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Updated In 2024, Mastering Time Manipulation in FCPX
Mastering Time Manipulation in FCPX
Final Cut Pro X: Freeze-Frames and Slow Motion
Benjamin Arango
Mar 27, 2024• Proven solutions
A very simple, yet very effective effect is changing the speed of a video clip. This could be a simple still-frame (also called “Freeze Frame”) or playing a clip in slow or fast motion.
This article shows you how to do this using Final Cut Pro X.
For more tutorials on slow-motion please refer to this article: Top 10 Slow Motion Video Editing Software.
Freeze-Frames and Slow Motion in Final Cut Pro X
1. STILL FRAMES
A still-frame freezes action. For instance, here is a clip of a hummingbird getting ready to land on a bird feeder. I want to create a freeze-frame of the bird in flight. (Um, yeah, I use “freeze-frame” and “still-frame” interchangeably.)
In Final Cut Pro X, put the playhead (or skimmer) on the frame you want to freeze and type Option+F.
This creates a two-second freeze-frame at the position of the playhead.
Adjust the duration of the frame by trimming the edge; just like any other clip. Here, for example, I’m making the duration of the freeze-frame 11 frames shorter.
In case you were wondering, this is what the freeze looks like. It freezes the flight of the hummingbird in the middle of playback, allowing us to add graphics or other text then resume the action as though nothing had happened.
Very cool, except….
Well, the good news is that this is fast and easy. The bad news is that we can’t change the location of the still frame.
So, here’s another way to do this.
Put the playhead (or skimmer, but I prefer the playhead) on the frame you want to freeze, select the clip, then type Shift+F.
This locates the source clip in the Browser, selects both the Browser and the clip, and matches the position of the In, Out, and playhead.
Now, with the Browser selected, type Option+F. This creates a freeze-frame of the Browser clip and places it at the location of the playhead as a connected clip in the Timeline.
As a connected clip, we can move this new freeze-frame wherever we want. However, be careful in moving the clip, because, unless you mark the original frame with a marker (type “M”), there’s no easy way to match the still frame with the source frame, once the still frame is moved somewhere else.
I use both these techniques in many different projects.
2. HOLD FRAME
A Hold Frame is similar to an in-line still frame, but with more flexibility.
Put the playhead (or skimmer) on the frame you want to hold. Then, Then, using either Modify > Retime or the “Smurf-on-a-headset” Toolbar icon, choose Hold Frame (or type: Shift+H).
This displays the orange Retime editor bar above the clip, with a small red portion indicating the Hold frame.
Change the duration of the Hold frame by dragging the small thumb at the right end of the red bar.
Add a speed ramp transition at the end of the Hold frame by clicking the downward-pointing arrow next to the word “Hold” in the Retime Editor.
To change the actual frame being held, double-click the bar icon to the LEFT of the red Hold section and choose Source Frame (Edit). This allows you to slide the Hold frame selection left or right.
NOTE: Changing the source frame is a feature that I like a LOT!
3. SLOW (or FAST) MOTION
We use slow-motion to show events that are too fast for the unaided eye to see. And fast motion to speed up very slow events. Both of these effects use what’s called a “constant speed change,” where the entire clip changes by the same amount - either faster or slower.
WE create either effect using the same tools, just different values. Here’s how.
Select the clip who’s speed you want to change. Then, using either Modify > Retime or the “Smurf” Toolbar icon, select Slow (or Fast).
Choose one of the available speeds; in this case, 50%. (Yes, you can change this to any value you want, I’ll show you how in a minute.)
Three things happen at once:
- The duration of the clip changes
- The orange Retiming bar appears over the top of the clip
- The speed of the clip changes
To reset the speed back to normal (100%), click the downward-pointing arrow in the Retiming bar and choose Normal (100%).
There are two ways to change the speed of a clip.
The easy way is to grab the small handle at the end of the clip and drag left or right. The speed will change as you drag it.
Or, for more precision, click the downward-pointing arrow in the Retiming bar and choose Custom.
This opens a new dialog allowing a number of changes:
- Reverse. Plays the clip in reverse.
- Rate. Select a specific speed change as a percentage of normal speed for a clip. Less than 100% is slow-motion. More than 100% is fast-motion.
- Duration. Select a specific duration for a clip and FCP X will calculate how fast or slow it needs to go.
- Ripple. When checked, adjusts the duration of a clip based upon the speed. When unchecked, the clip duration remains fixed even when speed changes.
You will get the smoothest speed changes when the percentage you choose divides evenly into 200. For example, 100, 66, 50, 40, 33, 25, 20, 10 and so on.
4. EXTRA CREDIT
There is one more setting to consider when slowing a clip. (This does not apply when creating fast motion.)
Using, again, either Modify > Retime or the “Smurf” menu, select Video Quality.
- Normal. This is the best choice for speeds of 50% or faster.
- Frame Blending. This is the best choice for speeds of about 20% to 50%.
- Optical Flow. This is the best choice for speeds slower than about 20%.
Frame blending puts a short dissolve between frames when running in slow motion to improve the illusion of motion. Optical Flow invents in-between frames to minimize the jerkiness of extremely slow motion.
Frame blending is relatively fast and easy. Optical Flow will look better in most cases, but takes a long time to render.
This is a basic tutorial about Apple Final Cut Pro X, a professional video editing software. However, if video editing is new to you, consider Wondershare Filmora for Mac . This is a powerful but easy-to-use tool for users just starting out. Download the free trial version below.
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
SUMMARY
Whether you want your clips to speed up, slow down or just plain stop, Final Cut Pro X makes the entire process easy.
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
Benjamin Arango
Mar 27, 2024• Proven solutions
A very simple, yet very effective effect is changing the speed of a video clip. This could be a simple still-frame (also called “Freeze Frame”) or playing a clip in slow or fast motion.
This article shows you how to do this using Final Cut Pro X.
For more tutorials on slow-motion please refer to this article: Top 10 Slow Motion Video Editing Software.
Freeze-Frames and Slow Motion in Final Cut Pro X
1. STILL FRAMES
A still-frame freezes action. For instance, here is a clip of a hummingbird getting ready to land on a bird feeder. I want to create a freeze-frame of the bird in flight. (Um, yeah, I use “freeze-frame” and “still-frame” interchangeably.)
In Final Cut Pro X, put the playhead (or skimmer) on the frame you want to freeze and type Option+F.
This creates a two-second freeze-frame at the position of the playhead.
Adjust the duration of the frame by trimming the edge; just like any other clip. Here, for example, I’m making the duration of the freeze-frame 11 frames shorter.
In case you were wondering, this is what the freeze looks like. It freezes the flight of the hummingbird in the middle of playback, allowing us to add graphics or other text then resume the action as though nothing had happened.
Very cool, except….
Well, the good news is that this is fast and easy. The bad news is that we can’t change the location of the still frame.
So, here’s another way to do this.
Put the playhead (or skimmer, but I prefer the playhead) on the frame you want to freeze, select the clip, then type Shift+F.
This locates the source clip in the Browser, selects both the Browser and the clip, and matches the position of the In, Out, and playhead.
Now, with the Browser selected, type Option+F. This creates a freeze-frame of the Browser clip and places it at the location of the playhead as a connected clip in the Timeline.
As a connected clip, we can move this new freeze-frame wherever we want. However, be careful in moving the clip, because, unless you mark the original frame with a marker (type “M”), there’s no easy way to match the still frame with the source frame, once the still frame is moved somewhere else.
I use both these techniques in many different projects.
2. HOLD FRAME
A Hold Frame is similar to an in-line still frame, but with more flexibility.
Put the playhead (or skimmer) on the frame you want to hold. Then, Then, using either Modify > Retime or the “Smurf-on-a-headset” Toolbar icon, choose Hold Frame (or type: Shift+H).
This displays the orange Retime editor bar above the clip, with a small red portion indicating the Hold frame.
Change the duration of the Hold frame by dragging the small thumb at the right end of the red bar.
Add a speed ramp transition at the end of the Hold frame by clicking the downward-pointing arrow next to the word “Hold” in the Retime Editor.
To change the actual frame being held, double-click the bar icon to the LEFT of the red Hold section and choose Source Frame (Edit). This allows you to slide the Hold frame selection left or right.
NOTE: Changing the source frame is a feature that I like a LOT!
3. SLOW (or FAST) MOTION
We use slow-motion to show events that are too fast for the unaided eye to see. And fast motion to speed up very slow events. Both of these effects use what’s called a “constant speed change,” where the entire clip changes by the same amount - either faster or slower.
WE create either effect using the same tools, just different values. Here’s how.
Select the clip who’s speed you want to change. Then, using either Modify > Retime or the “Smurf” Toolbar icon, select Slow (or Fast).
Choose one of the available speeds; in this case, 50%. (Yes, you can change this to any value you want, I’ll show you how in a minute.)
Three things happen at once:
- The duration of the clip changes
- The orange Retiming bar appears over the top of the clip
- The speed of the clip changes
To reset the speed back to normal (100%), click the downward-pointing arrow in the Retiming bar and choose Normal (100%).
There are two ways to change the speed of a clip.
The easy way is to grab the small handle at the end of the clip and drag left or right. The speed will change as you drag it.
Or, for more precision, click the downward-pointing arrow in the Retiming bar and choose Custom.
This opens a new dialog allowing a number of changes:
- Reverse. Plays the clip in reverse.
- Rate. Select a specific speed change as a percentage of normal speed for a clip. Less than 100% is slow-motion. More than 100% is fast-motion.
- Duration. Select a specific duration for a clip and FCP X will calculate how fast or slow it needs to go.
- Ripple. When checked, adjusts the duration of a clip based upon the speed. When unchecked, the clip duration remains fixed even when speed changes.
You will get the smoothest speed changes when the percentage you choose divides evenly into 200. For example, 100, 66, 50, 40, 33, 25, 20, 10 and so on.
