useful application that enables you to create, alter, split, join, and inspect MKV files. And thank goodness that it’s also available for Mac OS X. But to be frank, its interface comes on rather a difficult side and maybe too complex for novice users to interpret.
Then is there any good program similar to MKVtoolnix but comes more intuitive interface? Absolutely.
Wondershare Filmora for Mac is a professional video editing software with a rich number of features. This program provides nearly everything necessary for working with your MKV video files.
From basic video editings like Rotate, Trim, Crop, Flip, Split, Cut, etc. to advanced touchups like intro/credits, transitional effects, titles, visual filters, and more. Try this one-of-a-kind video editing tool now.
Check the video tutorial about how to edit videos on Mac first.
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
1.Easy to use interface
When you install and launch this program, you’ll come to a very beautiful primary window that everyone can use, even for the first time.
Instead of a Read Me file, MKVtoolnix for Mac alternative provides an easy-to-follow video guide. Also, a media browser is offered, so that you can import files from your iTunes library, iMovie, etc. with ease. When you confront any trouble in use, just send your request to the support team directly from this program.
2. Broad format support
Just like MKVtoolnix for Mac, this alternative program also supports a vast array of video & audio formats.
For video files, including MKV, AVC, AVI, DRC, MP4, AVI, VOB, 3GP, MPG, MPEG, MOV, M2V, EVO, MKV, TS, TRP, M2TS, MTS, TP, DAT, WMV, MKV, DV, MOD, TOD, EVO, OGG, and more.
For audio files, it’s fully compatible with AC3, M4A, MP4, OGG, MP2, MP3, MKA, WAV, WMA, FLAC, etc.
This MKVtoolnix also supports picture formats like BMP, JPG, PNG, GIF, and more.
3. All necessary video editing tools
As an equivalent program to MKVtoolnix, this program helps you rip audio from video; split, rotate, trim video files; adjust brightness, contrast, and saturation, change aspect ratio; apply the special visual effect, and more.
The best part is all these video edits are based on Timeline, and you can edit frame by frame to ensure concise video editing. What’s more, the MKVtoolnix alternative for Mac provides a real-time preview window for the changes that you made.
4. Save to a variety of formats or burn to DVD
Different from MKVtoolnix that only renders MKV format, MKVtoolnix for Mac alternative enables you to save to all SD and HD formats.
In addition to high definition MKV video, you’re able to export HD MOV, HD MP4, HD WMV output, and even DVD video for playback on any standalone DVD player or TV.
More about MKVtoolnix for Mac
Apart from above-mentioned features, Wondershare Filmora (originally Wondershare Video Editor) for Mac also provides other useful tools you may need. Like touch up your videos with rich transitions, intros/credits, titles, sound effects, or produce professional video effects like Mosaic, Jump Cut, Close-up, and more.
Indeed, it’s a simple and fast MKVtoolnix for Mac that makes video editing in Mac never easier. Start now!
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
Ollie Mattison
Ollie Mattison is a writer and a lover of all things video.
Follow @Ollie Mattison
Ollie Mattison
Mar 27, 2024• Proven solutions
MKVtoolnix is a very useful application that enables you to create, alter, split, join, and inspect MKV files. And thank goodness that it’s also available for Mac OS X. But to be frank, its interface comes on rather a difficult side and maybe too complex for novice users to interpret.
Then is there any good program similar to MKVtoolnix but comes more intuitive interface? Absolutely.
Wondershare Filmora for Mac is a professional video editing software with a rich number of features. This program provides nearly everything necessary for working with your MKV video files.
From basic video editings like Rotate, Trim, Crop, Flip, Split, Cut, etc. to advanced touchups like intro/credits, transitional effects, titles, visual filters, and more. Try this one-of-a-kind video editing tool now.
Check the video tutorial about how to edit videos on Mac first.
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
1.Easy to use interface
When you install and launch this program, you’ll come to a very beautiful primary window that everyone can use, even for the first time.
Instead of a Read Me file, MKVtoolnix for Mac alternative provides an easy-to-follow video guide. Also, a media browser is offered, so that you can import files from your iTunes library, iMovie, etc. with ease. When you confront any trouble in use, just send your request to the support team directly from this program.
2. Broad format support
Just like MKVtoolnix for Mac, this alternative program also supports a vast array of video & audio formats.
For video files, including MKV, AVC, AVI, DRC, MP4, AVI, VOB, 3GP, MPG, MPEG, MOV, M2V, EVO, MKV, TS, TRP, M2TS, MTS, TP, DAT, WMV, MKV, DV, MOD, TOD, EVO, OGG, and more.
For audio files, it’s fully compatible with AC3, M4A, MP4, OGG, MP2, MP3, MKA, WAV, WMA, FLAC, etc.
This MKVtoolnix also supports picture formats like BMP, JPG, PNG, GIF, and more.
3. All necessary video editing tools
As an equivalent program to MKVtoolnix, this program helps you rip audio from video; split, rotate, trim video files; adjust brightness, contrast, and saturation, change aspect ratio; apply the special visual effect, and more.
The best part is all these video edits are based on Timeline, and you can edit frame by frame to ensure concise video editing. What’s more, the MKVtoolnix alternative for Mac provides a real-time preview window for the changes that you made.
4. Save to a variety of formats or burn to DVD
Different from MKVtoolnix that only renders MKV format, MKVtoolnix for Mac alternative enables you to save to all SD and HD formats.
In addition to high definition MKV video, you’re able to export HD MOV, HD MP4, HD WMV output, and even DVD video for playback on any standalone DVD player or TV.
More about MKVtoolnix for Mac
Apart from above-mentioned features, Wondershare Filmora (originally Wondershare Video Editor) for Mac also provides other useful tools you may need. Like touch up your videos with rich transitions, intros/credits, titles, sound effects, or produce professional video effects like Mosaic, Jump Cut, Close-up, and more.
Indeed, it’s a simple and fast MKVtoolnix for Mac that makes video editing in Mac never easier. Start now!
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
Ollie Mattison
Ollie Mattison is a writer and a lover of all things video.