4. EXTRA CREDIT
There is one more setting to consider when slowing a clip. (This does not apply when creating fast motion.)
Using, again, either Modify > Retime or the “Smurf” menu, select Video Quality.
- Normal. This is the best choice for speeds of 50% or faster.
- Frame Blending. This is the best choice for speeds of about 20% to 50%.
- Optical Flow. This is the best choice for speeds slower than about 20%.
Frame blending puts a short dissolve between frames when running in slow motion to improve the illusion of motion. Optical Flow invents in-between frames to minimize the jerkiness of extremely slow motion.
Frame blending is relatively fast and easy. Optical Flow will look better in most cases, but takes a long time to render.
This is a basic tutorial about Apple Final Cut Pro X, a professional video editing software. However, if video editing is new to you, consider Wondershare Filmora for Mac . This is a powerful but easy-to-use tool for users just starting out. Download the free trial version below.
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
SUMMARY
Whether you want your clips to speed up, slow down or just plain stop, Final Cut Pro X makes the entire process easy.
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
Benjamin Arango
Mar 27, 2024• Proven solutions
A very simple, yet very effective effect is changing the speed of a video clip. This could be a simple still-frame (also called “Freeze Frame”) or playing a clip in slow or fast motion.
This article shows you how to do this using Final Cut Pro X.
For more tutorials on slow-motion please refer to this article: Top 10 Slow Motion Video Editing Software.
Freeze-Frames and Slow Motion in Final Cut Pro X
1. STILL FRAMES
A still-frame freezes action. For instance, here is a clip of a hummingbird getting ready to land on a bird feeder. I want to create a freeze-frame of the bird in flight. (Um, yeah, I use “freeze-frame” and “still-frame” interchangeably.)
In Final Cut Pro X, put the playhead (or skimmer) on the frame you want to freeze and type Option+F.
This creates a two-second freeze-frame at the position of the playhead.
Adjust the duration of the frame by trimming the edge; just like any other clip. Here, for example, I’m making the duration of the freeze-frame 11 frames shorter.
In case you were wondering, this is what the freeze looks like. It freezes the flight of the hummingbird in the middle of playback, allowing us to add graphics or other text then resume the action as though nothing had happened.
Very cool, except….
Well, the good news is that this is fast and easy. The bad news is that we can’t change the location of the still frame.
So, here’s another way to do this.
Put the playhead (or skimmer, but I prefer the playhead) on the frame you want to freeze, select the clip, then type Shift+F.
This locates the source clip in the Browser, selects both the Browser and the clip, and matches the position of the In, Out, and playhead.
Now, with the Browser selected, type Option+F. This creates a freeze-frame of the Browser clip and places it at the location of the playhead as a connected clip in the Timeline.
As a connected clip, we can move this new freeze-frame wherever we want. However, be careful in moving the clip, because, unless you mark the original frame with a marker (type “M”), there’s no easy way to match the still frame with the source frame, once the still frame is moved somewhere else.
I use both these techniques in many different projects.
2. HOLD FRAME
A Hold Frame is similar to an in-line still frame, but with more flexibility.
Put the playhead (or skimmer) on the frame you want to hold. Then, Then, using either Modify > Retime or the “Smurf-on-a-headset” Toolbar icon, choose Hold Frame (or type: Shift+H).
This displays the orange Retime editor bar above the clip, with a small red portion indicating the Hold frame.
Change the duration of the Hold frame by dragging the small thumb at the right end of the red bar.
Add a speed ramp transition at the end of the Hold frame by clicking the downward-pointing arrow next to the word “Hold” in the Retime Editor.
To change the actual frame being held, double-click the bar icon to the LEFT of the red Hold section and choose Source Frame (Edit). This allows you to slide the Hold frame selection left or right.
NOTE: Changing the source frame is a feature that I like a LOT!
3. SLOW (or FAST) MOTION
We use slow-motion to show events that are too fast for the unaided eye to see. And fast motion to speed up very slow events. Both of these effects use what’s called a “constant speed change,” where the entire clip changes by the same amount - either faster or slower.
WE create either effect using the same tools, just different values. Here’s how.
Select the clip who’s speed you want to change. Then, using either Modify > Retime or the “Smurf” Toolbar icon, select Slow (or Fast).
Choose one of the available speeds; in this case, 50%. (Yes, you can change this to any value you want, I’ll show you how in a minute.)
Three things happen at once:
- The duration of the clip changes
- The orange Retiming bar appears over the top of the clip
- The speed of the clip changes
To reset the speed back to normal (100%), click the downward-pointing arrow in the Retiming bar and choose Normal (100%).
There are two ways to change the speed of a clip.
The easy way is to grab the small handle at the end of the clip and drag left or right. The speed will change as you drag it.
Or, for more precision, click the downward-pointing arrow in the Retiming bar and choose Custom.
This opens a new dialog allowing a number of changes:
- Reverse. Plays the clip in reverse.
- Rate. Select a specific speed change as a percentage of normal speed for a clip. Less than 100% is slow-motion. More than 100% is fast-motion.
- Duration. Select a specific duration for a clip and FCP X will calculate how fast or slow it needs to go.
- Ripple. When checked, adjusts the duration of a clip based upon the speed. When unchecked, the clip duration remains fixed even when speed changes.
You will get the smoothest speed changes when the percentage you choose divides evenly into 200. For example, 100, 66, 50, 40, 33, 25, 20, 10 and so on.
4. EXTRA CREDIT
There is one more setting to consider when slowing a clip. (This does not apply when creating fast motion.)
Using, again, either Modify > Retime or the “Smurf” menu, select Video Quality.
- Normal. This is the best choice for speeds of 50% or faster.
- Frame Blending. This is the best choice for speeds of about 20% to 50%.
- Optical Flow. This is the best choice for speeds slower than about 20%.
Frame blending puts a short dissolve between frames when running in slow motion to improve the illusion of motion. Optical Flow invents in-between frames to minimize the jerkiness of extremely slow motion.
Frame blending is relatively fast and easy. Optical Flow will look better in most cases, but takes a long time to render.
This is a basic tutorial about Apple Final Cut Pro X, a professional video editing software. However, if video editing is new to you, consider Wondershare Filmora for Mac . This is a powerful but easy-to-use tool for users just starting out. Download the free trial version below.
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
SUMMARY
Whether you want your clips to speed up, slow down or just plain stop, Final Cut Pro X makes the entire process easy.
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
Benjamin Arango
Mar 27, 2024• Proven solutions
A very simple, yet very effective effect is changing the speed of a video clip. This could be a simple still-frame (also called “Freeze Frame”) or playing a clip in slow or fast motion.
This article shows you how to do this using Final Cut Pro X.
For more tutorials on slow-motion please refer to this article: Top 10 Slow Motion Video Editing Software.
Freeze-Frames and Slow Motion in Final Cut Pro X
1. STILL FRAMES
A still-frame freezes action. For instance, here is a clip of a hummingbird getting ready to land on a bird feeder. I want to create a freeze-frame of the bird in flight. (Um, yeah, I use “freeze-frame” and “still-frame” interchangeably.)
In Final Cut Pro X, put the playhead (or skimmer) on the frame you want to freeze and type Option+F.
This creates a two-second freeze-frame at the position of the playhead.
Adjust the duration of the frame by trimming the edge; just like any other clip. Here, for example, I’m making the duration of the freeze-frame 11 frames shorter.
In case you were wondering, this is what the freeze looks like. It freezes the flight of the hummingbird in the middle of playback, allowing us to add graphics or other text then resume the action as though nothing had happened.
Very cool, except….
Well, the good news is that this is fast and easy. The bad news is that we can’t change the location of the still frame.
So, here’s another way to do this.
Put the playhead (or skimmer, but I prefer the playhead) on the frame you want to freeze, select the clip, then type Shift+F.
This locates the source clip in the Browser, selects both the Browser and the clip, and matches the position of the In, Out, and playhead.
Now, with the Browser selected, type Option+F. This creates a freeze-frame of the Browser clip and places it at the location of the playhead as a connected clip in the Timeline.
As a connected clip, we can move this new freeze-frame wherever we want. However, be careful in moving the clip, because, unless you mark the original frame with a marker (type “M”), there’s no easy way to match the still frame with the source frame, once the still frame is moved somewhere else.
I use both these techniques in many different projects.
2. HOLD FRAME
A Hold Frame is similar to an in-line still frame, but with more flexibility.
Put the playhead (or skimmer) on the frame you want to hold. Then, Then, using either Modify > Retime or the “Smurf-on-a-headset” Toolbar icon, choose Hold Frame (or type: Shift+H).
This displays the orange Retime editor bar above the clip, with a small red portion indicating the Hold frame.
Change the duration of the Hold frame by dragging the small thumb at the right end of the red bar.
Add a speed ramp transition at the end of the Hold frame by clicking the downward-pointing arrow next to the word “Hold” in the Retime Editor.
To change the actual frame being held, double-click the bar icon to the LEFT of the red Hold section and choose Source Frame (Edit). This allows you to slide the Hold frame selection left or right.
NOTE: Changing the source frame is a feature that I like a LOT!
3. SLOW (or FAST) MOTION
We use slow-motion to show events that are too fast for the unaided eye to see. And fast motion to speed up very slow events. Both of these effects use what’s called a “constant speed change,” where the entire clip changes by the same amount - either faster or slower.
WE create either effect using the same tools, just different values. Here’s how.
Select the clip who’s speed you want to change. Then, using either Modify > Retime or the “Smurf” Toolbar icon, select Slow (or Fast).
Choose one of the available speeds; in this case, 50%. (Yes, you can change this to any value you want, I’ll show you how in a minute.)
Three things happen at once:
- The duration of the clip changes
- The orange Retiming bar appears over the top of the clip
- The speed of the clip changes
To reset the speed back to normal (100%), click the downward-pointing arrow in the Retiming bar and choose Normal (100%).