Follow @Ollie Mattison
10 Blockbuster Movies That Rely on Final Cut Pro for Post-Production
Top 10 Famous Movies Made By Final Cut Pro
Benjamin Arango
Mar 27, 2024• Proven solutions
Developed as video editing software that has been developed by Apple, Final Cut Pro began life as software designed to made simple video editing accessible for video hobbyists and independent filmmakers. However, in recent years the capabilities of Final Cut Pro have evolved significantly and we are now seeing major Hollywood movies also being edited with this software.
Do you want to turn your own video into a Hollywood film-like video? Check this guide on How to make big-budget cinematic look video with Final Cut Pro.
You may also like: 8 Best Movie Trailer Template for After Effects
Top 10 Movies Made by Final Cut Pro
Let’s take a look at ten major movies that have been edited using Final Cut Pro.
1. The Social Network (2010)
Based on the rise of the phenomenon that we now know as Facebook, The Social Network starred Jesse Eisenberg, Andrew Garfield and Justin Timberlake. The movie performed well at the box office and was also positively received by movie critics.
The film won an Academy Award for Best Editing, collected by Kirk Baxter and Angus Wall. They used Final Cut Pro to edit the film, and one of the things they really like about the software is the ability to do multiple timelines. Final Cut Pro was also used in this movie to enable face replacement in a number of scenes. Two of the key characters in the movie are twins, and so the scenes were filmed with actors (who weren’t twins) and then the editing software was used to create the illusion that they were twins. Digital matte paintings was another feature of this movie that relied on the functionality of Final Cut Pro.
2. The Girl with the Dragon Tattoo (2011)
This was the US adaptation of the earlier Swedish film of the same name - based on the novel by Stieg Larsson. Starring Daniel Craig and Rooney Mara, the story is a crime thriller trying to uncover the secrets surrounding the disappearance of a young girl from a wealthy family.
One of the challenges with this movie was that there were a lot of invisible effects throughout the film. Final Cut Pro was used to achieve the shot stabilization and the visual enhancements - everything from matte painting to creating seasonal elements such as snow.
3. John Carter (2011)
A science fiction adventure, this film performed so badly at the box office that it caused major financial problems for its studio Disney.
The editing of the John Carter movie was a particular challenge as a lot of the action was shot twice during the troubled production. The editor Eric Zumbrunnen used Final Cut Pro to piece the various elements together. With a huge range of CGI and creature effects to deal with, the editing process on this movie was extremely complex. Final Cut Pro was used to create a lot of the background detail need to bring the green screen scenes to life.
4. 500 Days of Summer (2009)
This was a cute, quirky romantic comedy starring Joseph Gordon-Levitt and Zooey Deschanel.
Editing on the movie was by Alan Edward Bell in DVCPro HD format on Final Cut Pro. Because the storyline of the movie unfolds in a non-linear timeline, the workflow feature of Final Cut Pro made it easier to manage the sequencing of the different scenes. There were also 250 invisible effects which were created using Final Cut Pro’s editing features.
5. X-Men Origins: Wolverine (2009)
Continuing the X-Men franchise, this installment traces Wolverine’s childhood and the relationship with his brother. It didn’t really appeal to X-Men fans or movie critics.
Editing on the movie was by Nicolas De Toth and Megan Gill. There were a number of continuity glitches identified during the production of this movie but De Toth and Gill used Final Pro Cut to keep a consistent flow to the narrative. What is interesting about the editing on this movie is that all the cutting of the scenes required was done on Final Cut Pro 5, taking advantage of the software’s HD abilities and also the multi-clip features.
6. Burn After Reading (2008)
A black comedy from the talented brothers Joel and Ethan Coen, they wrote, produced, edited, and directed the movie.
The Coen brothers used Final Cut Pro on this movie because it was simple and easy to use - they were blocking together the rough cuts as the scenes were being shot, and Final Cut Pro gave them the flexibility that they needed to edit quickly. On this movie most of the action was shot using Sony cameras but there were several scenes on which a RED camera was added when an additional camera was needed. Even though there is a significantly different workflow between the two types of camera, the RED material was able to be integrated smoothly with the Sony footage.
7. No Country for Old Men (2007)
A neo-Western thriller from Coen brothers. They directed, wrote, and edited this production.
The movie was also nominated for an Academy Award for Best Editing for editor Roderick Jaynes (a pseudonym for Joel and Ethan Coen).
Directing and editing a movie brings the two processes a lot closer together for the Coen brothers. An easy to use product such as Final Cut Pro ensures that they can construct the movie’s narrative using the timeline features of the product. This movie marked a chance in approach for the Coen brothers, who took advantage of the better resolution DVCPRO HD for their cutting process compared to earlier films that were cut at DV resolution.
8. 300 (2007)
Based on a graphic novel by Frank Miller, this is the fictionalized retelling of the Battle Termopylae - part of the Persian Wars. Directed by Zack Snyder, the movie was filmed with a super-imposition chroma key technique to help replicate the imagery of the original comic book. Editing on the movie was by William Hoy.
To capture the graphic novel look and feel of the film’s images, editor Hoy used a number of the key Final Cut Pro features such as the adjustment layer and blending modes to create depth and mood. With the look and feel of this movie so dependent on the effects created, editor Hoy spent a lot of time debating what was being added visually to each shot and how this would impact the length and continuity of each scene.
9. Sky Captain and the World of Tomorrow (2004)
With big name stars (Gwyneth Paltrow and Jude Law), this was an unusual film that used digital artists to build multi-layered 2D and 3D backgrounds for live action footage, with hand-drawn storyboards recreated as computer-generated 3D animatics. Critically it was well received but didn’t set the box office alight.
Editing on the movie was by Sabrina Plisco.
Final Cut Pro was particularly critical to create a scene between two characters that was shot in a physical set (unlike the digital soundstage that was used for the rest of the movie). Final Cut Pro allowed the filmmakers to line up the animatics with the live onstage footage. One of the challenges with this movie is that the editors had to manually assign time-codes to each take - the clips were then rendered out and sorted so that they could be used on a Final Cut Pro SD workstation. This approach was also used to create the master off-line cut. Batch lists of the cuts were then imported into Final Cut Pro.
10. Cold Mountain (2003)
This is an epic Civil War drama based on the novel by Charles Frazier. Starring Jude Law, Nicole Kidman, and Renee Zellweger this was critically acclaimed and performed reasonably well at the box office.