There are two ways to change the speed of a clip.
The easy way is to grab the small handle at the end of the clip and drag left or right. The speed will change as you drag it.
Or, for more precision, click the downward-pointing arrow in the Retiming bar and choose Custom.
This opens a new dialog allowing a number of changes:
- Reverse. Plays the clip in reverse.
- Rate. Select a specific speed change as a percentage of normal speed for a clip. Less than 100% is slow-motion. More than 100% is fast-motion.
- Duration. Select a specific duration for a clip and FCP X will calculate how fast or slow it needs to go.
- Ripple. When checked, adjusts the duration of a clip based upon the speed. When unchecked, the clip duration remains fixed even when speed changes.
You will get the smoothest speed changes when the percentage you choose divides evenly into 200. For example, 100, 66, 50, 40, 33, 25, 20, 10 and so on.
4. EXTRA CREDIT
There is one more setting to consider when slowing a clip. (This does not apply when creating fast motion.)
Using, again, either Modify > Retime or the “Smurf” menu, select Video Quality.
- Normal. This is the best choice for speeds of 50% or faster.
- Frame Blending. This is the best choice for speeds of about 20% to 50%.
- Optical Flow. This is the best choice for speeds slower than about 20%.
Frame blending puts a short dissolve between frames when running in slow motion to improve the illusion of motion. Optical Flow invents in-between frames to minimize the jerkiness of extremely slow motion.
Frame blending is relatively fast and easy. Optical Flow will look better in most cases, but takes a long time to render.
This is a basic tutorial about Apple Final Cut Pro X, a professional video editing software. However, if video editing is new to you, consider Wondershare Filmora for Mac . This is a powerful but easy-to-use tool for users just starting out. Download the free trial version below.
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
SUMMARY
Whether you want your clips to speed up, slow down or just plain stop, Final Cut Pro X makes the entire process easy.
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
Unlock Your Creativity: Microsoft Video Editor for Windows 10, 8, and 7
Microsoft Video Editor: Easily Edit Videos in Windows 10/8/7
Liza Brown
Mar 27, 2024• Proven solutions
To edit and enhance videos in Windows-based PC, Windows Movie Maker has always been touted as the default Microsoft Video Editor, although it has been discontinued by Microsoft on Janauary 10, 2017 and replaced by Windows Story Remix (only for Windows 8/10) , you can still download it on many platforms. However, you may often fail to import their video clips because it only supports WMV ASF, .MPG (MPEG-1), .AVI (DV-AVI), .WMA, .WAV, and .MP3. Plus, the transitions and effects provided are quite limited, nothing fancy. If this is the case, you’ll find a great microsoft video editing software here.
Wondershare Filmora , designed to be easy to use, needs no any educational or professional background in post-production. The self-explanatory options help you easily make movies in minutes to share everywhere! Just pick it up to edit your own videos quickly and see what this Microsoft video editor can do for you.
Free download the trial version of Microsoft video editor:
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
Why we recommend Filmora as an easier video editor for Microsoft system? Below are some reasons you can check:
1. Intuitive Interface and Broad Format Support
Wondershare Video Editor (Windows 10/8/7/XP/Vista supported), designs impressive user-friendly interface to make moviemaking a breeze. It supports a wide range of media sources. Downloaded, recorded, shared or converted from DVD, including AVI, FLV, MKV, MKA, MP4, M4V, MOV, M2TS, WMV, ASF, MPG, MPEG, VOB, M4A, PSP, DV, DIF, NUT, H261, NSV, 3GP, DAT, EVO, RM, RMVB, TS, TP, TRP, DVR-MS and more.
To import videos to this Microsoft video editing software, you can simply choose to capture video from camera, scanner or other device or import existing video files from your computer into the user’s albums.
2. Edit Quickly and Precisely
As a Microsoft video editing software, it extends the power of Windows Movie Maker to a new level. With it, you can do almost everything that you will need out of the actual editing part. After capturing the video, any clip can be dragged and dropped anywhere on the timeline.
Once in the timeline, clips can be duplicated, trimmed or split, and any of the split sections deleted. Right-clicking any clip brings up a wide range of editing options: Crop, Rotate (Flip), Adjust and Speed (Fast and Slow Motion). Audio editing options include Volume, Fade in/out, and Effect (Voice change). Very powerful tool for fast spinning your videos.
3. Special Effects and Transitions
50+ ready-to-use filter effects are offered. These effects are applied by using a drag and drop interface from the effects or transitions folders. Besides, Titles, Intro/Credits, PIPs can be added as standalone ones or overlaying them on the clip by adding them onto the selected clip. For advanced users, you can also achieve picture-in-picture (image/video overlay) tracks and customize with motion, effects and mask. Very charming features to take your movie to the next level instantly.
4. Share with the Worldwide
Wondershare Filmora make all things easier to share videos instantly with family and friends. You can directly publish your movie project to YouTube or export to DVD, portable devices, HTML 5 and almost any video format of your choice.
Learn more about what Filmora can do within a few minutes.
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
Liza Brown
Liza Brown is a writer and a lover of all things video.
Follow @Liza Brown
Liza Brown
Mar 27, 2024• Proven solutions
To edit and enhance videos in Windows-based PC, Windows Movie Maker has always been touted as the default Microsoft Video Editor, although it has been discontinued by Microsoft on Janauary 10, 2017 and replaced by Windows Story Remix (only for Windows 8/10) , you can still download it on many platforms. However, you may often fail to import their video clips because it only supports WMV ASF, .MPG (MPEG-1), .AVI (DV-AVI), .WMA, .WAV, and .MP3. Plus, the transitions and effects provided are quite limited, nothing fancy. If this is the case, you’ll find a great microsoft video editing software here.
Wondershare Filmora , designed to be easy to use, needs no any educational or professional background in post-production. The self-explanatory options help you easily make movies in minutes to share everywhere! Just pick it up to edit your own videos quickly and see what this Microsoft video editor can do for you.
Free download the trial version of Microsoft video editor:
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
Why we recommend Filmora as an easier video editor for Microsoft system? Below are some reasons you can check:
1. Intuitive Interface and Broad Format Support
Wondershare Video Editor (Windows 10/8/7/XP/Vista supported), designs impressive user-friendly interface to make moviemaking a breeze. It supports a wide range of media sources. Downloaded, recorded, shared or converted from DVD, including AVI, FLV, MKV, MKA, MP4, M4V, MOV, M2TS, WMV, ASF, MPG, MPEG, VOB, M4A, PSP, DV, DIF, NUT, H261, NSV, 3GP, DAT, EVO, RM, RMVB, TS, TP, TRP, DVR-MS and more.
To import videos to this Microsoft video editing software, you can simply choose to capture video from camera, scanner or other device or import existing video files from your computer into the user’s albums.
2. Edit Quickly and Precisely
As a Microsoft video editing software, it extends the power of Windows Movie Maker to a new level. With it, you can do almost everything that you will need out of the actual editing part. After capturing the video, any clip can be dragged and dropped anywhere on the timeline.
Once in the timeline, clips can be duplicated, trimmed or split, and any of the split sections deleted. Right-clicking any clip brings up a wide range of editing options: Crop, Rotate (Flip), Adjust and Speed (Fast and Slow Motion). Audio editing options include Volume, Fade in/out, and Effect (Voice change). Very powerful tool for fast spinning your videos.
3. Special Effects and Transitions
50+ ready-to-use filter effects are offered. These effects are applied by using a drag and drop interface from the effects or transitions folders. Besides, Titles, Intro/Credits, PIPs can be added as standalone ones or overlaying them on the clip by adding them onto the selected clip. For advanced users, you can also achieve picture-in-picture (image/video overlay) tracks and customize with motion, effects and mask. Very charming features to take your movie to the next level instantly.
4. Share with the Worldwide
Wondershare Filmora make all things easier to share videos instantly with family and friends. You can directly publish your movie project to YouTube or export to DVD, portable devices, HTML 5 and almost any video format of your choice.
Learn more about what Filmora can do within a few minutes.
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
Liza Brown
Liza Brown is a writer and a lover of all things video.
Follow @Liza Brown
Liza Brown
Mar 27, 2024• Proven solutions
To edit and enhance videos in Windows-based PC, Windows Movie Maker has always been touted as the default Microsoft Video Editor, although it has been discontinued by Microsoft on Janauary 10, 2017 and replaced by Windows Story Remix (only for Windows 8/10) , you can still download it on many platforms. However, you may often fail to import their video clips because it only supports WMV ASF, .MPG (MPEG-1), .AVI (DV-AVI), .WMA, .WAV, and .MP3. Plus, the transitions and effects provided are quite limited, nothing fancy. If this is the case, you’ll find a great microsoft video editing software here.
Wondershare Filmora , designed to be easy to use, needs no any educational or professional background in post-production. The self-explanatory options help you easily make movies in minutes to share everywhere! Just pick it up to edit your own videos quickly and see what this Microsoft video editor can do for you.
Free download the trial version of Microsoft video editor:
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
Why we recommend Filmora as an easier video editor for Microsoft system? Below are some reasons you can check:
1. Intuitive Interface and Broad Format Support
Wondershare Video Editor (Windows 10/8/7/XP/Vista supported), designs impressive user-friendly interface to make moviemaking a breeze. It supports a wide range of media sources. Downloaded, recorded, shared or converted from DVD, including AVI, FLV, MKV, MKA, MP4, M4V, MOV, M2TS, WMV, ASF, MPG, MPEG, VOB, M4A, PSP, DV, DIF, NUT, H261, NSV, 3GP, DAT, EVO, RM, RMVB, TS, TP, TRP, DVR-MS and more.
To import videos to this Microsoft video editing software, you can simply choose to capture video from camera, scanner or other device or import existing video files from your computer into the user’s albums.