The movie was also nominated for an Academy Award for Best Editing let by editor Walter Murch.
This was really seen as the breakthrough movie for the use of Final Cut Pro in Hollywood Movies. An entire book has been produced analysing how editor Murch used Final Cut Pro to edit the movie and analysis its impact on future cinema productions. Editor Murch believes that the use of Final Cut Pro on this movie indirected affected the ultimate creative outcome. In particular, the use of the DVD authoring capabilities on Final Cut Pro meant that the editing team was able to look at the material more often, sharing it with more people, and changing the way that they looked at certain scenes.
While Hollywood movies require editing tools of the highest order, the range of effects that you can achieve using Final Cut Pro is impressive - as well as the standard ripple, roll, slip, slide, scrub, razor blade and time remapping edit functions, Final Cut Pro also comes with a range of video transitions and a range of video and audio filters that will take your film project to the next level.
It is clear that Final Cut Pro is definitely now a star in the editing of Hollywood movies, it is time to make it a star in editing your movies as well.
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
Benjamin Arango
Mar 27, 2024• Proven solutions
Developed as video editing software that has been developed by Apple, Final Cut Pro began life as software designed to made simple video editing accessible for video hobbyists and independent filmmakers. However, in recent years the capabilities of Final Cut Pro have evolved significantly and we are now seeing major Hollywood movies also being edited with this software.
Do you want to turn your own video into a Hollywood film-like video? Check this guide on How to make big-budget cinematic look video with Final Cut Pro.
You may also like: 8 Best Movie Trailer Template for After Effects
Top 10 Movies Made by Final Cut Pro
Let’s take a look at ten major movies that have been edited using Final Cut Pro.
1. The Social Network (2010)
Based on the rise of the phenomenon that we now know as Facebook, The Social Network starred Jesse Eisenberg, Andrew Garfield and Justin Timberlake. The movie performed well at the box office and was also positively received by movie critics.
The film won an Academy Award for Best Editing, collected by Kirk Baxter and Angus Wall. They used Final Cut Pro to edit the film, and one of the things they really like about the software is the ability to do multiple timelines. Final Cut Pro was also used in this movie to enable face replacement in a number of scenes. Two of the key characters in the movie are twins, and so the scenes were filmed with actors (who weren’t twins) and then the editing software was used to create the illusion that they were twins. Digital matte paintings was another feature of this movie that relied on the functionality of Final Cut Pro.
2. The Girl with the Dragon Tattoo (2011)
This was the US adaptation of the earlier Swedish film of the same name - based on the novel by Stieg Larsson. Starring Daniel Craig and Rooney Mara, the story is a crime thriller trying to uncover the secrets surrounding the disappearance of a young girl from a wealthy family.
One of the challenges with this movie was that there were a lot of invisible effects throughout the film. Final Cut Pro was used to achieve the shot stabilization and the visual enhancements - everything from matte painting to creating seasonal elements such as snow.
3. John Carter (2011)
A science fiction adventure, this film performed so badly at the box office that it caused major financial problems for its studio Disney.
The editing of the John Carter movie was a particular challenge as a lot of the action was shot twice during the troubled production. The editor Eric Zumbrunnen used Final Cut Pro to piece the various elements together. With a huge range of CGI and creature effects to deal with, the editing process on this movie was extremely complex. Final Cut Pro was used to create a lot of the background detail need to bring the green screen scenes to life.
4. 500 Days of Summer (2009)
This was a cute, quirky romantic comedy starring Joseph Gordon-Levitt and Zooey Deschanel.
Editing on the movie was by Alan Edward Bell in DVCPro HD format on Final Cut Pro. Because the storyline of the movie unfolds in a non-linear timeline, the workflow feature of Final Cut Pro made it easier to manage the sequencing of the different scenes. There were also 250 invisible effects which were created using Final Cut Pro’s editing features.
5. X-Men Origins: Wolverine (2009)
Continuing the X-Men franchise, this installment traces Wolverine’s childhood and the relationship with his brother. It didn’t really appeal to X-Men fans or movie critics.
Editing on the movie was by Nicolas De Toth and Megan Gill. There were a number of continuity glitches identified during the production of this movie but De Toth and Gill used Final Pro Cut to keep a consistent flow to the narrative. What is interesting about the editing on this movie is that all the cutting of the scenes required was done on Final Cut Pro 5, taking advantage of the software’s HD abilities and also the multi-clip features.
6. Burn After Reading (2008)
A black comedy from the talented brothers Joel and Ethan Coen, they wrote, produced, edited, and directed the movie.
The Coen brothers used Final Cut Pro on this movie because it was simple and easy to use - they were blocking together the rough cuts as the scenes were being shot, and Final Cut Pro gave them the flexibility that they needed to edit quickly. On this movie most of the action was shot using Sony cameras but there were several scenes on which a RED camera was added when an additional camera was needed. Even though there is a significantly different workflow between the two types of camera, the RED material was able to be integrated smoothly with the Sony footage.
7. No Country for Old Men (2007)
A neo-Western thriller from Coen brothers. They directed, wrote, and edited this production.
The movie was also nominated for an Academy Award for Best Editing for editor Roderick Jaynes (a pseudonym for Joel and Ethan Coen).
Directing and editing a movie brings the two processes a lot closer together for the Coen brothers. An easy to use product such as Final Cut Pro ensures that they can construct the movie’s narrative using the timeline features of the product. This movie marked a chance in approach for the Coen brothers, who took advantage of the better resolution DVCPRO HD for their cutting process compared to earlier films that were cut at DV resolution.
8. 300 (2007)
Based on a graphic novel by Frank Miller, this is the fictionalized retelling of the Battle Termopylae - part of the Persian Wars. Directed by Zack Snyder, the movie was filmed with a super-imposition chroma key technique to help replicate the imagery of the original comic book. Editing on the movie was by William Hoy.
To capture the graphic novel look and feel of the film’s images, editor Hoy used a number of the key Final Cut Pro features such as the adjustment layer and blending modes to create depth and mood. With the look and feel of this movie so dependent on the effects created, editor Hoy spent a lot of time debating what was being added visually to each shot and how this would impact the length and continuity of each scene.