2. Edit Quickly and Precisely
As a Microsoft video editing software, it extends the power of Windows Movie Maker to a new level. With it, you can do almost everything that you will need out of the actual editing part. After capturing the video, any clip can be dragged and dropped anywhere on the timeline.
Once in the timeline, clips can be duplicated, trimmed or split, and any of the split sections deleted. Right-clicking any clip brings up a wide range of editing options: Crop, Rotate (Flip), Adjust and Speed (Fast and Slow Motion). Audio editing options include Volume, Fade in/out, and Effect (Voice change). Very powerful tool for fast spinning your videos.
3. Special Effects and Transitions
50+ ready-to-use filter effects are offered. These effects are applied by using a drag and drop interface from the effects or transitions folders. Besides, Titles, Intro/Credits, PIPs can be added as standalone ones or overlaying them on the clip by adding them onto the selected clip. For advanced users, you can also achieve picture-in-picture (image/video overlay) tracks and customize with motion, effects and mask. Very charming features to take your movie to the next level instantly.
4. Share with the Worldwide
Wondershare Filmora make all things easier to share videos instantly with family and friends. You can directly publish your movie project to YouTube or export to DVD, portable devices, HTML 5 and almost any video format of your choice.
Learn more about what Filmora can do within a few minutes.
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
Liza Brown
Liza Brown is a writer and a lover of all things video.
Follow @Liza Brown
Liza Brown
Mar 27, 2024• Proven solutions
To edit and enhance videos in Windows-based PC, Windows Movie Maker has always been touted as the default Microsoft Video Editor, although it has been discontinued by Microsoft on Janauary 10, 2017 and replaced by Windows Story Remix (only for Windows 8/10) , you can still download it on many platforms. However, you may often fail to import their video clips because it only supports WMV ASF, .MPG (MPEG-1), .AVI (DV-AVI), .WMA, .WAV, and .MP3. Plus, the transitions and effects provided are quite limited, nothing fancy. If this is the case, you’ll find a great microsoft video editing software here.
Wondershare Filmora , designed to be easy to use, needs no any educational or professional background in post-production. The self-explanatory options help you easily make movies in minutes to share everywhere! Just pick it up to edit your own videos quickly and see what this Microsoft video editor can do for you.
Free download the trial version of Microsoft video editor:
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
Why we recommend Filmora as an easier video editor for Microsoft system? Below are some reasons you can check:
1. Intuitive Interface and Broad Format Support
Wondershare Video Editor (Windows 10/8/7/XP/Vista supported), designs impressive user-friendly interface to make moviemaking a breeze. It supports a wide range of media sources. Downloaded, recorded, shared or converted from DVD, including AVI, FLV, MKV, MKA, MP4, M4V, MOV, M2TS, WMV, ASF, MPG, MPEG, VOB, M4A, PSP, DV, DIF, NUT, H261, NSV, 3GP, DAT, EVO, RM, RMVB, TS, TP, TRP, DVR-MS and more.
To import videos to this Microsoft video editing software, you can simply choose to capture video from camera, scanner or other device or import existing video files from your computer into the user’s albums.
2. Edit Quickly and Precisely
As a Microsoft video editing software, it extends the power of Windows Movie Maker to a new level. With it, you can do almost everything that you will need out of the actual editing part. After capturing the video, any clip can be dragged and dropped anywhere on the timeline.
Once in the timeline, clips can be duplicated, trimmed or split, and any of the split sections deleted. Right-clicking any clip brings up a wide range of editing options: Crop, Rotate (Flip), Adjust and Speed (Fast and Slow Motion). Audio editing options include Volume, Fade in/out, and Effect (Voice change). Very powerful tool for fast spinning your videos.
3. Special Effects and Transitions
50+ ready-to-use filter effects are offered. These effects are applied by using a drag and drop interface from the effects or transitions folders. Besides, Titles, Intro/Credits, PIPs can be added as standalone ones or overlaying them on the clip by adding them onto the selected clip. For advanced users, you can also achieve picture-in-picture (image/video overlay) tracks and customize with motion, effects and mask. Very charming features to take your movie to the next level instantly.
4. Share with the Worldwide
Wondershare Filmora make all things easier to share videos instantly with family and friends. You can directly publish your movie project to YouTube or export to DVD, portable devices, HTML 5 and almost any video format of your choice.
Learn more about what Filmora can do within a few minutes.
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
Liza Brown
Liza Brown is a writer and a lover of all things video.
Follow @Liza Brown
The Ultimate Guide to Changing Video Dimensions
How to Change Shape of a Video?
Liza Brown
Mar 27, 2024• Proven solutions
While most videos nowadays are rectangular, and are recorded in either landscape or portrait orientation, there are some social media platforms that require the clips to be square shaped. If you want to upload your footages on such websites, it is essential to learn how to change video shape.
Another benefit of changing the shape of the recorded films is that they can be adjusted in limited amount of space, especially if they are to be posted on a website. Furthermore, some fancy designs such as star-shaped or circle-shaped videos attract more attention when used in digital marketing campaigns.
With that said, here you will learn how to change the shape of a video using one of the most advanced and versatile post-production tools, Wondershare Filmora.
Want to learn more about aspect ratio of your video? Click here!
Or, you just want to transfer your video into vertical.
Part 1: How to Change Video Shape from Rectangle to Square
Depending on the recording device and the target audiences a video is intended to be distributed to, the aspect ratio of the produced footage could be 16:9, 4:3, or 21:9 that makes the film rectangular-shaped. Given that, the aspect ratio can be modified to change the film shape from rectangle to square.
The instructions given below explain how to change video shape from rectangle to square in Wondershare Filmora:
Step 1: Import Video to Timeline
Launch Wondershare Filmora on your PC (a Windows 10 computer is used here), click the Add Files icon from the center of the Media window present at the upper-left section, and use the Open box that appears to select and import the source video to Filmora. Next, drag the video from the Media window to the Timeline, and select your preferred option when/if the Project Setting confirmation box appears.
Step 2: Change Aspect Ratio
Select the video in the Timeline, and click the Crop and Zoom icon from the upper-left area of the Timeline itself. On the Crop and Zoom window that opens next, select 1:1 from the Ratio drop-down list, and click OK to save the new setting.
Step 3: Export the Video
Click EXPORT from the top-center area of the interface, go to the Local tab on the Export box, select your preferred format from the Format list in the left pane, optionally click SETTINGS from the right window to make other adjustments if necessary, and click EXPORT from the bottom-right corner of the box.
For more details, please refer to this article: How to Resize a Video to Right Aspect Ratio and Size.
Part 2: Change Video Shape by Cropping
If your preferred aspect ratio isn’t available in the ‘Ratio’ drop-down list of the ‘Crop and Zoom’ window, Wondershare Filmora allows you to manually change the video to a custom shape.
You can learn how to change the shape of a video to an unlisted aspect ratio by following the instructions given below:
Step 1: Import the Video and Get to the Crop and Zoom Window
Follow the method explained in Step 1 of Part 1 to import a video to Wondershare Filmora, and then add it to the Timeline.
Step 2: Select Custom Ratio
Select the video in the Timeline, and click the Crop and Zoom icon as explained earlier to open its window. Next, select Custom from the Ratio drop-down list to be able to crop the videos unproportionally.
Step 3: Crop the Video Manually
Drag the cropping handles from any one edge of the video. Repeat this process for all the four sides to select the area of interest. Click OK to save the changes.
Step 4: Export the Video
Follow the process explained in Step 3 of Part 1 to export the modified video.
Part 3: Change Video Shape to Circle or Other Shapes in Filmora
Another, rather better way of changing videos to custom shapes is with the help of image or shape masking.
In Filmora you can apply image masks either from the existing presets, i.e. circle, star, diamond, etc., or you can add custom photos if need be. Professionals generally use custom pictures to create fancy logos and titles.
On the other hand, shape masking allows you to mask a background video with a foreground footage in a custom shape.
Although the basic concept of both types of masking is same, the options available under each can be used to produce effective outputs.
That said, following are the instructions to apply both types of masking to your videos:
Image Masking
The steps given below explain how to change video shape with image masking in Filmora:
Step 1: Add Clip to Timeline
Use the method explained in the previous sections to import a clip and add it to the Timeline.
Step 2: Add Image Mask
Click Effects from the standard toolbar at the top, select Utility from the left pane, drag Image Mask from the Utility window, and drop it on top of the video itself in the Timeline. Notice how the fx icon appears on the video layer showing that the effect has been successfully added.
Step 3: Customize Image Mask
On the Timeline, double-click the video layer you applied Image Mask to, and notice all the available shapes available under the Preset Mask section on the Video Effects > Image Mask window that appears at the upper-left area. You can double-click any of the available shape presets to apply it to the video layer. In addition, drag the X and Y, and Width, Height, and Feather sliders to adjust the mask’s position, size, and edge smoothness respectively. You can also check the Invert Mask box to reverse the masking effect on the video. Finally, click OK to save the changes, and follow the method explained in earlier parts to export the video.
Shape Masking
The following steps explain how to change the shape of a video with shape masks in Filmora:
Step 1: Get to the Utility Window
Add at two footages on their individual layers in the Timeline (make sure to place the second layer above the first one), and follow the method explained above to get to the Effects > Utility window.
Step 2: Add Shape Mask
Drag Shape Mask from the Utility window, and drop it on top of the video itself in the Timeline. Confirm that the fx icon appears on the video layer to ensure that the effect has been applied.
Step 3: Customize Shape Mask
Double-click the video layer in the Timeline you applied shape mask to. On the Video Effects > Shape Mask window, use the X and Y, and Width, Height, and Feather sliders to adjust the mask’s position, size and edge smoothness respectively. Optionally check the Invert Mask box to reverse the masking effect, and click OK to save the settings. Next, follow the method explained earlier to export the video.