9. Sky Captain and the World of Tomorrow (2004)
With big name stars (Gwyneth Paltrow and Jude Law), this was an unusual film that used digital artists to build multi-layered 2D and 3D backgrounds for live action footage, with hand-drawn storyboards recreated as computer-generated 3D animatics. Critically it was well received but didn’t set the box office alight.
Editing on the movie was by Sabrina Plisco.
Final Cut Pro was particularly critical to create a scene between two characters that was shot in a physical set (unlike the digital soundstage that was used for the rest of the movie). Final Cut Pro allowed the filmmakers to line up the animatics with the live onstage footage. One of the challenges with this movie is that the editors had to manually assign time-codes to each take - the clips were then rendered out and sorted so that they could be used on a Final Cut Pro SD workstation. This approach was also used to create the master off-line cut. Batch lists of the cuts were then imported into Final Cut Pro.
10. Cold Mountain (2003)
This is an epic Civil War drama based on the novel by Charles Frazier. Starring Jude Law, Nicole Kidman, and Renee Zellweger this was critically acclaimed and performed reasonably well at the box office.
The movie was also nominated for an Academy Award for Best Editing let by editor Walter Murch.
This was really seen as the breakthrough movie for the use of Final Cut Pro in Hollywood Movies. An entire book has been produced analysing how editor Murch used Final Cut Pro to edit the movie and analysis its impact on future cinema productions. Editor Murch believes that the use of Final Cut Pro on this movie indirected affected the ultimate creative outcome. In particular, the use of the DVD authoring capabilities on Final Cut Pro meant that the editing team was able to look at the material more often, sharing it with more people, and changing the way that they looked at certain scenes.
While Hollywood movies require editing tools of the highest order, the range of effects that you can achieve using Final Cut Pro is impressive - as well as the standard ripple, roll, slip, slide, scrub, razor blade and time remapping edit functions, Final Cut Pro also comes with a range of video transitions and a range of video and audio filters that will take your film project to the next level.
It is clear that Final Cut Pro is definitely now a star in the editing of Hollywood movies, it is time to make it a star in editing your movies as well.
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
Benjamin Arango
Mar 27, 2024• Proven solutions
Developed as video editing software that has been developed by Apple, Final Cut Pro began life as software designed to made simple video editing accessible for video hobbyists and independent filmmakers. However, in recent years the capabilities of Final Cut Pro have evolved significantly and we are now seeing major Hollywood movies also being edited with this software.
Do you want to turn your own video into a Hollywood film-like video? Check this guide on How to make big-budget cinematic look video with Final Cut Pro.
You may also like: 8 Best Movie Trailer Template for After Effects
Top 10 Movies Made by Final Cut Pro
Let’s take a look at ten major movies that have been edited using Final Cut Pro.
1. The Social Network (2010)
Based on the rise of the phenomenon that we now know as Facebook, The Social Network starred Jesse Eisenberg, Andrew Garfield and Justin Timberlake. The movie performed well at the box office and was also positively received by movie critics.
The film won an Academy Award for Best Editing, collected by Kirk Baxter and Angus Wall. They used Final Cut Pro to edit the film, and one of the things they really like about the software is the ability to do multiple timelines. Final Cut Pro was also used in this movie to enable face replacement in a number of scenes. Two of the key characters in the movie are twins, and so the scenes were filmed with actors (who weren’t twins) and then the editing software was used to create the illusion that they were twins. Digital matte paintings was another feature of this movie that relied on the functionality of Final Cut Pro.
2. The Girl with the Dragon Tattoo (2011)
This was the US adaptation of the earlier Swedish film of the same name - based on the novel by Stieg Larsson. Starring Daniel Craig and Rooney Mara, the story is a crime thriller trying to uncover the secrets surrounding the disappearance of a young girl from a wealthy family.
One of the challenges with this movie was that there were a lot of invisible effects throughout the film. Final Cut Pro was used to achieve the shot stabilization and the visual enhancements - everything from matte painting to creating seasonal elements such as snow.
3. John Carter (2011)
A science fiction adventure, this film performed so badly at the box office that it caused major financial problems for its studio Disney.
The editing of the John Carter movie was a particular challenge as a lot of the action was shot twice during the troubled production. The editor Eric Zumbrunnen used Final Cut Pro to piece the various elements together. With a huge range of CGI and creature effects to deal with, the editing process on this movie was extremely complex. Final Cut Pro was used to create a lot of the background detail need to bring the green screen scenes to life.
4. 500 Days of Summer (2009)
This was a cute, quirky romantic comedy starring Joseph Gordon-Levitt and Zooey Deschanel.
Editing on the movie was by Alan Edward Bell in DVCPro HD format on Final Cut Pro. Because the storyline of the movie unfolds in a non-linear timeline, the workflow feature of Final Cut Pro made it easier to manage the sequencing of the different scenes. There were also 250 invisible effects which were created using Final Cut Pro’s editing features.
5. X-Men Origins: Wolverine (2009)
Continuing the X-Men franchise, this installment traces Wolverine’s childhood and the relationship with his brother. It didn’t really appeal to X-Men fans or movie critics.
Editing on the movie was by Nicolas De Toth and Megan Gill. There were a number of continuity glitches identified during the production of this movie but De Toth and Gill used Final Pro Cut to keep a consistent flow to the narrative. What is interesting about the editing on this movie is that all the cutting of the scenes required was done on Final Cut Pro 5, taking advantage of the software’s HD abilities and also the multi-clip features.
6. Burn After Reading (2008)
A black comedy from the talented brothers Joel and Ethan Coen, they wrote, produced, edited, and directed the movie.
The Coen brothers used Final Cut Pro on this movie because it was simple and easy to use - they were blocking together the rough cuts as the scenes were being shot, and Final Cut Pro gave them the flexibility that they needed to edit quickly. On this movie most of the action was shot using Sony cameras but there were several scenes on which a RED camera was added when an additional camera was needed. Even though there is a significantly different workflow between the two types of camera, the RED material was able to be integrated smoothly with the Sony footage.
7. No Country for Old Men (2007)
A neo-Western thriller from Coen brothers. They directed, wrote, and edited this production.
The movie was also nominated for an Academy Award for Best Editing for editor Roderick Jaynes (a pseudonym for Joel and Ethan Coen).