FAQs
1. What’s the difference between Image Mask and Shape Mask in Filmora?
A) In Filmora, Image Mask allows you to use an image (or any available preset) for masking so that the background footage is cropped to the shape of the picture. This is generally used to create logos and dynamic titles for movies or documentaries. On the other hand, Shape Mask enables you to mask the background clip with the foreground footage in the form of a shape that could be positioned and customized using the available sliders.
2. How many image masks are available in Filmora?
A) At the time of this writing, Wondershare Filmora has around 40 image mask presets. In addition, it also allows you to add custom images from your PC for more dynamic approach.
Liza Brown
Liza Brown is a writer and a lover of all things video.
Follow @Liza Brown
Liza Brown
Mar 27, 2024• Proven solutions
While most videos nowadays are rectangular, and are recorded in either landscape or portrait orientation, there are some social media platforms that require the clips to be square shaped. If you want to upload your footages on such websites, it is essential to learn how to change video shape.
Another benefit of changing the shape of the recorded films is that they can be adjusted in limited amount of space, especially if they are to be posted on a website. Furthermore, some fancy designs such as star-shaped or circle-shaped videos attract more attention when used in digital marketing campaigns.
With that said, here you will learn how to change the shape of a video using one of the most advanced and versatile post-production tools, Wondershare Filmora.
Want to learn more about aspect ratio of your video? Click here!
Or, you just want to transfer your video into vertical.
Part 1: How to Change Video Shape from Rectangle to Square
Depending on the recording device and the target audiences a video is intended to be distributed to, the aspect ratio of the produced footage could be 16:9, 4:3, or 21:9 that makes the film rectangular-shaped. Given that, the aspect ratio can be modified to change the film shape from rectangle to square.
The instructions given below explain how to change video shape from rectangle to square in Wondershare Filmora:
Step 1: Import Video to Timeline
Launch Wondershare Filmora on your PC (a Windows 10 computer is used here), click the Add Files icon from the center of the Media window present at the upper-left section, and use the Open box that appears to select and import the source video to Filmora. Next, drag the video from the Media window to the Timeline, and select your preferred option when/if the Project Setting confirmation box appears.
Step 2: Change Aspect Ratio
Select the video in the Timeline, and click the Crop and Zoom icon from the upper-left area of the Timeline itself. On the Crop and Zoom window that opens next, select 1:1 from the Ratio drop-down list, and click OK to save the new setting.
Step 3: Export the Video
Click EXPORT from the top-center area of the interface, go to the Local tab on the Export box, select your preferred format from the Format list in the left pane, optionally click SETTINGS from the right window to make other adjustments if necessary, and click EXPORT from the bottom-right corner of the box.
For more details, please refer to this article: How to Resize a Video to Right Aspect Ratio and Size.
Part 2: Change Video Shape by Cropping
If your preferred aspect ratio isn’t available in the ‘Ratio’ drop-down list of the ‘Crop and Zoom’ window, Wondershare Filmora allows you to manually change the video to a custom shape.
You can learn how to change the shape of a video to an unlisted aspect ratio by following the instructions given below:
Step 1: Import the Video and Get to the Crop and Zoom Window
Follow the method explained in Step 1 of Part 1 to import a video to Wondershare Filmora, and then add it to the Timeline.
Step 2: Select Custom Ratio
Select the video in the Timeline, and click the Crop and Zoom icon as explained earlier to open its window. Next, select Custom from the Ratio drop-down list to be able to crop the videos unproportionally.
Step 3: Crop the Video Manually
Drag the cropping handles from any one edge of the video. Repeat this process for all the four sides to select the area of interest. Click OK to save the changes.
Step 4: Export the Video
Follow the process explained in Step 3 of Part 1 to export the modified video.
Part 3: Change Video Shape to Circle or Other Shapes in Filmora
Another, rather better way of changing videos to custom shapes is with the help of image or shape masking.
In Filmora you can apply image masks either from the existing presets, i.e. circle, star, diamond, etc., or you can add custom photos if need be. Professionals generally use custom pictures to create fancy logos and titles.
On the other hand, shape masking allows you to mask a background video with a foreground footage in a custom shape.
Although the basic concept of both types of masking is same, the options available under each can be used to produce effective outputs.
That said, following are the instructions to apply both types of masking to your videos:
Image Masking
The steps given below explain how to change video shape with image masking in Filmora:
Step 1: Add Clip to Timeline
Use the method explained in the previous sections to import a clip and add it to the Timeline.
Step 2: Add Image Mask
Click Effects from the standard toolbar at the top, select Utility from the left pane, drag Image Mask from the Utility window, and drop it on top of the video itself in the Timeline. Notice how the fx icon appears on the video layer showing that the effect has been successfully added.
Step 3: Customize Image Mask
On the Timeline, double-click the video layer you applied Image Mask to, and notice all the available shapes available under the Preset Mask section on the Video Effects > Image Mask window that appears at the upper-left area. You can double-click any of the available shape presets to apply it to the video layer. In addition, drag the X and Y, and Width, Height, and Feather sliders to adjust the mask’s position, size, and edge smoothness respectively. You can also check the Invert Mask box to reverse the masking effect on the video. Finally, click OK to save the changes, and follow the method explained in earlier parts to export the video.
Shape Masking
The following steps explain how to change the shape of a video with shape masks in Filmora:
Step 1: Get to the Utility Window
Add at two footages on their individual layers in the Timeline (make sure to place the second layer above the first one), and follow the method explained above to get to the Effects > Utility window.
Step 2: Add Shape Mask
Drag Shape Mask from the Utility window, and drop it on top of the video itself in the Timeline. Confirm that the fx icon appears on the video layer to ensure that the effect has been applied.
Step 3: Customize Shape Mask
Double-click the video layer in the Timeline you applied shape mask to. On the Video Effects > Shape Mask window, use the X and Y, and Width, Height, and Feather sliders to adjust the mask’s position, size and edge smoothness respectively. Optionally check the Invert Mask box to reverse the masking effect, and click OK to save the settings. Next, follow the method explained earlier to export the video.
FAQs
1. What’s the difference between Image Mask and Shape Mask in Filmora?
A) In Filmora, Image Mask allows you to use an image (or any available preset) for masking so that the background footage is cropped to the shape of the picture. This is generally used to create logos and dynamic titles for movies or documentaries. On the other hand, Shape Mask enables you to mask the background clip with the foreground footage in the form of a shape that could be positioned and customized using the available sliders.
2. How many image masks are available in Filmora?
A) At the time of this writing, Wondershare Filmora has around 40 image mask presets. In addition, it also allows you to add custom images from your PC for more dynamic approach.
Liza Brown
Liza Brown is a writer and a lover of all things video.
Follow @Liza Brown
Liza Brown
Mar 27, 2024• Proven solutions
While most videos nowadays are rectangular, and are recorded in either landscape or portrait orientation, there are some social media platforms that require the clips to be square shaped. If you want to upload your footages on such websites, it is essential to learn how to change video shape.
Another benefit of changing the shape of the recorded films is that they can be adjusted in limited amount of space, especially if they are to be posted on a website. Furthermore, some fancy designs such as star-shaped or circle-shaped videos attract more attention when used in digital marketing campaigns.
With that said, here you will learn how to change the shape of a video using one of the most advanced and versatile post-production tools, Wondershare Filmora.
Want to learn more about aspect ratio of your video? Click here!
Or, you just want to transfer your video into vertical.
Part 1: How to Change Video Shape from Rectangle to Square
Depending on the recording device and the target audiences a video is intended to be distributed to, the aspect ratio of the produced footage could be 16:9, 4:3, or 21:9 that makes the film rectangular-shaped. Given that, the aspect ratio can be modified to change the film shape from rectangle to square.
The instructions given below explain how to change video shape from rectangle to square in Wondershare Filmora:
Step 1: Import Video to Timeline
Launch Wondershare Filmora on your PC (a Windows 10 computer is used here), click the Add Files icon from the center of the Media window present at the upper-left section, and use the Open box that appears to select and import the source video to Filmora. Next, drag the video from the Media window to the Timeline, and select your preferred option when/if the Project Setting confirmation box appears.
Step 2: Change Aspect Ratio
Select the video in the Timeline, and click the Crop and Zoom icon from the upper-left area of the Timeline itself. On the Crop and Zoom window that opens next, select 1:1 from the Ratio drop-down list, and click OK to save the new setting.
Step 3: Export the Video
Click EXPORT from the top-center area of the interface, go to the Local tab on the Export box, select your preferred format from the Format list in the left pane, optionally click SETTINGS from the right window to make other adjustments if necessary, and click EXPORT from the bottom-right corner of the box.
For more details, please refer to this article: How to Resize a Video to Right Aspect Ratio and Size.
Part 2: Change Video Shape by Cropping
If your preferred aspect ratio isn’t available in the ‘Ratio’ drop-down list of the ‘Crop and Zoom’ window, Wondershare Filmora allows you to manually change the video to a custom shape.
You can learn how to change the shape of a video to an unlisted aspect ratio by following the instructions given below:
Step 1: Import the Video and Get to the Crop and Zoom Window
Follow the method explained in Step 1 of Part 1 to import a video to Wondershare Filmora, and then add it to the Timeline.
Step 2: Select Custom Ratio
Select the video in the Timeline, and click the Crop and Zoom icon as explained earlier to open its window. Next, select Custom from the Ratio drop-down list to be able to crop the videos unproportionally.
Step 3: Crop the Video Manually
Drag the cropping handles from any one edge of the video. Repeat this process for all the four sides to select the area of interest. Click OK to save the changes.
Step 4: Export the Video
Follow the process explained in Step 3 of Part 1 to export the modified video.
Part 3: Change Video Shape to Circle or Other Shapes in Filmora
Another, rather better way of changing videos to custom shapes is with the help of image or shape masking.
In Filmora you can apply image masks either from the existing presets, i.e. circle, star, diamond, etc., or you can add custom photos if need be. Professionals generally use custom pictures to create fancy logos and titles.
On the other hand, shape masking allows you to mask a background video with a foreground footage in a custom shape.
Although the basic concept of both types of masking is same, the options available under each can be used to produce effective outputs.
That said, following are the instructions to apply both types of masking to your videos:
Image Masking
The steps given below explain how to change video shape with image masking in Filmora:
Step 1: Add Clip to Timeline
Use the method explained in the previous sections to import a clip and add it to the Timeline.
Step 2: Add Image Mask
Click Effects from the standard toolbar at the top, select Utility from the left pane, drag Image Mask from the Utility window, and drop it on top of the video itself in the Timeline. Notice how the fx icon appears on the video layer showing that the effect has been successfully added.
Step 3: Customize Image Mask
On the Timeline, double-click the video layer you applied Image Mask to, and notice all the available shapes available under the Preset Mask section on the Video Effects > Image Mask window that appears at the upper-left area. You can double-click any of the available shape presets to apply it to the video layer. In addition, drag the X and Y, and Width, Height, and Feather sliders to adjust the mask’s position, size, and edge smoothness respectively. You can also check the Invert Mask box to reverse the masking effect on the video. Finally, click OK to save the changes, and follow the method explained in earlier parts to export the video.
Shape Masking
The following steps explain how to change the shape of a video with shape masks in Filmora:
Step 1: Get to the Utility Window
Add at two footages on their individual layers in the Timeline (make sure to place the second layer above the first one), and follow the method explained above to get to the Effects > Utility window.
Step 2: Add Shape Mask
Drag Shape Mask from the Utility window, and drop it on top of the video itself in the Timeline. Confirm that the fx icon appears on the video layer to ensure that the effect has been applied.
Step 3: Customize Shape Mask
Double-click the video layer in the Timeline you applied shape mask to. On the Video Effects > Shape Mask window, use the X and Y, and Width, Height, and Feather sliders to adjust the mask’s position, size and edge smoothness respectively. Optionally check the Invert Mask box to reverse the masking effect, and click OK to save the settings. Next, follow the method explained earlier to export the video.
FAQs
1. What’s the difference between Image Mask and Shape Mask in Filmora?
A) In Filmora, Image Mask allows you to use an image (or any available preset) for masking so that the background footage is cropped to the shape of the picture. This is generally used to create logos and dynamic titles for movies or documentaries. On the other hand, Shape Mask enables you to mask the background clip with the foreground footage in the form of a shape that could be positioned and customized using the available sliders.
2. How many image masks are available in Filmora?
A) At the time of this writing, Wondershare Filmora has around 40 image mask presets. In addition, it also allows you to add custom images from your PC for more dynamic approach.
Liza Brown
Liza Brown is a writer and a lover of all things video.
Follow @Liza Brown
Liza Brown
Mar 27, 2024• Proven solutions
While most videos nowadays are rectangular, and are recorded in either landscape or portrait orientation, there are some social media platforms that require the clips to be square shaped. If you want to upload your footages on such websites, it is essential to learn how to change video shape.
Another benefit of changing the shape of the recorded films is that they can be adjusted in limited amount of space, especially if they are to be posted on a website. Furthermore, some fancy designs such as star-shaped or circle-shaped videos attract more attention when used in digital marketing campaigns.
With that said, here you will learn how to change the shape of a video using one of the most advanced and versatile post-production tools, Wondershare Filmora.
Want to learn more about aspect ratio of your video? Click here!
Or, you just want to transfer your video into vertical.
Part 1: How to Change Video Shape from Rectangle to Square
Depending on the recording device and the target audiences a video is intended to be distributed to, the aspect ratio of the produced footage could be 16:9, 4:3, or 21:9 that makes the film rectangular-shaped. Given that, the aspect ratio can be modified to change the film shape from rectangle to square.
The instructions given below explain how to change video shape from rectangle to square in Wondershare Filmora:
Step 1: Import Video to Timeline
Launch Wondershare Filmora on your PC (a Windows 10 computer is used here), click the Add Files icon from the center of the Media window present at the upper-left section, and use the Open box that appears to select and import the source video to Filmora. Next, drag the video from the Media window to the Timeline, and select your preferred option when/if the Project Setting confirmation box appears.
Step 2: Change Aspect Ratio
Select the video in the Timeline, and click the Crop and Zoom icon from the upper-left area of the Timeline itself. On the Crop and Zoom window that opens next, select 1:1 from the Ratio drop-down list, and click OK to save the new setting.
Step 3: Export the Video
Click EXPORT from the top-center area of the interface, go to the Local tab on the Export box, select your preferred format from the Format list in the left pane, optionally click SETTINGS from the right window to make other adjustments if necessary, and click EXPORT from the bottom-right corner of the box.
For more details, please refer to this article: How to Resize a Video to Right Aspect Ratio and Size.
Part 2: Change Video Shape by Cropping
If your preferred aspect ratio isn’t available in the ‘Ratio’ drop-down list of the ‘Crop and Zoom’ window, Wondershare Filmora allows you to manually change the video to a custom shape.
You can learn how to change the shape of a video to an unlisted aspect ratio by following the instructions given below:
Step 1: Import the Video and Get to the Crop and Zoom Window
Follow the method explained in Step 1 of Part 1 to import a video to Wondershare Filmora, and then add it to the Timeline.
Step 2: Select Custom Ratio
Select the video in the Timeline, and click the Crop and Zoom icon as explained earlier to open its window. Next, select Custom from the Ratio drop-down list to be able to crop the videos unproportionally.
Step 3: Crop the Video Manually
Drag the cropping handles from any one edge of the video. Repeat this process for all the four sides to select the area of interest. Click OK to save the changes.
Step 4: Export the Video
Follow the process explained in Step 3 of Part 1 to export the modified video.
Part 3: Change Video Shape to Circle or Other Shapes in Filmora
Another, rather better way of changing videos to custom shapes is with the help of image or shape masking.
In Filmora you can apply image masks either from the existing presets, i.e. circle, star, diamond, etc., or you can add custom photos if need be. Professionals generally use custom pictures to create fancy logos and titles.
On the other hand, shape masking allows you to mask a background video with a foreground footage in a custom shape.
Although the basic concept of both types of masking is same, the options available under each can be used to produce effective outputs.
That said, following are the instructions to apply both types of masking to your videos:
Image Masking
The steps given below explain how to change video shape with image masking in Filmora:
Step 1: Add Clip to Timeline
Use the method explained in the previous sections to import a clip and add it to the Timeline.
Step 2: Add Image Mask
Click Effects from the standard toolbar at the top, select Utility from the left pane, drag Image Mask from the Utility window, and drop it on top of the video itself in the Timeline. Notice how the fx icon appears on the video layer showing that the effect has been successfully added.
Step 3: Customize Image Mask
On the Timeline, double-click the video layer you applied Image Mask to, and notice all the available shapes available under the Preset Mask section on the Video Effects > Image Mask window that appears at the upper-left area. You can double-click any of the available shape presets to apply it to the video layer. In addition, drag the X and Y, and Width, Height, and Feather sliders to adjust the mask’s position, size, and edge smoothness respectively. You can also check the Invert Mask box to reverse the masking effect on the video. Finally, click OK to save the changes, and follow the method explained in earlier parts to export the video.
Shape Masking
The following steps explain how to change the shape of a video with shape masks in Filmora:
Step 1: Get to the Utility Window
Add at two footages on their individual layers in the Timeline (make sure to place the second layer above the first one), and follow the method explained above to get to the Effects > Utility window.
Step 2: Add Shape Mask
Drag Shape Mask from the Utility window, and drop it on top of the video itself in the Timeline. Confirm that the fx icon appears on the video layer to ensure that the effect has been applied.
Step 3: Customize Shape Mask
Double-click the video layer in the Timeline you applied shape mask to. On the Video Effects > Shape Mask window, use the X and Y, and Width, Height, and Feather sliders to adjust the mask’s position, size and edge smoothness respectively. Optionally check the Invert Mask box to reverse the masking effect, and click OK to save the settings. Next, follow the method explained earlier to export the video.
FAQs
1. What’s the difference between Image Mask and Shape Mask in Filmora?
A) In Filmora, Image Mask allows you to use an image (or any available preset) for masking so that the background footage is cropped to the shape of the picture. This is generally used to create logos and dynamic titles for movies or documentaries. On the other hand, Shape Mask enables you to mask the background clip with the foreground footage in the form of a shape that could be positioned and customized using the available sliders.
2. How many image masks are available in Filmora?
A) At the time of this writing, Wondershare Filmora has around 40 image mask presets. In addition, it also allows you to add custom images from your PC for more dynamic approach.
Liza Brown
Liza Brown is a writer and a lover of all things video.
Follow @Liza Brown
Effortless Video Import and Export: Tips and Tricks for Adobe Premiere Users
How to Import and Export Videos in Adobe Premiere
Benjamin Arango
Mar 27, 2024• Proven solutions
Adobe Premiere Pro offers different paths to importing and exporting videos. Here we mainly discuss how to import and export media files in Adobe Premiere Pro.
Learn more tips, tricks and hacks of Premiere for accelerating video editing.
This is a basic tutorial about Adobe Premiere, professional video editing software. However, if video editing is new to you, consider Wondershare Filmora , which is a powerful but easy-to-use tool for users just starting out. Download the free trial version below.
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
Importing
There are two main ways to import media into Premiere, the import command and the media browser. They do things slightly differently and have uses they are both best suited to, here we will look at the process itself and which method to use in a given situation.
1. Import Command
This is a straightforward command that works like most other programs, and is accessed from the file menu, or via the Control+I shortcut on the PC or Command+I on the Mac. You can also double click an empty area of the project panel to automatically open the import dialogue.