Directing and editing a movie brings the two processes a lot closer together for the Coen brothers. An easy to use product such as Final Cut Pro ensures that they can construct the movie’s narrative using the timeline features of the product. This movie marked a chance in approach for the Coen brothers, who took advantage of the better resolution DVCPRO HD for their cutting process compared to earlier films that were cut at DV resolution.
8. 300 (2007)
Based on a graphic novel by Frank Miller, this is the fictionalized retelling of the Battle Termopylae - part of the Persian Wars. Directed by Zack Snyder, the movie was filmed with a super-imposition chroma key technique to help replicate the imagery of the original comic book. Editing on the movie was by William Hoy.
To capture the graphic novel look and feel of the film’s images, editor Hoy used a number of the key Final Cut Pro features such as the adjustment layer and blending modes to create depth and mood. With the look and feel of this movie so dependent on the effects created, editor Hoy spent a lot of time debating what was being added visually to each shot and how this would impact the length and continuity of each scene.
9. Sky Captain and the World of Tomorrow (2004)
With big name stars (Gwyneth Paltrow and Jude Law), this was an unusual film that used digital artists to build multi-layered 2D and 3D backgrounds for live action footage, with hand-drawn storyboards recreated as computer-generated 3D animatics. Critically it was well received but didn’t set the box office alight.
Editing on the movie was by Sabrina Plisco.
Final Cut Pro was particularly critical to create a scene between two characters that was shot in a physical set (unlike the digital soundstage that was used for the rest of the movie). Final Cut Pro allowed the filmmakers to line up the animatics with the live onstage footage. One of the challenges with this movie is that the editors had to manually assign time-codes to each take - the clips were then rendered out and sorted so that they could be used on a Final Cut Pro SD workstation. This approach was also used to create the master off-line cut. Batch lists of the cuts were then imported into Final Cut Pro.
10. Cold Mountain (2003)
This is an epic Civil War drama based on the novel by Charles Frazier. Starring Jude Law, Nicole Kidman, and Renee Zellweger this was critically acclaimed and performed reasonably well at the box office.
The movie was also nominated for an Academy Award for Best Editing let by editor Walter Murch.
This was really seen as the breakthrough movie for the use of Final Cut Pro in Hollywood Movies. An entire book has been produced analysing how editor Murch used Final Cut Pro to edit the movie and analysis its impact on future cinema productions. Editor Murch believes that the use of Final Cut Pro on this movie indirected affected the ultimate creative outcome. In particular, the use of the DVD authoring capabilities on Final Cut Pro meant that the editing team was able to look at the material more often, sharing it with more people, and changing the way that they looked at certain scenes.
While Hollywood movies require editing tools of the highest order, the range of effects that you can achieve using Final Cut Pro is impressive - as well as the standard ripple, roll, slip, slide, scrub, razor blade and time remapping edit functions, Final Cut Pro also comes with a range of video transitions and a range of video and audio filters that will take your film project to the next level.
It is clear that Final Cut Pro is definitely now a star in the editing of Hollywood movies, it is time to make it a star in editing your movies as well.
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
Benjamin Arango
Mar 27, 2024• Proven solutions
Developed as video editing software that has been developed by Apple, Final Cut Pro began life as software designed to made simple video editing accessible for video hobbyists and independent filmmakers. However, in recent years the capabilities of Final Cut Pro have evolved significantly and we are now seeing major Hollywood movies also being edited with this software.
Do you want to turn your own video into a Hollywood film-like video? Check this guide on How to make big-budget cinematic look video with Final Cut Pro.
You may also like: 8 Best Movie Trailer Template for After Effects
Top 10 Movies Made by Final Cut Pro
Let’s take a look at ten major movies that have been edited using Final Cut Pro.
1. The Social Network (2010)
Based on the rise of the phenomenon that we now know as Facebook, The Social Network starred Jesse Eisenberg, Andrew Garfield and Justin Timberlake. The movie performed well at the box office and was also positively received by movie critics.
The film won an Academy Award for Best Editing, collected by Kirk Baxter and Angus Wall. They used Final Cut Pro to edit the film, and one of the things they really like about the software is the ability to do multiple timelines. Final Cut Pro was also used in this movie to enable face replacement in a number of scenes. Two of the key characters in the movie are twins, and so the scenes were filmed with actors (who weren’t twins) and then the editing software was used to create the illusion that they were twins. Digital matte paintings was another feature of this movie that relied on the functionality of Final Cut Pro.
2. The Girl with the Dragon Tattoo (2011)
This was the US adaptation of the earlier Swedish film of the same name - based on the novel by Stieg Larsson. Starring Daniel Craig and Rooney Mara, the story is a crime thriller trying to uncover the secrets surrounding the disappearance of a young girl from a wealthy family.
One of the challenges with this movie was that there were a lot of invisible effects throughout the film. Final Cut Pro was used to achieve the shot stabilization and the visual enhancements - everything from matte painting to creating seasonal elements such as snow.
3. John Carter (2011)
A science fiction adventure, this film performed so badly at the box office that it caused major financial problems for its studio Disney.
The editing of the John Carter movie was a particular challenge as a lot of the action was shot twice during the troubled production. The editor Eric Zumbrunnen used Final Cut Pro to piece the various elements together. With a huge range of CGI and creature effects to deal with, the editing process on this movie was extremely complex. Final Cut Pro was used to create a lot of the background detail need to bring the green screen scenes to life.
4. 500 Days of Summer (2009)
This was a cute, quirky romantic comedy starring Joseph Gordon-Levitt and Zooey Deschanel.
Editing on the movie was by Alan Edward Bell in DVCPro HD format on Final Cut Pro. Because the storyline of the movie unfolds in a non-linear timeline, the workflow feature of Final Cut Pro made it easier to manage the sequencing of the different scenes. There were also 250 invisible effects which were created using Final Cut Pro’s editing features.
5. X-Men Origins: Wolverine (2009)
Continuing the X-Men franchise, this installment traces Wolverine’s childhood and the relationship with his brother. It didn’t really appeal to X-Men fans or movie critics.
Editing on the movie was by Nicolas De Toth and Megan Gill. There were a number of continuity glitches identified during the production of this movie but De Toth and Gill used Final Pro Cut to keep a consistent flow to the narrative. What is interesting about the editing on this movie is that all the cutting of the scenes required was done on Final Cut Pro 5, taking advantage of the software’s HD abilities and also the multi-clip features.
6. Burn After Reading (2008)
A black comedy from the talented brothers Joel and Ethan Coen, they wrote, produced, edited, and directed the movie.
The Coen brothers used Final Cut Pro on this movie because it was simple and easy to use - they were blocking together the rough cuts as the scenes were being shot, and Final Cut Pro gave them the flexibility that they needed to edit quickly. On this movie most of the action was shot using Sony cameras but there were several scenes on which a RED camera was added when an additional camera was needed. Even though there is a significantly different workflow between the two types of camera, the RED material was able to be integrated smoothly with the Sony footage.
7. No Country for Old Men (2007)
A neo-Western thriller from Coen brothers. They directed, wrote, and edited this production.
The movie was also nominated for an Academy Award for Best Editing for editor Roderick Jaynes (a pseudonym for Joel and Ethan Coen).
Directing and editing a movie brings the two processes a lot closer together for the Coen brothers. An easy to use product such as Final Cut Pro ensures that they can construct the movie’s narrative using the timeline features of the product. This movie marked a chance in approach for the Coen brothers, who took advantage of the better resolution DVCPRO HD for their cutting process compared to earlier films that were cut at DV resolution.
8. 300 (2007)
Based on a graphic novel by Frank Miller, this is the fictionalized retelling of the Battle Termopylae - part of the Persian Wars. Directed by Zack Snyder, the movie was filmed with a super-imposition chroma key technique to help replicate the imagery of the original comic book. Editing on the movie was by William Hoy.
To capture the graphic novel look and feel of the film’s images, editor Hoy used a number of the key Final Cut Pro features such as the adjustment layer and blending modes to create depth and mood. With the look and feel of this movie so dependent on the effects created, editor Hoy spent a lot of time debating what was being added visually to each shot and how this would impact the length and continuity of each scene.
9. Sky Captain and the World of Tomorrow (2004)
With big name stars (Gwyneth Paltrow and Jude Law), this was an unusual film that used digital artists to build multi-layered 2D and 3D backgrounds for live action footage, with hand-drawn storyboards recreated as computer-generated 3D animatics. Critically it was well received but didn’t set the box office alight.
Editing on the movie was by Sabrina Plisco.
Final Cut Pro was particularly critical to create a scene between two characters that was shot in a physical set (unlike the digital soundstage that was used for the rest of the movie). Final Cut Pro allowed the filmmakers to line up the animatics with the live onstage footage. One of the challenges with this movie is that the editors had to manually assign time-codes to each take - the clips were then rendered out and sorted so that they could be used on a Final Cut Pro SD workstation. This approach was also used to create the master off-line cut. Batch lists of the cuts were then imported into Final Cut Pro.
10. Cold Mountain (2003)
This is an epic Civil War drama based on the novel by Charles Frazier. Starring Jude Law, Nicole Kidman, and Renee Zellweger this was critically acclaimed and performed reasonably well at the box office.
The movie was also nominated for an Academy Award for Best Editing let by editor Walter Murch.
This was really seen as the breakthrough movie for the use of Final Cut Pro in Hollywood Movies. An entire book has been produced analysing how editor Murch used Final Cut Pro to edit the movie and analysis its impact on future cinema productions. Editor Murch believes that the use of Final Cut Pro on this movie indirected affected the ultimate creative outcome. In particular, the use of the DVD authoring capabilities on Final Cut Pro meant that the editing team was able to look at the material more often, sharing it with more people, and changing the way that they looked at certain scenes.
While Hollywood movies require editing tools of the highest order, the range of effects that you can achieve using Final Cut Pro is impressive - as well as the standard ripple, roll, slip, slide, scrub, razor blade and time remapping edit functions, Final Cut Pro also comes with a range of video transitions and a range of video and audio filters that will take your film project to the next level.
It is clear that Final Cut Pro is definitely now a star in the editing of Hollywood movies, it is time to make it a star in editing your movies as well.
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
Easy Video Flip: A Beginner’s Guide to Rotating Footage
How to Flip Video Quickly and Easily
Ollie Mattison
Mar 27, 2024• Proven solutions
It’s very common that you filmed some amazing portrait or landscape videos but in the wrong direction. This is an error made by many people because not everyone will always think about orientation when filming. Is there an easy way to flip/rotate videos so that you can watch them without turning your head sideways?
What you need is just an ease to use video editor like Wondershare Filmora to flip/rotate your video clips easily and quickly. This application offers a remarkably easy way to flip videos clockwise or anticlockwise, horizontal or vertical. What’s more, this flip software also offers a broad range of video editing features, effects and intro/credits.
In the following, I’ll describe how to flip a video in Windows using this video flip program. If you’re a Mac user, just adopt Wondershare Filmora X for Mac (Latest Filmora version X for Mac) to achieve the same.
First, please download Filmora X for free as per your operating system, and then follow the steps below.
1. Import Your Original Video Clips
After launching Filmora X, click “New Project” to begin. Click “Import” to browse your file folder on computer or drag the video clips directly into the media library.
When you import all of them, click the thumbnails showing in the left pane to preview in the right screen window.
Note that this video editor supports an array of video & audio formats, such as MOV, MP4, AVI, WMV, DV, avchd (MTS, M2TS). And still image files like JPG, BMP, JPEG, PNG. TIFF are all fully compatible.
And then drag your video files from media library to the video Timeline.
Learn the complete list of supported files formats of Filmora X.
2. Flip the Whole Video
Then double click the video in the timeline to access the editing panel. In the window that appears, switch to Video tab and you will find Transform option located on the top.
Click on the Transform to expand the four options including Rotate, Flip, Scale and Position. To get the effect you need, you can adjust the Rotate and Flip settings and check the real-time effect in the previewing window. Though only four buttons available, you can create more options by using them together.
- Rotate: rotate video at any angle by entering the angle value or moving the Rotate slide: rotate 90° clockwise & anti-clockwise, rotate at 180°, rotate 270°, and more
- Flip: Flip video horizontally, i.e. flip video left to right; flip video vertically that is fliping video upside down
- You can combine Rotate and Flip feature to flip video vertically and rotate 90°clockwise or flip video vertically and rotate 90°counterclockwise.