Whichever way you access it, you get the standard for the platform import dialogue box we see here.
This method of importing is best suited to self-contained media such as audio or graphics, or video files such as MP4 that are single files themselves, whose location on your computer you know so you can navigate to them easily. This is not the way to import videos from cameras, as they invariably create complex file and folder arrangements that make choosing the correct files difficult. This is where you would opt for the media browser method instead.
2. Media Browser
Whilst on the surface media browser appears to do the same job as the import command the way they carry out the task is somewhat different, media browser is designed to let you see the media created by cameras, and show you easy to understand icons and metadata rather than the intricate pattern of files and folders they use. This makes picking the correct clip from a selection much easier, with metadata showing you date and duration as well as file type.
The media browser panel is found in the project panel, which on the standard layout is the bottom left corner, and can also be accessed by the Shift+8 shortcut. As you can see from the screenshot it works like an operating system file browser and allows you to navigate through the file directories of hard drives and removable media connected to the system.
One of the benefits of media browser is to narrow down the type of media being shown, so you can set to avchd for instance and it will display just that type of file in a given location. Because many projects use media from different sources this can be a real boon to finding the right file within a list.
File Types
Media browser displays more or less any file there is in a given location, and importing is simply a matter of selecting the correct file and double clicking it or right clicking and selecting import from the menu. You can select multiple files at once by holding down shift and import them all together if needed.
There are some exceptions to this, however, despite having a huge number of file types supported natively within Premiere, you will sometimes run into files that are not supported, FLV and MKV files being the most common ones, but this is not the end of the world and there is a simple solution.
Wondershare Video Converter Ultimate offers an easy way to convert any file you may have into media that Premiere can use quickly and efficiently, and is a great tool to have alongside premiere if you commonly work with multiple file types.
Exporting
The ultimate aim of any project is obviously to finish it and let others see the result of your creativity, and that means exporting your work into a format that is suitable for the medium you wish the project to be viewed on. Premiere offers a number of options regarding export, you can select an entire sequence to export as a single file for the web or disc, choose a single frame to post to a website, blog or to distribute through email, you can export just the audio, or just the video from a sequence, and if you have the right hardware, can export directly to tape or disk.
To export a project that closely matches the original media in quality and frame rates, often called a master copy, is very straightforward in Premiere, with the sequence selected, either in the Timeline Panel or the Project Panel, you simply use the File > Export > Media path :
Which opens the media export dialogue.
Selecting ‘Match Sequence Settings’ here creates a finished file that matches the quality of the original source media. Then you simply choose a suitable name for the file in the Output Name field, and click export. This creates in essence a digital clone of the sequence, and best practice is to always do this for any project, however, for many projects, this is not necessarily the format you would want the final product to be in, those concentrating on YouTube output, or someone wanting to author a DVD for instance will need other options.
Thankfully Premiere caters here as well. Instead of selecting the ‘Match Sequence Settings’ within export dialogue, you can click on the ‘Format’ field to change the type of file that is produced. What options here can vary depending on codecs installed, this screenshot shows only those that are included with the product for clarity.
Depending on which format you choose. The preset below will allow you to choose a wide range of output settings to suit the intended platform. For instance, selecting format brings up a huge number of presets for various Tablets and Phones, but also for Vimeo and YouTube, which is why it is one of the most common output formats. Here’s a look at some of the presets available from the menu.
Once you choose a preset, you can further modify the parameters to suit the project you are working on and even save those as an additional custom preset for later projects should you wish. Again, choosing a suitable file name and clicking Export ends the process.
The other common requirement is for DVD or Blu-Ray files. Whilst you need access to the appropriate hardware to burn the disk, Premiere creates the file structure for that natively and you have two options here. Mpeg2 in either DVD or Blu-Ray form, or Blu-Ray. With high quality source material, the two formats are virtually indistinguishable in their final format, however, MPEG2 will be much quicker to render and is a good choice for most applications. Although does allow more content to fit into a given space, so it does have uses. Importing and exporting are the foundation of Premiere use, and as we have shown Premiere makes it very easy to do and produces the right file types for whatever your project is to be used for.
With the addition of Wondershare Video Converter Ultimate you have a workflow that can ingest and export any type of media file you will ever come across with the minimum of fuss.
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
Benjamin Arango
Mar 27, 2024• Proven solutions
Adobe Premiere Pro offers different paths to importing and exporting videos. Here we mainly discuss how to import and export media files in Adobe Premiere Pro.
Learn more tips, tricks and hacks of Premiere for accelerating video editing.
This is a basic tutorial about Adobe Premiere, professional video editing software. However, if video editing is new to you, consider Wondershare Filmora , which is a powerful but easy-to-use tool for users just starting out. Download the free trial version below.
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
Importing
There are two main ways to import media into Premiere, the import command and the media browser. They do things slightly differently and have uses they are both best suited to, here we will look at the process itself and which method to use in a given situation.
1. Import Command
This is a straightforward command that works like most other programs, and is accessed from the file menu, or via the Control+I shortcut on the PC or Command+I on the Mac. You can also double click an empty area of the project panel to automatically open the import dialogue.
Whichever way you access it, you get the standard for the platform import dialogue box we see here.
This method of importing is best suited to self-contained media such as audio or graphics, or video files such as MP4 that are single files themselves, whose location on your computer you know so you can navigate to them easily. This is not the way to import videos from cameras, as they invariably create complex file and folder arrangements that make choosing the correct files difficult. This is where you would opt for the media browser method instead.
2. Media Browser
Whilst on the surface media browser appears to do the same job as the import command the way they carry out the task is somewhat different, media browser is designed to let you see the media created by cameras, and show you easy to understand icons and metadata rather than the intricate pattern of files and folders they use. This makes picking the correct clip from a selection much easier, with metadata showing you date and duration as well as file type.
The media browser panel is found in the project panel, which on the standard layout is the bottom left corner, and can also be accessed by the Shift+8 shortcut. As you can see from the screenshot it works like an operating system file browser and allows you to navigate through the file directories of hard drives and removable media connected to the system.
One of the benefits of media browser is to narrow down the type of media being shown, so you can set to avchd for instance and it will display just that type of file in a given location. Because many projects use media from different sources this can be a real boon to finding the right file within a list.
File Types
Media browser displays more or less any file there is in a given location, and importing is simply a matter of selecting the correct file and double clicking it or right clicking and selecting import from the menu. You can select multiple files at once by holding down shift and import them all together if needed.
There are some exceptions to this, however, despite having a huge number of file types supported natively within Premiere, you will sometimes run into files that are not supported, FLV and MKV files being the most common ones, but this is not the end of the world and there is a simple solution.
Wondershare Video Converter Ultimate offers an easy way to convert any file you may have into media that Premiere can use quickly and efficiently, and is a great tool to have alongside premiere if you commonly work with multiple file types.
Exporting
The ultimate aim of any project is obviously to finish it and let others see the result of your creativity, and that means exporting your work into a format that is suitable for the medium you wish the project to be viewed on. Premiere offers a number of options regarding export, you can select an entire sequence to export as a single file for the web or disc, choose a single frame to post to a website, blog or to distribute through email, you can export just the audio, or just the video from a sequence, and if you have the right hardware, can export directly to tape or disk.
To export a project that closely matches the original media in quality and frame rates, often called a master copy, is very straightforward in Premiere, with the sequence selected, either in the Timeline Panel or the Project Panel, you simply use the File > Export > Media path :
Which opens the media export dialogue.
Selecting ‘Match Sequence Settings’ here creates a finished file that matches the quality of the original source media. Then you simply choose a suitable name for the file in the Output Name field, and click export. This creates in essence a digital clone of the sequence, and best practice is to always do this for any project, however, for many projects, this is not necessarily the format you would want the final product to be in, those concentrating on YouTube output, or someone wanting to author a DVD for instance will need other options.
Thankfully Premiere caters here as well. Instead of selecting the ‘Match Sequence Settings’ within export dialogue, you can click on the ‘Format’ field to change the type of file that is produced. What options here can vary depending on codecs installed, this screenshot shows only those that are included with the product for clarity.
Depending on which format you choose. The preset below will allow you to choose a wide range of output settings to suit the intended platform. For instance, selecting format brings up a huge number of presets for various Tablets and Phones, but also for Vimeo and YouTube, which is why it is one of the most common output formats. Here’s a look at some of the presets available from the menu.
Once you choose a preset, you can further modify the parameters to suit the project you are working on and even save those as an additional custom preset for later projects should you wish. Again, choosing a suitable file name and clicking Export ends the process.
The other common requirement is for DVD or Blu-Ray files. Whilst you need access to the appropriate hardware to burn the disk, Premiere creates the file structure for that natively and you have two options here. Mpeg2 in either DVD or Blu-Ray form, or Blu-Ray. With high quality source material, the two formats are virtually indistinguishable in their final format, however, MPEG2 will be much quicker to render and is a good choice for most applications. Although does allow more content to fit into a given space, so it does have uses. Importing and exporting are the foundation of Premiere use, and as we have shown Premiere makes it very easy to do and produces the right file types for whatever your project is to be used for.
With the addition of Wondershare Video Converter Ultimate you have a workflow that can ingest and export any type of media file you will ever come across with the minimum of fuss.
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
Benjamin Arango
Mar 27, 2024• Proven solutions
Adobe Premiere Pro offers different paths to importing and exporting videos. Here we mainly discuss how to import and export media files in Adobe Premiere Pro.
Learn more tips, tricks and hacks of Premiere for accelerating video editing.
This is a basic tutorial about Adobe Premiere, professional video editing software. However, if video editing is new to you, consider Wondershare Filmora , which is a powerful but easy-to-use tool for users just starting out. Download the free trial version below.
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
Importing
There are two main ways to import media into Premiere, the import command and the media browser. They do things slightly differently and have uses they are both best suited to, here we will look at the process itself and which method to use in a given situation.