Besides, you can also change the video position and the video scale. This is the step of flips the whole part of the video.
3. Flip Only a Part of the Video
Sometimes, you may just need to flip parts of your video file, e.g. only 1 minute instead of the whole video. In this case, you need to split your video into separate files , and then repeat step 2 to flip them individually.
To do it, just move the playhead to the position you want to split, and click the “Scissors” icon in the menu bar.
Learn more about how to split videos
4 Export Flipped Video
When you’re satisfied with the result, click “Export” in the middle right to save the flipped video. In the pop-up output window that appears, select your wanted format or configured preset for your portable player directly to watch on the go.
You may also want to upload your creation to YouTube or burn to DVD disc for better preservation, just go for it. Finally, click Export to let this video flip program perform the rest.
With the latest Filmora X video editor, you can do more than just flipping video files. For example, you can apply special effects, add background music, create picture-in-picture effect, and more. Try it now!
Check Best Program to Flip Video
Conclusion
If you are someone that can’t be bothered to learn a new video editor or someone that doesn’t want to fuss around and just want to get things done, Filmora is designed for you. Known for its lowest learning curve and low price, Filmora can help you to get the job done easily. Try it out with the buttons below to see if it matches your appetite.
Ollie Mattison
Ollie Mattison is a writer and a lover of all things video.
Follow @Ollie Mattison
Ollie Mattison
Mar 27, 2024• Proven solutions
It’s very common that you filmed some amazing portrait or landscape videos but in the wrong direction. This is an error made by many people because not everyone will always think about orientation when filming. Is there an easy way to flip/rotate videos so that you can watch them without turning your head sideways?
What you need is just an ease to use video editor like Wondershare Filmora to flip/rotate your video clips easily and quickly. This application offers a remarkably easy way to flip videos clockwise or anticlockwise, horizontal or vertical. What’s more, this flip software also offers a broad range of video editing features, effects and intro/credits.
In the following, I’ll describe how to flip a video in Windows using this video flip program. If you’re a Mac user, just adopt Wondershare Filmora X for Mac (Latest Filmora version X for Mac) to achieve the same.
First, please download Filmora X for free as per your operating system, and then follow the steps below.
1. Import Your Original Video Clips
After launching Filmora X, click “New Project” to begin. Click “Import” to browse your file folder on computer or drag the video clips directly into the media library.
When you import all of them, click the thumbnails showing in the left pane to preview in the right screen window.
Note that this video editor supports an array of video & audio formats, such as MOV, MP4, AVI, WMV, DV, avchd (MTS, M2TS). And still image files like JPG, BMP, JPEG, PNG. TIFF are all fully compatible.
And then drag your video files from media library to the video Timeline.
Learn the complete list of supported files formats of Filmora X.
2. Flip the Whole Video
Then double click the video in the timeline to access the editing panel. In the window that appears, switch to Video tab and you will find Transform option located on the top.
Click on the Transform to expand the four options including Rotate, Flip, Scale and Position. To get the effect you need, you can adjust the Rotate and Flip settings and check the real-time effect in the previewing window. Though only four buttons available, you can create more options by using them together.
- Rotate: rotate video at any angle by entering the angle value or moving the Rotate slide: rotate 90° clockwise & anti-clockwise, rotate at 180°, rotate 270°, and more
- Flip: Flip video horizontally, i.e. flip video left to right; flip video vertically that is fliping video upside down
- You can combine Rotate and Flip feature to flip video vertically and rotate 90°clockwise or flip video vertically and rotate 90°counterclockwise.
Besides, you can also change the video position and the video scale. This is the step of flips the whole part of the video.
3. Flip Only a Part of the Video
Sometimes, you may just need to flip parts of your video file, e.g. only 1 minute instead of the whole video. In this case, you need to split your video into separate files , and then repeat step 2 to flip them individually.
To do it, just move the playhead to the position you want to split, and click the “Scissors” icon in the menu bar.
Learn more about how to split videos
4 Export Flipped Video
When you’re satisfied with the result, click “Export” in the middle right to save the flipped video. In the pop-up output window that appears, select your wanted format or configured preset for your portable player directly to watch on the go.
You may also want to upload your creation to YouTube or burn to DVD disc for better preservation, just go for it. Finally, click Export to let this video flip program perform the rest.
With the latest Filmora X video editor, you can do more than just flipping video files. For example, you can apply special effects, add background music, create picture-in-picture effect, and more. Try it now!
Check Best Program to Flip Video
Conclusion
If you are someone that can’t be bothered to learn a new video editor or someone that doesn’t want to fuss around and just want to get things done, Filmora is designed for you. Known for its lowest learning curve and low price, Filmora can help you to get the job done easily. Try it out with the buttons below to see if it matches your appetite.
Ollie Mattison
Ollie Mattison is a writer and a lover of all things video.
Follow @Ollie Mattison
Ollie Mattison
Mar 27, 2024• Proven solutions
It’s very common that you filmed some amazing portrait or landscape videos but in the wrong direction. This is an error made by many people because not everyone will always think about orientation when filming. Is there an easy way to flip/rotate videos so that you can watch them without turning your head sideways?
What you need is just an ease to use video editor like Wondershare Filmora to flip/rotate your video clips easily and quickly. This application offers a remarkably easy way to flip videos clockwise or anticlockwise, horizontal or vertical. What’s more, this flip software also offers a broad range of video editing features, effects and intro/credits.
In the following, I’ll describe how to flip a video in Windows using this video flip program. If you’re a Mac user, just adopt Wondershare Filmora X for Mac (Latest Filmora version X for Mac) to achieve the same.
First, please download Filmora X for free as per your operating system, and then follow the steps below.
1. Import Your Original Video Clips
After launching Filmora X, click “New Project” to begin. Click “Import” to browse your file folder on computer or drag the video clips directly into the media library.
When you import all of them, click the thumbnails showing in the left pane to preview in the right screen window.
Note that this video editor supports an array of video & audio formats, such as MOV, MP4, AVI, WMV, DV, avchd (MTS, M2TS). And still image files like JPG, BMP, JPEG, PNG. TIFF are all fully compatible.