1. Import Command
This is a straightforward command that works like most other programs, and is accessed from the file menu, or via the Control+I shortcut on the PC or Command+I on the Mac. You can also double click an empty area of the project panel to automatically open the import dialogue.
Whichever way you access it, you get the standard for the platform import dialogue box we see here.
This method of importing is best suited to self-contained media such as audio or graphics, or video files such as MP4 that are single files themselves, whose location on your computer you know so you can navigate to them easily. This is not the way to import videos from cameras, as they invariably create complex file and folder arrangements that make choosing the correct files difficult. This is where you would opt for the media browser method instead.
2. Media Browser
Whilst on the surface media browser appears to do the same job as the import command the way they carry out the task is somewhat different, media browser is designed to let you see the media created by cameras, and show you easy to understand icons and metadata rather than the intricate pattern of files and folders they use. This makes picking the correct clip from a selection much easier, with metadata showing you date and duration as well as file type.
The media browser panel is found in the project panel, which on the standard layout is the bottom left corner, and can also be accessed by the Shift+8 shortcut. As you can see from the screenshot it works like an operating system file browser and allows you to navigate through the file directories of hard drives and removable media connected to the system.
One of the benefits of media browser is to narrow down the type of media being shown, so you can set to avchd for instance and it will display just that type of file in a given location. Because many projects use media from different sources this can be a real boon to finding the right file within a list.
File Types
Media browser displays more or less any file there is in a given location, and importing is simply a matter of selecting the correct file and double clicking it or right clicking and selecting import from the menu. You can select multiple files at once by holding down shift and import them all together if needed.
There are some exceptions to this, however, despite having a huge number of file types supported natively within Premiere, you will sometimes run into files that are not supported, FLV and MKV files being the most common ones, but this is not the end of the world and there is a simple solution.
Wondershare Video Converter Ultimate offers an easy way to convert any file you may have into media that Premiere can use quickly and efficiently, and is a great tool to have alongside premiere if you commonly work with multiple file types.
Exporting
The ultimate aim of any project is obviously to finish it and let others see the result of your creativity, and that means exporting your work into a format that is suitable for the medium you wish the project to be viewed on. Premiere offers a number of options regarding export, you can select an entire sequence to export as a single file for the web or disc, choose a single frame to post to a website, blog or to distribute through email, you can export just the audio, or just the video from a sequence, and if you have the right hardware, can export directly to tape or disk.
To export a project that closely matches the original media in quality and frame rates, often called a master copy, is very straightforward in Premiere, with the sequence selected, either in the Timeline Panel or the Project Panel, you simply use the File > Export > Media path :
Which opens the media export dialogue.
Selecting ‘Match Sequence Settings’ here creates a finished file that matches the quality of the original source media. Then you simply choose a suitable name for the file in the Output Name field, and click export. This creates in essence a digital clone of the sequence, and best practice is to always do this for any project, however, for many projects, this is not necessarily the format you would want the final product to be in, those concentrating on YouTube output, or someone wanting to author a DVD for instance will need other options.
Thankfully Premiere caters here as well. Instead of selecting the ‘Match Sequence Settings’ within export dialogue, you can click on the ‘Format’ field to change the type of file that is produced. What options here can vary depending on codecs installed, this screenshot shows only those that are included with the product for clarity.
Depending on which format you choose. The preset below will allow you to choose a wide range of output settings to suit the intended platform. For instance, selecting format brings up a huge number of presets for various Tablets and Phones, but also for Vimeo and YouTube, which is why it is one of the most common output formats. Here’s a look at some of the presets available from the menu.
Once you choose a preset, you can further modify the parameters to suit the project you are working on and even save those as an additional custom preset for later projects should you wish. Again, choosing a suitable file name and clicking Export ends the process.
The other common requirement is for DVD or Blu-Ray files. Whilst you need access to the appropriate hardware to burn the disk, Premiere creates the file structure for that natively and you have two options here. Mpeg2 in either DVD or Blu-Ray form, or Blu-Ray. With high quality source material, the two formats are virtually indistinguishable in their final format, however, MPEG2 will be much quicker to render and is a good choice for most applications. Although does allow more content to fit into a given space, so it does have uses. Importing and exporting are the foundation of Premiere use, and as we have shown Premiere makes it very easy to do and produces the right file types for whatever your project is to be used for.
With the addition of Wondershare Video Converter Ultimate you have a workflow that can ingest and export any type of media file you will ever come across with the minimum of fuss.
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
Benjamin Arango
Mar 27, 2024• Proven solutions
Adobe Premiere Pro offers different paths to importing and exporting videos. Here we mainly discuss how to import and export media files in Adobe Premiere Pro.
Learn more tips, tricks and hacks of Premiere for accelerating video editing.
This is a basic tutorial about Adobe Premiere, professional video editing software. However, if video editing is new to you, consider Wondershare Filmora , which is a powerful but easy-to-use tool for users just starting out. Download the free trial version below.
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
Importing
There are two main ways to import media into Premiere, the import command and the media browser. They do things slightly differently and have uses they are both best suited to, here we will look at the process itself and which method to use in a given situation.
1. Import Command
This is a straightforward command that works like most other programs, and is accessed from the file menu, or via the Control+I shortcut on the PC or Command+I on the Mac. You can also double click an empty area of the project panel to automatically open the import dialogue.
Whichever way you access it, you get the standard for the platform import dialogue box we see here.
This method of importing is best suited to self-contained media such as audio or graphics, or video files such as MP4 that are single files themselves, whose location on your computer you know so you can navigate to them easily. This is not the way to import videos from cameras, as they invariably create complex file and folder arrangements that make choosing the correct files difficult. This is where you would opt for the media browser method instead.
2. Media Browser
Whilst on the surface media browser appears to do the same job as the import command the way they carry out the task is somewhat different, media browser is designed to let you see the media created by cameras, and show you easy to understand icons and metadata rather than the intricate pattern of files and folders they use. This makes picking the correct clip from a selection much easier, with metadata showing you date and duration as well as file type.
The media browser panel is found in the project panel, which on the standard layout is the bottom left corner, and can also be accessed by the Shift+8 shortcut. As you can see from the screenshot it works like an operating system file browser and allows you to navigate through the file directories of hard drives and removable media connected to the system.
One of the benefits of media browser is to narrow down the type of media being shown, so you can set to avchd for instance and it will display just that type of file in a given location. Because many projects use media from different sources this can be a real boon to finding the right file within a list.
File Types
Media browser displays more or less any file there is in a given location, and importing is simply a matter of selecting the correct file and double clicking it or right clicking and selecting import from the menu. You can select multiple files at once by holding down shift and import them all together if needed.
There are some exceptions to this, however, despite having a huge number of file types supported natively within Premiere, you will sometimes run into files that are not supported, FLV and MKV files being the most common ones, but this is not the end of the world and there is a simple solution.
Wondershare Video Converter Ultimate offers an easy way to convert any file you may have into media that Premiere can use quickly and efficiently, and is a great tool to have alongside premiere if you commonly work with multiple file types.
Exporting
The ultimate aim of any project is obviously to finish it and let others see the result of your creativity, and that means exporting your work into a format that is suitable for the medium you wish the project to be viewed on. Premiere offers a number of options regarding export, you can select an entire sequence to export as a single file for the web or disc, choose a single frame to post to a website, blog or to distribute through email, you can export just the audio, or just the video from a sequence, and if you have the right hardware, can export directly to tape or disk.
To export a project that closely matches the original media in quality and frame rates, often called a master copy, is very straightforward in Premiere, with the sequence selected, either in the Timeline Panel or the Project Panel, you simply use the File > Export > Media path :
Which opens the media export dialogue.
Selecting ‘Match Sequence Settings’ here creates a finished file that matches the quality of the original source media. Then you simply choose a suitable name for the file in the Output Name field, and click export. This creates in essence a digital clone of the sequence, and best practice is to always do this for any project, however, for many projects, this is not necessarily the format you would want the final product to be in, those concentrating on YouTube output, or someone wanting to author a DVD for instance will need other options.
Thankfully Premiere caters here as well. Instead of selecting the ‘Match Sequence Settings’ within export dialogue, you can click on the ‘Format’ field to change the type of file that is produced. What options here can vary depending on codecs installed, this screenshot shows only those that are included with the product for clarity.
Depending on which format you choose. The preset below will allow you to choose a wide range of output settings to suit the intended platform. For instance, selecting format brings up a huge number of presets for various Tablets and Phones, but also for Vimeo and YouTube, which is why it is one of the most common output formats. Here’s a look at some of the presets available from the menu.
Once you choose a preset, you can further modify the parameters to suit the project you are working on and even save those as an additional custom preset for later projects should you wish. Again, choosing a suitable file name and clicking Export ends the process.
The other common requirement is for DVD or Blu-Ray files. Whilst you need access to the appropriate hardware to burn the disk, Premiere creates the file structure for that natively and you have two options here. Mpeg2 in either DVD or Blu-Ray form, or Blu-Ray. With high quality source material, the two formats are virtually indistinguishable in their final format, however, MPEG2 will be much quicker to render and is a good choice for most applications. Although does allow more content to fit into a given space, so it does have uses. Importing and exporting are the foundation of Premiere use, and as we have shown Premiere makes it very easy to do and produces the right file types for whatever your project is to be used for.
With the addition of Wondershare Video Converter Ultimate you have a workflow that can ingest and export any type of media file you will ever come across with the minimum of fuss.
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
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- Title: Updated In 2024, Mastering Time Manipulation in FCPX
- Author: Emma
- Created at : 2024-04-29 02:25:56
- Updated at : 2024-04-30 02:25:56
- Link: https://video-ai-editor.techidaily.com/updated-in-2024-mastering-time-manipulation-in-fcpx/
- License: This work is licensed under CC BY-NC-SA 4.0.