And then drag your video files from media library to the video Timeline.
Learn the complete list of supported files formats of Filmora X.
2. Flip the Whole Video
Then double click the video in the timeline to access the editing panel. In the window that appears, switch to Video tab and you will find Transform option located on the top.
Click on the Transform to expand the four options including Rotate, Flip, Scale and Position. To get the effect you need, you can adjust the Rotate and Flip settings and check the real-time effect in the previewing window. Though only four buttons available, you can create more options by using them together.
- Rotate: rotate video at any angle by entering the angle value or moving the Rotate slide: rotate 90° clockwise & anti-clockwise, rotate at 180°, rotate 270°, and more
- Flip: Flip video horizontally, i.e. flip video left to right; flip video vertically that is fliping video upside down
- You can combine Rotate and Flip feature to flip video vertically and rotate 90°clockwise or flip video vertically and rotate 90°counterclockwise.
Besides, you can also change the video position and the video scale. This is the step of flips the whole part of the video.
3. Flip Only a Part of the Video
Sometimes, you may just need to flip parts of your video file, e.g. only 1 minute instead of the whole video. In this case, you need to split your video into separate files , and then repeat step 2 to flip them individually.
To do it, just move the playhead to the position you want to split, and click the “Scissors” icon in the menu bar.
Learn more about how to split videos
4 Export Flipped Video
When you’re satisfied with the result, click “Export” in the middle right to save the flipped video. In the pop-up output window that appears, select your wanted format or configured preset for your portable player directly to watch on the go.
You may also want to upload your creation to YouTube or burn to DVD disc for better preservation, just go for it. Finally, click Export to let this video flip program perform the rest.
With the latest Filmora X video editor, you can do more than just flipping video files. For example, you can apply special effects, add background music, create picture-in-picture effect, and more. Try it now!
Check Best Program to Flip Video
Conclusion
If you are someone that can’t be bothered to learn a new video editor or someone that doesn’t want to fuss around and just want to get things done, Filmora is designed for you. Known for its lowest learning curve and low price, Filmora can help you to get the job done easily. Try it out with the buttons below to see if it matches your appetite.
Ollie Mattison
Ollie Mattison is a writer and a lover of all things video.
Follow @Ollie Mattison
Ollie Mattison
Mar 27, 2024• Proven solutions
It’s very common that you filmed some amazing portrait or landscape videos but in the wrong direction. This is an error made by many people because not everyone will always think about orientation when filming. Is there an easy way to flip/rotate videos so that you can watch them without turning your head sideways?
What you need is just an ease to use video editor like Wondershare Filmora to flip/rotate your video clips easily and quickly. This application offers a remarkably easy way to flip videos clockwise or anticlockwise, horizontal or vertical. What’s more, this flip software also offers a broad range of video editing features, effects and intro/credits.
In the following, I’ll describe how to flip a video in Windows using this video flip program. If you’re a Mac user, just adopt Wondershare Filmora X for Mac (Latest Filmora version X for Mac) to achieve the same.
First, please download Filmora X for free as per your operating system, and then follow the steps below.
1. Import Your Original Video Clips
After launching Filmora X, click “New Project” to begin. Click “Import” to browse your file folder on computer or drag the video clips directly into the media library.
When you import all of them, click the thumbnails showing in the left pane to preview in the right screen window.
Note that this video editor supports an array of video & audio formats, such as MOV, MP4, AVI, WMV, DV, avchd (MTS, M2TS). And still image files like JPG, BMP, JPEG, PNG. TIFF are all fully compatible.
And then drag your video files from media library to the video Timeline.
Learn the complete list of supported files formats of Filmora X.
2. Flip the Whole Video
Then double click the video in the timeline to access the editing panel. In the window that appears, switch to Video tab and you will find Transform option located on the top.
Click on the Transform to expand the four options including Rotate, Flip, Scale and Position. To get the effect you need, you can adjust the Rotate and Flip settings and check the real-time effect in the previewing window. Though only four buttons available, you can create more options by using them together.
- Rotate: rotate video at any angle by entering the angle value or moving the Rotate slide: rotate 90° clockwise & anti-clockwise, rotate at 180°, rotate 270°, and more
- Flip: Flip video horizontally, i.e. flip video left to right; flip video vertically that is fliping video upside down
- You can combine Rotate and Flip feature to flip video vertically and rotate 90°clockwise or flip video vertically and rotate 90°counterclockwise.
Besides, you can also change the video position and the video scale. This is the step of flips the whole part of the video.
3. Flip Only a Part of the Video
Sometimes, you may just need to flip parts of your video file, e.g. only 1 minute instead of the whole video. In this case, you need to split your video into separate files , and then repeat step 2 to flip them individually.
To do it, just move the playhead to the position you want to split, and click the “Scissors” icon in the menu bar.
Learn more about how to split videos
4 Export Flipped Video
When you’re satisfied with the result, click “Export” in the middle right to save the flipped video. In the pop-up output window that appears, select your wanted format or configured preset for your portable player directly to watch on the go.
You may also want to upload your creation to YouTube or burn to DVD disc for better preservation, just go for it. Finally, click Export to let this video flip program perform the rest.
With the latest Filmora X video editor, you can do more than just flipping video files. For example, you can apply special effects, add background music, create picture-in-picture effect, and more. Try it now!
Check Best Program to Flip Video
Conclusion
If you are someone that can’t be bothered to learn a new video editor or someone that doesn’t want to fuss around and just want to get things done, Filmora is designed for you. Known for its lowest learning curve and low price, Filmora can help you to get the job done easily. Try it out with the buttons below to see if it matches your appetite.
Ollie Mattison
Ollie Mattison is a writer and a lover of all things video.
Follow @Ollie Mattison
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- Title: In 2024, Unleash the Power of Time FCPX Freeze Frames and Slow Motion Tutorials
- Author: Emma
- Created at : 2024-05-19 05:48:13
- Updated at : 2024-05-20 05:48:13
- Link: https://video-ai-editor.techidaily.com/in-2024-unleash-the-power-of-time-fcpx-freeze-frames-and-slow-motion-tutorials/
- License: This work is licensed under CC BY-NC-SA 4.0.
